Browse Movies : Foreign (Page #5)

Rising young artist Angelique (Audrey Tautou) lives in a candy-colored fantasy world. From the moment she flashes her smile and persuades a flower shop owner to deliver a surprise single rose to her lover Loic (Samuel Le Bihan), the world has – again – fallen under her spell. In the glorious throes of true love, Angelique is happily planning her future: a career as a painter and a future with Loic… what more could she desire? But things are rarely as they seem and Loic, a married cardiologist, has a slightly more jaded take on their affair…

Teens Will and his best friend set off in search of a mysterious treasure in a race against a group of motley buccaneers, including the dastardly Black Soul Whistle and the lovely pirate princess Honky Tonk Hannah.

The story centers on family honor killings among Muslims in Britain and other European countries.

This is the story of how a washed-up 1980s pop star (Craig Ferguson) gets a chance at a new direction in his life when he discovers that he has a teenage daughter, Olivia (Charlotte Church), in Cardiff, Wales (her real-life hometown) as the result of a weekend affair he had back at the height of his fame, especially when she decides she wants to follow him with a musical career of her own, against the wishes of her mother (Jemma Redgrave).

When her majesty's crown jewels are stolen by a conniving Frenchman (John Malkovich), who also plans to steal the queen's throne, Johnny English (Rowan Atkinson), a bit unseasoned but intensely enthusiastic, is thrown onto the case. Fast cars, high tech gadgets, top secret info - Johnny can hardly believe it. He may be in over his head, but his courage and dedication are unmatched - especially after he meets double agent Lorna Campbell (Natalie Imbruglia) and discovers that falling in love makes saving the nation even more exciting.

A young Frenchman moves into an apartment full of international students in Barcelona and discovers that mixing with students of many nationalities gives him a new perspective on life.

From the slums of Paris to the limelight of New York, Edith Piaf's life was a battle to sing and survive, live and love. Raised in poverty, Edith's magical voice and her passionate romances and friendships with the greatest names of the period - Yves Montand, Jean Cocteau, Charles Aznavour, Marlene Dietrich, Marcel Cerdan and others - made her a star all around the world. But in her audacious attempt to tame her tragic destiny, the Little Sparrow - her nickname - flew so high she could not fail to burn her wings.

Shortly after both his brother died and his girlfriend left him, Bruce (Rodolphe Marconi), a young filmmaker attending a year-long seminar in Rome, finds himself becoming the subject of obssession by a mostly straight Italian tour guide, Matteo (Andrea Necci), after the two end up sleeping together. Matteo continues to hang around Bruce, sometimes lurking in the darkness, stalking him, even as a new American girl (Echo Danon) with a fascination with serial killers enters their lives.

Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.

Genya Tachibana is a director and the president of a small production company. One day, he is contacted by the famous Gin Ei studios, that ask him to direct a documentary commemorating their 70 years of existence. Genya chooses as a subject the legendary actress Chiyoko Fujiwara, a superstar actress who 30 years earlier chose to end her career and disappear from public life. Chiyoko Fujiwara is a cinematographic enigma that nobody ever seemed to shed light on. Genya is obsessed by this fallen star, wanting to unravel the truth behind her secret. Accompanied by a young cameraman, Genya finds his way to Chiyoko, who has transformed into an elderly hermit living alone in an isolated house. At their first meeting, Genya sees that Chiyoko, although touched by the hand of time, has not lost any of her charm or energy. To gain her confidence, he brings her an ancient key that holds sentimental value, that rapidly allows Chiyoko to begin recounting her memories. The interview takes course, and our 3 protagonists are plunged into the past, visiting each fragment of what has been long gone, where the past and present meld together. The actress' recollections soon metamorphosize into a great adventure where cinema confronts her history and an incredible love is unveiled, that conflicted with her rather uncommon lifestyle...

During the early 1960s, Paris was an explosion of life. As the old gave way to the new, everything was in flux and the city was filled with an energy that promised cultural shifts and social change. Against this background, in a working class neighborhood, two unlikely characters--a young Jew and an elderly Muslim--begin a friendship. When we meet Moise, also known as Momo, he is in effect an orphan even tough he lives with prostitutes who treat him with genuine affection. Momo buys his groceries at the neighborhood shop, a crowded dark space owned and run by Ibrahim, a silent exotic looking man who sees and knows more than he lets on. After Momo is abandoned by his father, Ibrahim becomes the one grownup in Momo's life. Together they begin a journey that will change their lives forever.

Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers. They have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note asking her 12-year-old boy to look after his younger siblings. And so begins the children's odyssey, a journey nobody knows. Despite their mother's abandonment, the four children do their best to survive in their own little world, devising and following their own set of rules. But when they have no choice but to engage with the world outside the apartment, the fragile balance that has sustained them collapses. Kore-eda incorporated documentary techniques to makes this film extraordinarily intimate and unaffected. Filmed chronologically over a year, "Nobody Knows" captures the young amateur actors growing as their characters do, highlighting the details of the children's lives, whether the nuances of a manicure, a toy piano, squeaking sandals, a cup of instant noodles, or a box of chocolates, to evoke not only the distinctive world of these particular abandoned children, but the gentleness and beauty of every childhood.

This is the story of Noi (Tomas Lemarquis), an intelligent 17-year-old boy who dreams of escaping from his hometown in the remote fjord regions of Northern Iceland with Iris, a girl from the city who works at the local gas station, because he is bored and frustrated with the limitations that small town life impose on him. Meanwhile, the locals perceive Noi's lack of ambition within their framework as a sign that he's just their next village idiot in training...

This is a sex comedy about memory loss, as office worker Graham (Eduardo Noriega) has recently suffered a complete memory loss from a martial arts-related accident, which means that every time he has sex with Irene, one of the secretaries, he forgets about it an hour later, so every time is the first time...

A love story spanning two continents, "Nowhere in Africa" is the extraordinary true tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel (Juliane Kohler) and their five-year-old daughter Regina each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country-learning the local language and customs, and finding a friend in Owuor, the farm's cook. As the war rages on the other side of the world, the trio's relationships to their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. As they eventually learn to cherish their life in Africa, they also endeavor to find a way back to each other.

A 12-year-old Afghan girl and her mother lose their jobs when the Taliban closes the hospital where they work. The Taliban have also forbidden women to leave their houses without a "legal companion." With her husband and brother dead there is no one left to support the family, and without being able to leave the house the mother is left with nowhere to turn. Feeling she has no other choice, she disguises her daughter as a boy. Now called Osama, the girl embarks on a terrifying and confusing journey as she tries to keep the Taliban from finding out her true identity. Inspired by a true story, "Osama" is the first entirely Afghan film shot since the rise and fall of the Taliban.

Itami, a young Japanese man, falls deeply in love with Cynthia, a beautiful Chinese girl. Their brief happiness ends when he is called home for his military service and they are forced to part. Three years later, Shanghai has been unofficially occupied by Japan. Cynthia - now known as Ding Hui—is working for Purple Butterfly, a resistance group planning to assassinate Yamamoto, head of the Japanese secret service. Itami is also in Shanghai, operating as a secret agent and reporting directly to Yamamoto.

In "Saraband", Marianne and Johan (the couple in "Scenes from a Marriage") meet again after thirty years without contact, when Marianne suddenly feels a need to see her exhusband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss.

Also living at the summer house are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds

This film tells the stories of the locals living in a resort town in northern France so renowned for its pebble-covered beach that the central character, Marie (Helene Fillieres), works at a pebble processing factory. As the town changes seasonally from being completely empty in the winter and crowded during the summer, the working class lives of the locals whose livelihoods depend upon the money spent while others have a great time on vacation go on...