Browse Movies : Sony Pictures Classics : PG-13 (Page #3)

The story centers on a family traveling to Paris for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.

For the first time ever, six former heads of Israel's domestic secret service agency, the Shin Bet, share their insights and reflect publicly on their actions and decisions. Since the Six Day War in 1967, Israel has failed to transform its crushing military victory into a lasting peace. Throughout that entire period, these heads of the Shin Bet stood at the center of Israel's decision-making process in all matters pertaining to security. They worked closely with every Israeli prime minister, and their assessments and insights had - and continue to have - a profound impact on Israeli policy.

For the last 40 years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed some of the major events of our recent history; international conflicts, starvation and exodus. He is now embarking on the discovery of pristine territories, of wild fauna and flora, and of grandiose landscapes as part of a huge photographic project, which is a tribute to the planet's beauty. Sebastião Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last travels, and by Wim Wenders, himself a photographer.

Adopted by his grandmother, Madame Souza, Champion is a lonely little boy. Noticing that this lad is never happier than on a bicycle, Madame Souza puts him through a rigorous training process. Years go by and Champion becomes worthy of his name. Now his ready to enter the world-famous cycling race, the Tour de France. However during this cycling contest two mysterious men in black kidnap Champion. Madame Souza and her faithful dog Bruno set out to rescue him. Their quest takes them across the ocean to a giant Megalopolis called Belleville where they encounter the renowned "Triplets of Belleville", three eccentric female music-hall stars from the 30's who decide to take Madame Souza and Bruno under their wing. Thanks to Bruno's brilliant sense of smell, the brave duo are soon on to Champion's trail. But will they succeed in beating the devilish plans of the evil French mafia?

An happily married couple and their troubled friends deal with the emotions of getting old.

Tells the story of the legendary cookbook author and television superstar who changed the way Americans think about food, television, and even about women. Using never-before-seen archival footage, personal photos, first-person narratives, and cutting-edge, mouth-watering food cinematography, the film traces Julia Child's surprising path, from her struggles to create and publish the revolutionary Mastering the Art of French Cooking (1961) which has sold more than 2.5 million copies to date, to her empowering story of a woman who found fame in her 50s, and her calling as an unlikely television sensation.

The Norwegian film "O’Horten" centers on a train driver who is stumped as to what to do when he hits retirement.

The film profiles a 1974 concert of R&B performers during the "rumble in the jungle" boxing match between George Foreman and Muhammad Ali.

A story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman's point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it's a film about young love, the futility of war and how to make sense of the darkest times.

This ensemble drama portraits the life of several dancers of a Chicago troupe, focusing on a young dancer who's on the verge of becoming a principal dancer, but finds herself distracted by other interests.

Alan Bennett's story is based on the true story of Miss Shepherd (played by Maggie Smith), a woman of uncertain origins who "temporarily" parked her van in Bennett's London driveway and proceeded to live there for 15 years. What begins as a begrudged favor becomes a relationship that will change both their lives.

Set in Shanghai in the late 1930s, it is the story of the relationship between a disillusioned former US diplomat and a refugee Russian countess reduced to a sordid life in the city's bars.

Todd Jackson (Ralph Feinnes), once an American diplomat filled with idealism, has become bitterly disillusioned by realpolitik and the seemingly unavoidable nature of war and conflict. Moreover, he is deeply bereaved by the deaths of his wife and children, who were victims of violent political events in 1930s China that also robbed Jackson of his sight.

Jackson is trying to retreat into a smaller, more controllable world by creating here, in one of the world's most licentious, glittering and sordid ports, the perfect bar. After countless hours spent critically examining dive after dive in the city's pleasure districts, Jackson has become a connoisseur of decadence. One day, after a chance meeting with Matsuda - a mysterious Japanese man who appears to share his refined eye for the beauty of low-life establishments - Jackson gambles his savings on a horse, wins, and sets about realizing his masterpiece: a bar that will achieve the exquisite balance of romance, tragedy, and political tension.

Matsuda is a decidedly shadowy figure, but that fails to worry Jackson, and they partner to create the perfect bar. When rumors circulate that Matsuda has come to Shanghai to oversee a Japanese invasion of the city, Jackson still willfully refuses to listen.

Sofia (Natasha Richardson) is a White Russian countess in her thirties who fled the Bolshevik Revolution as a child. Her immediate family have perished, and she now lives in a Shanghai slum with members of her late husband's aristocratic family and her ten-year-old daughter, Katya. The household's sole breadwinner, Sofia works as a taxi-dancer in dingy night spots, resorting to prostitution when times are hard. The rest of the household show their gratitude by endlessly ostracizing her for bringing disgrace to the family.

Jackson encounters Sofia one night working at her taxi-dance hall, decides she is the perfect blend of tragedy and sensuality and asks her to become the centerpiece of his perfect bar. Thus begins a relationship that will see Jackson - despite his best efforts - slowly coaxed out of his enclosed world. He gradually comes to concede that Sofia may be more than a beautiful picture, becomes drawn to the spirited young Katya, and ultimately, into the intrigues within the family to separate Sofia from her child.

The story ends as the Japanese invade Shanghai, with the entire world on the brink of World War II. Ironically, it is at this point that Jackson, in acknowledging his love for Sofia and her daughter, finds reawakened his own idealism for a world free from war.

Interweaving lecture, personal anecdotes, interviews, and shocking revelations, in WHO WE ARE — A Chronicle of Racism in America, criminal defense/civil rights lawyer Jeffery Robinson draws a stark timeline of anti-Black racism in the United States, from slavery to the modern myth of a post-racial America.

Described as "the story of the final stages of an acute crisis and a life of a fashionable New York housewife".

Lu Yanshi (Chen Daoming) and Feng Wanyu (Gong Li) are a devoted couple forced to separate when Lu is arrested and sent to a labor camp as a political prisoner, just as his wife is injured in an accident.

Released during the last days of the Cultural Revolution, he finally returns home only to find that his beloved wife has amnesia and remembers little of her past. Unable to recognize Lu, she patiently waits for her husband's return.

A stranger alone in the heart of his broken family, Lu Yanshi determines to resurrect their past together and reawaken his wife's memory.

"House of Flying Daggers" is set in the year 859AD as China's once flourishing Tang Dynasty is in decline. Unrest is raging throughout the land, and the corrupt government is locked in battle with rebel armies that are forming in protest. The largest, and most prestigious of these is the "House of Flying Daggers", which is growing ever more powerful under a mysterious new leader. Two local captains, Leo (Lau) and Jin (Kaneshiro) are ordered to capture the new leader and the two hatch an elaborate plan. Captain Jin will pretend to be a lone warrior called Wind and rescue the beautiful, blind revolutionary Mei (Ziyi), from prison, earning her trust and escorting her to the secret headquarters of the House of Flying Daggers. The plan works, but to their surprise, Jin and Mei fall deeply in love on their long journey to the House. Danger lurks in the forest surrounding them, and the wind is still, as if sensing the tension in the air. What lies ahead for Jin and Mei, these star-crossed lovers? If this is true love, then why are there plots in their heads, and secrets in their hearts?

Set somewhere, sometime, in an unnamed country, torn by civil war with unclear battle lines or ideology, "Masked and Anonymous" tells the story of a "benefit concert." Impressario Uncle Sweetheart (John Goodman) is scheming to find a headliner for this event whose purpose is unclear and whose charity is its promoter's pockets. Nina Veronica (Jessica Lange) is the veteran TV producer whose job it is to make the concert the international spectacle which it can never be. And when Sweetheart manages to get the iconic cult star Jack Fate (Bob Dylan) released from prison, the stage is set for tumult. Jeff Bridges as the cynical investigative reporter, Penélope Cruz as his girlfriend, Luke Wilson as the devoted acolyte, and a sundry cast of supporting characters give this imaginative allegory its energy and spirit.

A young boy, Oliver Twist, whose mother has passed away and whose father is estranged, lives a tough life in London, working under tough conditions just to survive. On the street Oliver meets Fagin, a thief. Fagin invites Oliver to live with him and join a crew of pick-pockets. But it's not long before Oliver is caught thieving by Mr. Brownlow, who, instead of punishing Oliver, decides to raise him.

"The Class" is based on an autobiographical novel by Francois Begaudeau, a drama that follows the year in the life of a French schoolteacher working at a high-school in a tough neighborhood of Paris. Ethnicities, cultures and attitudes often clash in the classroom. As amusing and inspiring as the teenage students can be, their difficult behavior can still jeopardize any teacher's enthusiasm for the low-paying job. Francois insists on an atmosphere of respect and diligence. Neither stuffy nor severe, his extravagant frankness often takes the students by surprise. But his classroom ethics are put to the test when his students begin to challenge his methods.

September 1944. Several days before Finland, an ally of Nazi Germany, pulls out of World War II, Veiko, (Ville Haapasalo) a lone Finnish sniper, is turned on by his compatriots for a being a pacifist and, in their eyes, a reluctant fighter. As a punishment, the young man is placed in shackles, nailed to a heavy rock and forced to wear a German uniform, knowing full well that Russian soldiers have orders to shoot Germans on sight, without accepting surrender. Veiko is thus left to die in a remote Lapland forest, with nothing but a few supplies and his wits. Days pass, and after several failed attempts, he succeeds in freeing himself and heads for safety, shackles still attached. While trying to escape, Veiko witnesses the following through his rifle's telescope: Ivan, a captain in the Russian army accused of anti-Soviet correspondence, is being held prisoner by the Soviet Military secret police. En route to his court martial, Russian planes accidentally bomb the vehicle carrying the disgraced captain, killing the driver and his guard. Not far away is Anni (Anni-Kristiina Juuso), a Lapp reindeer farmer whose husband was drafted into the war by the Finnish authorities four years earlier, never to return. Hungry and alone, the young and resourceful widow locates the bodies of Ivan and his captors while foraging for food. As she begins to bury the dead, Anni discovers that Ivan is still alive, but seriously hurt. She carries him to her wooden hut and nurses him back to health. Meanwhile, Veiko, in search of tools to remove his shackles, stumbles upon Anni's farm. Thus World War II creates the unlikeliest of bonds (between three different people, from three different cultures, speaking three different languages.) Comic, and sometimes tragic, misunderstandings soon arise, resulting in a passionate, and very human, three-way relationship. Unable to communicate with the others and unaware that the war between the USSR and Finland is over, Ivan is convinced that Veiko is a German soldier gone astray; to Ivan, the German uniform the Finnish soldier was forced to wear is further proof. But Veiko is unaware of Ivan's hatred and just wants to cut off his shackles, return home and put the war behind him. Yet, to avoid falling into enemy hands, Veiko opts to stay on Anni's farm for temporary safety. The earthy and sensuous Anni, who has not been with a man in four years, could not be more delighted with her good fortune, language barrier be damned. For Anni, Veiko and Ivan are not enemies, but just men. An uncommon and touching bond develops, as the three unlikely souls begin a domestic routine of hunting and gathering in preparation for the long Lap winter. The two men do what they can to contribute to Anni's well being: Veiko builds a sauna and Ivan picks mushrooms... but their war is not over.