Browse Movies : 2006 : Rating Not Available (Page #3)

"Why We Fight" is an unflinching look at the military industrial complex and the rise of the American Empire. Inspired by Dwight Eisenhower's legendary farewell speech (in which he coined the phrase "military industrial complex"), the film surveys the scorched landscape of a half-century's military adventures, asking how—and telling why—a nation of, by, and for the people has become the savings-and-loan of a system whose survival depends on a state of constant war. The film moves beyond the headlines of various American military operations to the deeper questions of why—why does America fight? What are the forces—political, economic and ideological—that drive us to fight against an ever-changing enemy?

In the town of Cavite, Philippines, people will do just about anything to survive. This is the harsh reality for many Filipinos living in a poverty stricken nation. Adam, an American citizen visiting his home country for his father's funeral, soon realizes this when he arrives at the Philippines Airport and receives a phone call from an anonymous caller letting him know that his mother and sister have been kidnapped and will be killed if he doesn't comply with his demands. Helpless and alone in a country he barely knows, he must submit himself to the fanatic's every wish or face the consequences. Soon Adam realizes that the caller on the other end is with the country's most infamous bandits, the Abu Sayyaf, a Muslim terrorist group fighting the Philippine government for Muslims to own the southern part of the country. Known for their kidnap, ransom and beheading of their victims if demands aren't met, he is at the caller's mercy. But when he finds out the caller's real motivation, Adam finds himself in a dilemma, having to choose between sacrificing the ones he loves, or commiting a horrendous act that will cost the lives of many.

"CSA: The Confederate States of America", through the eyes of a faux documentary, takes a look at an America where the South won the Civil War. Supposedly produced by a British broadcasting company, the feature film is presented as a production being shown, controversially, for the first time on television in the States. Beginning with the British and French forces joining the battle with the Confederacy, thus assuring the defeat of the North at Gettysburg and ensuing battles, the South takes the battle northward and form one country out of the two. Lincoln attempts escape to Canada but is captured in blackface. This moment is captured in the clip of a silent film that might have been. Through the use of other fabricated movie segments, old government information films, television commercials, newsbreaks, along with actual stock footage from our own history, a provocative and humorous story is told of a country, which, in many ways, frighteningly follows a parallel with our own. After victory, President Davis brings slavery back to the northern states by offering a tax rebate to businesses and households who will buy and own them. Liberals move to Canada. The nation chooses an expansionist policy and conquers Mexico and South America. As world war looms, the CSA takes a non-aggressive stance toward the Third Reich and their move toward racial purity (although not condoning their wasting of possible slave stock by the Final Solution) and makes a preemptive strike on Japan on December 7, 1941. Kennedy is assassinated soon after being elected, as it appears he will not only emancipate but also give women the vote. A growing black terrorist base stems from Canada and a Cold War breaks out...complete with the Cotton Curtain being built between the two countries. Through it all, including a contemporary run for the presidency, we follow a political dynasty, the Fauntroy family, who lead the country through its triumphs and tragedies. We arrive to a today that, in many ways, we recognize. Although a nation that is content and prosperous, there is a tremendous divide within and suspicious eye without. Current politicians refer to us as two countries and perhaps, other than geographically, there is no difference between Red and Blue or North and South states. We have always struggled as to whether we are the United or Confederate States of America.

"Don't Tell" is the story of Sabina (GiovannaMezzogiorno), a young woman whose peaceful existence is shattered by nightmares caused by memories of her childhood. Seeking answers, she flies to the U.S. to see her older brother, Daniele (Lugio Lo Cascio), but realizes that he, too, has been traumatized.

"Duck Season" takes you into one particular Sunday morning in the lives of two fourteen-year old boys, Flama and Moko. With their neighbor Rita and pizza delivery boy Ulises, they create their own adventures to overcome their boredom. "Duck Season" explores the loneliness of childhood, the effects of divorce and the curious power of love and friendship.

In "Edison", a young journalist (Justin Timberlake) uncovers an elite unit of corrupt cops. Realizing that he's over his head, he makes an uneasy alliance with a burnt-out reporter (Morgan Freeman) and the DA's ace investigator (Kevin Spacey).

A female drug addict falls into a coma after a traffic accident, miraculously recovers, and stays on in the lugubrious hospital as a nurse, curing patients by lying beside them. The joint's regular staff, eventually turns against her, and she ends up in a body bag, incinerated on a garbage heap.

A down-on-his-luck meter reader (Jon Heder) enrolls in a confidence-building class so he can win the love of his dream girl (Jacinda Barrett). The class turns out to be something quite different once it becomes clear to the young man that his professor (Billy Bob Thornton) has set his sights on the same woman.

Six college students, while backpacking across Brazil, get stranded in the jungles and imprisoned by a military group.

Emily Wang (Maggie Cheung) is a woman who wrestles with her dream of becoming a singer, her fitness as a mother, and daily life without her partner Lee (James Johnston). Her past is riddled with drugs and regrets, the result of which left Lee dead in a desolate motel room in Hamilton, Ontario, and landed Emily with a six-month jail sentence. The only thing that she desires for the future is a loving relationship with her son Jay, who is being cared for by Lee's parents, Albrecht (Nick Nolte) and Rosemary (Martha Henry). While Rosemary blames Emily for the death of Lee, Albrecht recognizes the importance of the bond between a mother and her son, and his faith sets the standard for the faith Emily must find in herself. Clean follows Emily to Hamilton, Paris, London and San Francisco and in three languages (English, French and Cantonese), as she battles for a place in a world reluctant to forget the woman she has been and unwilling to accept her as the woman she longs to be.

On an Irish winter's night, five people find themselves caught up in a terrifying experiment that goes horrifically wrong.

Since bursting onto the scene in 1967, Leonard Cohen has inspired generations with his unique personality and haunting music, becoming one of the most original and enduring artists to emerge from the 1960s. Now, Lions Gate is proud to celebrate Cohen's legacy with director Lian Lunson's "Leonard Cohen I'm Your Man", an intimate look at the songs, poetry and life of one of music's most celebrated and influential troubadours.

In January, 2005, Lunson traveled to Sydney to film the historic "Came So Far For Beauty" show, a tribute to Leonard Cohen at the Sydney Opera House organized by famed music producer Hal Willner. "Leonard Cohen I'm Your Man" includes behind-the-scenes interviews and live performances from this event by Nick Cave, Rufus Wainwright, Kate & Anna McGarrigle, Martha Wainwright, Beth Orton, Linda Thompson, Teddy Thompson, Jarvis Cocker, The Handsome Family, Julie Christensen and Perla Battala, as well as a special performance of "Tower of Song" by Cohen and U2. And in a series of candid interviews, Cohen himself reveals his trademark wry humor and soulful intensity, using his own artwork, poetry and personal collection of photographs to reflect upon his colorful past and his creative process.

Seven days, 45 finalists, one World Champion. Shot on location in Las Vegas, Nevada, "Rank" takes us from the ranch to the arena for the fascinating struggle of the three highest-ranking bull riders competing for the title of PBR World Champion. Contenders Justin McBride, a third generation bull rider; Mike Lee, a 21 year-old born-again Christian; and Adriano Moraes, a two-time PBR World Champion bring the gritty reality of this hazardous sport into focus for the first time. From preparations to ride through severe injuries and finally, victory for one: a gold belt buckle and a check for one million dollars.

A dispossessed twenty-year old Bruno lives with his eighteen-year-old girlfriend Sonia in Seraing, an eastern Belgian steel town. They live off Sonia's unemployment benefits along with the panhandling and petty thefts committed by Bruno and his gang. Their lives change forever when Sonia gives birth to their child, Jimmy. She returns home after Jimmy's birth to find that Bruno has sublet their apartment to total strangers. After an initial and promising change of heart about becoming a father and changing his ways, Jimmy becomes little more to Bruno than a potential source of wealth. Desperate for money and unable to face his parental responsibilities, Bruno sells Jimmy to a black market connection, who promises to find the child an adoptive home. Realizing the error in his actions Bruno sets out to try and undo his callous deed, leading him to a powerful personal transformation.

During the Cuban Revolution of 1958-59, the three brothers of the Fellove family are ruined: brother Luis supports Castro as a clandestine terrorist and is killed by the forces of Batista; brother Ricardo joins Castro's forces as a freedom fighter and kills himself when he realizes that Castro is just another power-hungry dictator; and wary brother Fico, a nightclub entrepreneur, stays apolitical during the Revolution and sees his life's work confiscated by Castro's puritanical and acquisitive goons.