Browse Movies : Universal Pictures : 2005 : PG-13

It is 1933, and vaudeville actress Ann Darrow has found herself--like so many other New Yorkers during the Great Depression--without the means to earn a living. Unwilling to compromise and allow herself to sink into a career in burlesque, she considers her limited options while aimlessly wandering the streets of Manhattan. When her hunger drives her to unsuccessfully try to steal an apple from a fruit vendor's stall, she is rescued--literally--by filmmaker and multiple hyphenate Carl Denham. It seems that the entrepreneur-raconteur-adventurer is no stranger to theft, having that day lifted the only existing print of his most recent and unfinished film from under his studio executives' noses when they threatened to pull his completion funds. Carl has until the end of the day to get his crew onboard the Singapore-bound tramp steamer, the S.S. Venture, in hopes of completing his travelogue/action film. With that, the showman is certain he will finally achieve the personal greatness he knows awaits him around the corner--and although the crew believe that corner to be Singapore, Denham actually hopes to find and capture on film the mysterious place of legend: Skull Island. Unfortunately for Carl, his headlining actress has pulled out of his project, but his search for a size-four leading lady (the costumes have all been made) has, fatefully, led him to Ann. The struggling actress is reluctant to sign on with Denham, until she learns that the up-and-coming, socially relevant playwright Jack Driscoll is penning the screenplay--the fees his friend Carl pays for potboiling adventure are a welcome supplement to Driscoll's nominal income from his stage plays. With his newly discovered star and coerced screenwriter reluctantly onboard, Denham's moving picture ship heads out of New York Harbor--and toward a destiny that none aboard could possibly foresee.

Cinderella Man is inspired by the life of legendary athlete Jim Braddock (Russell Crowe), a once-promising light heavyweight boxer forced into retirement after a string of losses in the ring. As the nation enters the darkest years of the Great Depression, Braddock accepts a string of dead-end jobs to support his wife, Mae (Renée Zellweger), and their children, while never totally abandoning his dream of boxing again.

Thanks to a last minute cancellation, Braddock finds himself back in the ring against the second-ranked world contender -- and to everyone's amazement, Braddock wins in the third round. Despite being pounds lighter than his opponents and repeated injuries to his hands, Braddock continues to fight against challengers and win. Carrying on his shoulders the hopes and dreams of the disenfranchised masses, Braddock, dubbed the "Cinderella Man," faces his toughest challenger in Max Baer (Craig Bierko), the heavyweight champion of the world, renowned for having killed two men in the ring.

The film centers around Captain Malcolm Reynolds, a hardened veteran (on the losing side) of a galactic civil war, who now ekes out a living pulling off small crimes and transport-for-hire aboard his ship, Serenity. He leads a small, eclectic crew who are the closest thing he has left to family - squabbling, insubordinate and undyingly loyal.

When Mal takes on two new passengers-a young doctor and his unstable, telepathic sister-he gets much more than he bargained for. The pair are fugitives from the coalition dominating the universe, who will stop at nothing to reclaim the girl. The crew that was once used to skimming the outskirts of the galaxy unnoticed find themselves caught between the unstoppable military force of the Universal Alliance and the horrific, cannibalistic fury of the Reavers, savages who roam the very edge of space. Hunted by vastly different enemies, they begin to discover that the greatest danger to them may be on board Serenity herself.

Two-time Tony Award winners Nathan Lane and Matthew Broderick return to their celebrated roles as Max Bialystock and Leo Bloom, a scheming theatrical producer and his mousy CPA who hit upon the perfect plan to embezzle a fortune: raise far more money than you need to produce a sure-fire Broadway flop and then (since no one will expect anything back), Max and Leo can pocket the difference. To do this, they need the ultimate bad play, which they find in the musical "Springtime for Hitler". Their plans come to naught and the duo are taken completely by surprise when their new production is hailed as a toast-of-the-town hit. Uma Thurman stars as Ulla, the Swedish secretary/slash/receptionist and would-be showgirl, and Will Ferrell brings his spot-on comic talents to the role of Franz Liebkind, the neo-Nazi playwright (and pigeon fancier) responsible for penning the "worst play ever written."

Kat Ellis is looking for the right man. NOW. The position comes with a few requirements: willingness to travel, keen social skills, good looks, suave demeanor, sharp mind—and a tux. The qualified candidate should also have the ability to make ex-boyfriends jealous, to turn heads whenever entering a room and to reduce any woman within eye-and earshot to a week-kneed, besotted admirer. Kat wouldn't be so urgently in need were in not for her spoiled half sister's wedding where the best man happens to be Kat's handsome ex-boyfriend. What's worse, the currently single Kat has to schlep all the way from New York to London, where her wildly dysfunctional family lives. And since the wedding is happening next week, Kat does what any enterprising single woman would do—she hires a professional. So what if her solution crosses a few morally dubious lines plus costs her a tidy six thousand bucks which she'll have to drain from her 401K? And so what if her escort happens to be—well, an escort? Lucky for her that her hiring skills are pitch-perfect and she zeroes in on smooth heart-stopper Nick Mercer, one of New York's better known and in-demand professional male escorts. Once in England, the insightful and charismatic Nick—part actor/part shrink/part bon vivant—helps Kat navigate the choppy waters of her screwy family and caddish old flame Jeffrey and convinces everyone he meets that he and Kate are an item. As Nick charms Kat's parents, Bunny and Victor Ellis, her self-absorbed half sister Amy, Amy's fiancée Edward, as well as every living, breathing woman within a 100-kilometer radius, Kat too finds herself feeling things she's never felt before. For Kat, what begins as merely a face-saving ruse with a dashing guy-for-hire quickly starts to become more than she ever expected.

Successful architect Jonathan Rivers' peaceful existence is shattered by the unexplained disappearance and death of his wife, Anna. Jonathan is eventually contacted by a man, who claims to be receiving messages from Anna through EVP (Electronic Voice Phenomenon). At first skeptical, Jonathan then becomes convinced of the messages' validity, and is soon obsessed with trying to contact her on his own. His further explorations into EVP and the accompanying supernatural messages unwittingly open a door to another world, allowing something uninvited into his life.

Set largely in the dark atmospheric backwoods just outside of New Orleans, "The Skeleton Key" stars Kate Hudson as Caroline, a live-in nurse hired to care for an elderly woman's (Gena Rowlands) ailing husband (John Hurt) in their home, a foreboding a decrepit Gothic mansion in the Louisiana delta. Intrigued by the enigmatic couple, their mysterious and secretive ways and their rambling house, Caroline begins to explore the old mansion. Armed with a skeleton key that unlocks every door, she discovers a hidden attic room that holds a deadly and terrifying secret.

Dan Foreman (Dennis Quaid) is headed for a shakeup. He is demoted from head of ad sales for a major magazine when the company he works for is acquired in a corporate takeover. His new boss, Carter Duryea (played by Topher Grace) is half his age--a business school prodigy who preaches corporate synergy. While Dan develops clients through handshake deals and relationships, Carter cross-promotes the magazine with the cell phone division and "Krispity Krunch," an indeterminate snack food under the same corporate umbrella. Both men are going through turmoil at home. Dan has two daughters--Alex, age 18, and Jana, age 16--and is shocked when his wife tells him she's pregnant with a new child. Between college tuition, the mortgage and a new baby, Dan can't afford to lose his job in the wave of corporate layoffs. Carter, in the meanwhile, is dumped by his wife of seven months just as he gets his promotion. Dan and Carter's uneasy friendship is thrown into jeopardy when Carter falls for, and begins an affair with, Dan's daughter Alex (Scarlett Johansson).

"Prime" is a sophisticated, character comedy set in New York City about Rafi (Uma Thurman), a recently divorced 37-year-old career woman from Manhattan, and what happens when Dave (Bryan Greenberg), a talented 23-year-old painter from Brooklyn, falls in love with her.

"Prime" looks at love from everyone's point of view—friends, relatives and in this case, Rafi's therapist (Meryl Streep)—and follows all who come apart, and some who pull it together, when two people fall in love.

The docu-drama "First Descent" chronicles the rebellious, inspiring and sometimes controversial rise of snowboarding--as seen through the eyes of the snowboarders setting the standards and breaking the boundaries of this worldwide phenomenon.

"First Descent" spotlights a handful of snowboarding's early pioneers (including Shawn Farmer, Nick Perata and Terje Haakonsen) and some of the ultra-sponsored superstar phenoms at snowboarding's current cutting edge (Shaun White and Hannah Teter) and literally takes them to the edge--the snow blanketed mountains of Alaska—where these five icons face some of the most challenging and hard-core natural terrain on the planet. The five come for different reasons—Perata and Farmer to see if they still have what it takes, Haakonsen to add another credit to his Big Mountain resume, and White and Teter to undertake their first Big Mountain ride ever—and yet all seek to challenge themselves to accomplish the best snowboarding feat of their lives down peaks of powder no rider has ever descended.

Leading up to their first descent, the crew of five share their stories, comparing viewpoints, individual lifestyles, and unedited opinions on the evolution of snowboarding that began as a delinquent child of skiing and now stands as an international cultural movement that has permanently changed the face of winter sports.

Intercutting footage from the snowboarding revolution of the '80s and '90s, real-life accounts from both notorious and famed riders, and dramatic, newly-filmed scenes from the biggest winter contests and experiences these riders undergo on their way to and in Alaska, "First Descent" creates a fast-paced portrait of a snowsport that has quickly evolved from a fringe hobby to a full-fledged global event.

The escalating events begin when African-born U.N. translator Silvia Broome (Kidman) alleges that she has overheard a death threat against an African head of state, spoken in a rare dialect few people other than Silvia can understand. With the words "The Teacher will never leave this room alive," in an instant, Silvia's life is turned upside down as she becomes a hunted target of the killers. Placed under the protection of federal agent Tobin Keller (Penn), Silvia's world only grows more nightmarish. As Keller digs deeper into his eyewitness' past and her secretive world of global connections, the more suspicious he becomes that she herself might be involved in the conspiracy. With every step of the way, he finds more reasons to mistrust her.