1 – 20 of 21 movies
Sawyer (Hermione Corfield) is an ambitious, overachieving college senior with a seemingly bright future. While on her way to a job interview, a wrong turn leaves her stranded deep in the frozen Kentucky woods. Suddenly, the young woman with everything to live for finds herself facing her own mortality as she’s punished by the elements and pursued by a band of ruthless outlaws. With nowhere left to run, she is forced into an uneasy alliance with Lowell (Jay Paulson), an enigmatic loner with shadowy intentions. Though she’s not sure she can trust him, Sawyer must take a chance if she hopes to escape Rust Creek alive.
Follows Cynthia (Jillian Bell) and Mary (Michaela Watkins) who show up in Alabama to collect Cynthia’s inheritance from her deceased grandfather, only to find out that the only item she’s received is an antique sword that he believed to be proof that the South won the Civil War.
For Diane (Mary Kay Place), everyone else comes first. Generous but with little patience for self-pity, she spends her days checking in on sick friends, volunteering at her local soup kitchen, and trying valiantly to save her troubled, drug-addicted adult son (Jake Lacy) from himself. But beneath her relentless routine of self-sacrifice, Diane is fighting a desperate internal battle, haunted by a past she can’t forget and which threatens to tear her increasingly chaotic world apart. Built around an extraordinary, fearless performance from Mary Kay Place, the narrative debut from Kent Jones is a profound, beautifully human portrait of a woman rifling through the wreckage of her life in search of redemption.
Follows a 21-year-old Irish convict named Clare who struggles to be free from an abusive master, Lieutenant Hawkins, after she finishes her seven-year sentence in 1820s Tasmania. After Hawkins commits a horrible crime against Clare’s family she is forced to pursue through the wilderness with the help of Billy, a young Aboriginal tracker.
In a day-glo-colored, bizarro version of suburbia where adults wear braces on their already-straight teeth, everyone drives golf carts, and children magically turn into golden retrievers, soccer moms and best friends Jill (Jocelyn DeBoer) and Lisa (Dawn Luebbe) are locked in a passive aggressive battle-of-the-wills that takes a turn into the sinister when Lisa begins systematically taking over every aspect of Jill’s life—starting with her newborn daughter. That’s just the tip of the gloriously weird iceberg that is the feature debut from writers-directors Jocelyn DeBoer and Dawn Luebbe, a hilariously demented, Stepford Wives-on-acid satire destined to be an instant cult classic.
Keira Knightley stars in this gripping real-life political thriller based on the story of whistleblower Katharine Gun. Charged with breaking the Official Secrets Act in Britain, and facing imprisonment, Katherine reaches out to Ben Emmerson (Ralph Fiennes), one of the top lawyers in the country, to take her case and defend her actions. With her life, freedom, and marriage threatened, Katharine risks everything by leaking a classified email to the press in the hopes that this simple act could help halt an unjust war.
Set amidst the bohemian high society of 1920s England, Vita & Virginia tells the scintillating true story of a literary love affair that fueled the imagination of one of the 20th century's most celebrated writers. Vita Sackville-West (Gemma Arterton) is the brash, aristocratic wife of a diplomat who refuses to be constrained by her marriage, defiantly courting scandal through her affairs with women. When she meets the brilliant but troubled Virginia Woolf (Elizabeth Debicki), she is immediately attracted to the famed novelist's eccentric genius and enigmatic allure. So begins an intense, passionate relationship marked by all-consuming desire, intellectual gamesmanship, and destructive jealousy that will leave both women profoundly transformed and inspire the writing of one of Woolf's greatest works.
Sex, drugs, power, and vice: welcome to the mid-2000s Italy of Silvio Berlusconi, the egomaniac billionaire Prime Minister who presides over an empire of scandal and corruption. Sergio (Riccardo Scamarcio) is an ambitious young hustler managing an escort service catering to the rich and powerful. Determined to move up in the world, Sergio sets his sights on the biggest client of all: Berlusconi (Toni Servillo), the disgraced, psychotically charming businessman and ex-PM currently plotting his political comeback. As Berlusconi attempts to bribe his way back to power, Sergio devises his own equally audacious scheme to win the mogul’s attention.
The romantic and emotional fallout that results when a controversial writer (Vincent Macaigne) begins blurring the line between fact and fiction using his real-life love affairs.
Jay (Dev Patel) is a man with a secret who travels from Britain to Pakistan to attend a wedding—armed with duct tape, a shotgun, and a plan to kidnap the bride-to-be (Radhika Apte). Jay and his hostage end up on the run across the border and through the railway stations, back alleys, and black markets of New Delhi.
Martin Freeman has fallen in love and can’t get up. A man’s fervent attempts at subverting happiness once it begins to cause him bouts of narcolepsy are put to the ultimate test when he falls in love.
Throughout his three-decade career as a founding member of and bassist for The Rolling Stones, Bill Wyman was known to the world as the “quiet one” in the band. Now, the famously private music legend speaks out about his extraordinary life and experiences as part of “the greatest rock and roll band in the world.”
Three desperate souls must fight their way out of a dead-end world in this bracing, gut-punching glimpse into America’s dark underbelly. Earl (Jamie Bell) is a struggling ex-marine and father determined to make a better life for his family—no matter what it takes. Angus (Frank Grillo) is a violent, unhinged drug dealer who leaves a trail of death and destruction in his wake. And Delia (Margaret Qualley) is a haunted woman who will do anything to escape a life of crime she can no longer bear. In their kill-or-be-killed world, all roads lead to the Donnybrook: an illicit backwoods cage match where bare-knuckled fighters brawl for a shot at a $100,000 prize. It’s either a last-ditch chance at redemption—or a death sentence.
Though Emily (Diane Keaton) and Donald (Brendan Gleeson) live in the same idyllic London neighborhood of Hampstead, the worlds they inhabit could not be more different. She is an American widow occupying a posh apartment she can no longer afford and filling her time with charity work as she struggles to figure out a next step. He is a gruff Irish loner who lives off the land in a makeshift cabin and wants nothing more than to be left in peace. When his home is threatened by greedy real estate developers, Emily believes she has found her new cause-but gets more than she bargained for when unexpected romance blossoms.
What happened to Carolyn Harper? Part suburban nightmare, part neon-soaked teenage fever dream, this tantalizing mystery traces the wave of fear and distrust that spreads across a small Midwestern town in the wake of a high school girl’s mysterious disappearance. As the loneliness and darkness lurking beneath the veneer of everyday life gradually comes to light, a collective awakening seems to overcome the town’s teenage girls—gathering in force until it can no longer be contained. Unfolding in a hallucinatory haze of lushly surreal images,Knives and Skin is a one-of-a-kind coming-of-age noir that haunts like a half-remembered dream.
There are a symphony of almost undetectable sounds that make up a moment of silence, and Peter Lucian (Peter Sarsgaard) is determined to catalogue them all. Through his job as a New York City “house tuner,” the hyper-methodical Peter works meticulously to diagnose the discordant ambient noises—produced by everything from wind patterns to humming electrical appliances—adversely affecting his clients’ moods. When he takes on the particularly difficult case of Ellen (Rashida Jones), a lonely woman plagued by chronic exhaustion, Peter finds that the mysteries of the soul may be even greater than the mysteries of sound.
Years after the shocking murders that made the name Charles Manson synonymous with pure evil, the three women who killed for him—Leslie Van Houten (Hannah Murray), Patricia Krenwinkel (Sosie Bacon), and Susan Atkins (Marianne Rendón)—remain under the spell of the infamous cult leader (Matt Smith). Confined to an isolated cellblock in a California penitentiary, the trio seem destined to live out the rest of their lives under the delusion that their crimes were part of a cosmic plan—until empathetic graduate student Karlene Faith (Merritt Wever) is enlisted to rehabilitate them.