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At the height of the First World War, two young British soldiers, Schofield (Captain Fantastic’s George MacKay) and Blake (Game of Thrones’ Dean-Charles Chapman) are given a seemingly impossible mission. In a race against time, they must cross enemy territory and deliver a message that will stop a deadly attack on hundreds of soldiers—Blake’s own brother among them.

A feature documentary that follows the story of tireless researchers who trace the origins of the anti-gay movement among Christians to a grave mistranslation of the Bible in 1946. It chronicles the discovery of never-before-seen archives at Yale University which unveil astonishing new revelations, and casts significant doubt on any biblical basis for LGBTQIA+ prejudice. Featuring Commentary from prominent scholars as well as opposing pastors, including the personal stories of the film’s creators, and original music by Grammy winning artist Mary Lambert, 1946 is at once challenging, enlightening, and inspiring.

"11:14" tells the seemingly random yet vitally connected story of a set of incidents that all converge one evening at 11:14pm. It's a sort of musical chairs with a corpse, with the structurally intriguing storytelling style of Memento and Run Lola Run. The story starts at - 11:14pm - one evening with a young man named Jack who is driving down the freeway, on his way to a rendezvous with his girlfriend. His car hits a body at that moment. Thinking he killed him, Jack tries to hide the body. From there, we backtrack to follow the chain of events of five different characters and five different storylines that all converge and become party to Jack's hitting the body at 11:14pm.

When Cam and Sky bought their duplex, it seemed like the perfect investment opportunity for the young couple; a starter home, a mortgage offset by renters, and even a guest room for Sky’s sister, Carolyn. But as Sky and Cam slowly uncover hidden cameras and secrets of the duplex’s previous owner, obsession consumes their marriage and they both fall into destructive forms of voyeurism. When new tenants move in downstairs, their fixation with observing others soon has deadly consequences and they are forced to confront the very things they have been consumed by.

Based on Stephen King's 131-page story telling of a man's confession of his wife's murder. The tale is told from from the perspective of Wilfred James, the story's unreliable narrator who admits to killing his wife, Arlette, with his son in Nebraska. But after he buries her body, he finds himself terrorized by rats and, as his life begins to unravel, becomes convinced his wife is haunting him.

The film tells the story of the golden age of Formula 1, when the sport became terrifyingly dangerous and the drivers were like rock stars with charisma and raw talent, but with many of them paying the ultimate price. 1 follows the story of the drivers who raced on the edge and those who stood up to change the sport forever.

A guy receives what appears to be junk mail informing him he's in a competition with nine others and that whoever gets out alive wins. He throws away the letter, but then a man toting an ax shows up at the door.

The film is about a man who believes that he left behind his family's ties to organized crime, only to find that easier said than done upon returning to Philadelphia. It was inspired by the real life experiences of Joseph Pistone, the FBI agent otherwise known as Donnie Brasco.

During Hitler's anniversary speech on November 8, 1939, a man is arrested on the Swiss border for possession of suspicious objects. Just minutes later, a bomb explodes in the Munich Bürgerbräukeller, immediately behind the Führer's lectern, killing eight people.The man is Georg Elser (Christian Friedel), a carpenter from Königsbronn in the Swabia region.When a map of the site of the assault and detonators are found on him, he is sent to the head of the Criminal Police in the Reichssicherheitshauptamt,Arthur Nebe (Burghart Klaussner) and the head of the Gestapo, Heinrich Müller (Johann von Bülow) to be questioned. From them, Elser learns that his attempt has failed – that the man he wanted to kill in order to stop the bloodshed of the World War that had just begun, has left the Bürgerbräukeller 13 MINUTES before the explosion.

Adam (Richard E. Grant) is a rich industrialist and frustrated opera singer aspiring to a more cultured world. Spurred on by playful jibes that he’s just a City suit living a capitalist dream he decides to stage an opera in his lavish country retreat. He feels sure the shallow taunting will end once his friends see him in full voice. In fact his singing might even help him win the hand of Celia (Sarah Brightman), the female conductor he’s been pursuing, especially since she is the first to be recruited for his showpiece.

For the rest of the cast and the production, Adam brings in the experts and enlists the aid of a troupe of promising young singers – led by beauty Nicoletta (Mia Maestro) and upstart Tom (Julian Ovenden) – with enough collective sexual tension to light up the stage. His choice of opera? Mozart’s Cosi Fan Tutte, the master composer’s fabled romp through the bittersweet territory of sexual infidelity. As this motley group flexes their melodic and melodramatic muscles during rehearsals leading up to the opening night performance, it won’t be long before life imitates art as relationships flourish and flounder.

100% Wolf centres on Freddy Lupin, the heir to a proud family line of werewolves. Desperate to become a werewolf himself, Freddy is in for a shock when on his 13th birthday his first “transwolfation” goes awry, turning him into a ferocious … poodle. Just when Freddy thinks life can’t get any worse, he’s groomed against his will, chased into the streets and thrown into dog prison. Can Freddy and his new streetwise friend, Batty, escape? Who is the sinister man following his every move? Despite his pink and fluffy exterior, can Freddy prove he’s still 100% wolf?

On the morning of Election Day 2016, Americans of all stripes woke up and went about living their radically different lives. These were the hours leading up to Donald Trump's unexpected, earth-shaking victory, but, of course, no one knew that yet. Curated and produced by Jeff Deutchman 11/8/16 documents the moments leading up to a defining moment in American history.

Trained in clandestine combat from childhood, the Jinyiwei were masters of the 14 Blades. Above the law and with a license to kill, they devoted their lives and lethal prowess to the service of the Emperor alone.

When the Imperial Court is taken over by evil eunuch JIA, the best of the Jinyiwei, QINGLONG is assigned to steal a list identifying those still loyal to the Emperor. Unbeknownst to Qinglong, the Jinyiwei have fallen under the control of Jia, and during the mission he’s betrayed and barely escapes with his life.

Now the most wanted man in the land Qinglong must seek out and rally the loyalists to rise against Jia and restore the Emperor to power.

In his way are the deadliest assassins in the land, his former brethren, the Jinyiwei.

Jeff Johnson recounts the journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia in 1968.

Two bitter rivals (Jacky Heung and Andy On) duel for stewardship of a wushu academy, in this cool and calculated martial arts caper from Xu Haofeng (The Sword Identity, The Final Master).

Eleven-year-old Wang Han lives with his family in a remote village in Guizhou province. Life is tough, but they make the most of what little they have. When Wang is selected to lead his school through their daily gymnastic regiment, his teacher recommends that he wear a clean, new shirt in honor of this important position – a request that forces his family to make a great sacrifice.

But one afternoon, soon after Wang is given the precious shirt, he encounters a desperate, wounded man, who takes it from him. The man is on the run, wanted by the authorities for murder. In no time the fates of Wang and the fugitive are intertwined.