Browse Movies : R : Crime : C

Years after the shocking murders that made the name Charles Manson synonymous with pure evil, the three women who killed for him—Leslie Van Houten (Hannah Murray), Patricia Krenwinkel (Sosie Bacon), and Susan Atkins (Marianne Rendón)—remain under the spell of the infamous cult leader (Matt Smith). Confined to an isolated cellblock in a California penitentiary, the trio seem destined to live out the rest of their lives under the delusion that their crimes were part of a cosmic plan—until empathetic graduate student Karlene Faith (Merritt Wever) is enlisted to rehabilitate them.

Screaming through the Nevada desert in a bullet-ridden Crown Vic, wily con artist Teddy Murretto (Frank Grillo) hatches a desperate plan to hide out from lethal hitman Bob Viddick (Gerard Butler): He sucker-punches rookie officer Valerie Young (Alexis Louder) to get himself arrested and locked up in a small-town police station. But jail can’t protect Murretto for long. Viddick schemes his own way into detention, biding his time in a nearby cell until he can complete his mission. When the arrival of a competing assassin (Toby Huss) ignites all-out mayhem, mounting threats force Viddick to get creative if he wants to finish the job and escape the explosive situation.

Follows the wild journey of a disenfranchised young man from Ohio who meets the love of his life, only to risk losing her through a series of bad decisions and challenging life circumstances. Inspired by the best-selling novel of the same name, CHERRY features Tom Holland in the title role, as an unhinged character who drifts from dropping out of college to serving in Iraq as an army medic and is only anchored by his one true love Emily (Ciara Bravo). When Cherry returns home a war hero, he battles the demons of undiagnosed PTSD and spirals into drug addiction, surrounding himself with a menagerie of depraved misfits. Draining his finances, Cherry turns to bank robbing to fund his addiction, shattering his relationship with Emily along the way.

Following in the long tradition of heist films, "Confidence" tells the story of con man Jake Vig (Ed Burns), who gets a few thousand dollars from a victim who is actually a powerful crime mogul's accountant with the help of his friends. When the mob boss, appropriately named "Boss" (Dustin Hoffman), finds out, Jake and his pals have to cut a deal to pay him back.

It's the long-awaited film version of the Broadway hit. Set in the roaring 20's, this is the story of Chicago chorus girl Roxie Hart (Renée Zellweger), who shoots her unfaithful lover (Dominic West). Landing in jail, she meets Velma Kelly (Catherine Zeta-Jones), another chorus girl and murderess, currently enjoying media attention and legal manipulation, care of her attorney, Billy Flynn (Richard Gere), king of the old "Razzle Dazzle." Soon enough, however, Flynn takes Roxie's case as well, and Velma finds herself old news as Roxie is now the most famous murderess in town, on her way to getting out of jail and becoming a star. The two go through a series of attempts at getting what they both want: freedom and fame.

A mother prays for the return of her kidnapped son. When her prayers are answered, however, she begins to suspect the boy who comes back is not her child. Inspired by true events that took place in Los Angeles in the 1920s.

Chris Farraday (Mark Wahlberg) long ago abandoned his life of crime, but after his brother-in-law, Andy (Caleb Landry Jones), botches a drug deal for his ruthless boss, Tim Briggs (Giovanni Ribisi), Chris is forced back into doing what he does best— running contraband—to settle Andy’s debt. Chris is a legendary smuggler and quickly assembles a crew with the help of his best friend, Sebastian (Ben Foster), for one final run to Panama and back, hoping to return with millions in counterfeit bills. Things quickly fall apart and with only hours to reach the cash, Chris must use his rusty skills to successfully navigate a treacherous criminal network of brutal drug lords, cops and hit men before his wife, Kate (Kate Beckinsale), and sons become their target.

Directed by Kevin Smith, "Cop Out" features two longtime NYPD partners on the trail of a stolen, rare, mint-condition baseball card who find themselves up against a merciless, memorabilia-obsessed gangster. But before they can recover the prized `52 Pafko, they must first rescue a Mexican beauty who holds the key to millions of dollars in off-shore bank accounts--and who has already witnessed one high-profile murder because of them.

Veteran detective Jimmy Monroe (Bruce Willis) needs to cash in on his perfect Pafko in order to pay for his daughter's upcoming wedding, but in the tradition of everything that can go wrong...it's pilfered before he has a chance to collect. Paul Hodges (Tracy Morgan) is Jimmy's "partner-against-crime," whose preoccupation with his wife's alleged infidelity makes it hard for him to keep his eye on the ball, or his mind on the crime. Already in trouble and with nothing left to lose, Jimmy and Paul will have to break all the rules--including enlisting the aid of stoner thief Dave (Seann William Scott), who's working Paul's last nerve as Paul and Jimmy try to work the case.

A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple... They all live in Los Angeles. And in the next 36 hours, they will all collide... A provocative, unflinching look at the complexities of racial conflict in America, "Crash" is that rare cinematic event—film that challenges audiences to question their own prejudices. Diving headlong into the diverse melting pot of post-9/11 Los Angeles, this compelling urban drama tracks the volatile intersections of a multi-ethnic cast, examining fear and bigotry from multiple perspectives as characters careen in and out of one another's lives. No one is safe in the battle zones of intolerance. And no one is immune to the simmering rage that sparks violence—and changes lives...

A stroke of good luck turns lethal for a couple when they are faced with a life-changing decision that brings a strange and sinister man to their doorstep.

Ryan Phillippe and Jason Statham play cops hunting down a bank robber (Wesley Snipes) in "Chaos".

The main character in Cidade de Deus is not a person. It is a place. Cidade de Deus is a poor housing project started in the 60's that became one of the most dangerous places in Rio de Janeiro by the beginning of the 80's. In order to tell the story of the place the film tells us the stories of many characters. But all is seen through the eyes of the narrator: Busca-Pi, a poor black kid too frail and scared to become an outlaw but also to smart to be content with an underpaid job. He grows up in a very violent environment. The odds are all against him. But he discovers he can see the reality with a different eye: the eye of an artist. Eventually he becomes a professional photographer. That is his redemption... Buscapi is not the real protagonist of the film. He is not the one who makes the story moves on [sic]. He is not the one who makes the decisions that will determine the main chain of events. Nevertheless, not only his life is attached to what happens in the story but it is also through his perspective of life that we understand the humanity of a world apparently condemned to endless violence.

Women prisoners strike up a friendship with a young law student who works as a part-time prison guard. Together they discover that a corporation funds and is profitting from the plantation-like work environment they are forced to work under. In a botched attempt to organize a protest against their "slave labor", the women take over the prison - A rare glimpse of the effects of the prison industrial complex on female inmates.

A gritty tale of two wounded veterans who return home to the ghetto they joined the military to escape. As they struggle for redemption, their own families become entangled in a web of crime, corruption and violence.

We come to know the rapist Gilson, tried and sentenced by the Law Behind Bars; Zico and Deusdete, inseparable half brothers who, in jail, become each other's assassins; Highness and his shrewd balancing act between women and heists; Old Chico, a Zen master in the ways of the dungeon, at last on the brink of his long-awaited freedom; Warden Pires, who oversees the prison with the perspicacity of a tightrope walker; Ebony, the true leader of the inmate community and the arbiter of all its contentions; the religious conversion of the assasin, Dagger, the rise and fall of the surfer Ezequiel; Antonio Carlos, Claudiomiro and, coming between them like a knife, and depraved Dina; the existentialist philosopher No Way and his love affair with the divine lady Di. The narrative of the film is crafted like a puzzle with one story giving way to another for of surrealist, uniquely Brazilian collage of tragedy.

Actor-turned-director Clark Gregg shows he is as adept behind the camera as he is in front of it with "Choke", a wickedly colorful dark comedy about mothers and sons, sexual compulsion, and the sordid underbelly of Colonial theme parks. Victor Mancini (Rockwell), a sex-addicted med-school dropout, who keeps his increasingly deranged mother, Ida (Huston), in an expensive private medical hospital by working days as a historical reenactor at a Colonial Williamsburg theme park. At night Victor runs a scam by deliberately choking in upscale restaurants to form parasitic relationships with the wealthy patrons who "save" him. When, in a rare lucid movement, Ida reveals that she has withheld the shocking truth of his father's identity, Victor enlists the aid of his best friend, Denny (Henke) and his mother's beautiful attending physician, Dr. Paige Marshall (Macdonald), to solve the mystery before the truth of his possibly divine parentage is lost forever.

Sixteen years ago while being pursued by the law and high on drugs, Joe (Billy Bob Thornton) was responsible for a car accident that killed his young son and seriously injured his wife, Chrystal (Lisa Blount), breaking her neck. Returning to his hometown in the Ozarks of Arkansas after his time in prison for the accident, Joe is faced with the challenge of finally coming to terms with Chrystal, who is still plagued with pain, both physical and psychological.

New York City homicide detective Vincent LaMarca has forged a long and distinguished career in law enforcement, making a name for himself as a man intensely committed to his work. But on his latest case, the stakes are higher for Vincent - the suspect he's investigating is his own son, Joey. Vincent and Joey have been painfully estranged ever since Vincent divorced Joey's mother and left the decaying boardwalks of Long Beach, Long Island for the anonymity of Manhattan and a successful career with the NYPD. He lives his life in solitude, keeping his girlfriend at arm's length; the closest relationship he maintains is with his partner, Reg - and Vincent makes sure that friendship stops at the precinct door. As long as Vincent lives in the protection of the present, he doesn't have to deal with the pain of his past - or his sorrow over his broken relationship with Joey. But this murder investigation is drawing Vincent home to Long Beach, the self-proclaimed "City by the Sea," where the past has been waiting for him to return. The agonizing memory that has tortured him all his life - the death of his father, a convicted murderer who was executed when Vincent was just a boy - still plagues him. In the course of the investigation, he discovers that his own unresolved pain and failures as a father have deeply influenced Joey's life, and the destructive choices he has made. As a cop, Vincent must bring a criminal to justice; as a father he must find a way to save his son. Now he will put his life on the line in order to do right by both his family and his profession.

Set in London, this is the story of Dr. Adrian Strother (Goran Visnjic), an American insomniac hypnotherapist with telepathic powers, who gets caught up in the pursuit of a ritualistic serial killer, when Scotland Yard enlists his help in talking to a young mute girl who escaped.

Tells the story of a struggling motel owner (Eve) who, along with her daughter (Parker), is taken hostage by a career criminal (Cranston) as he attempts to retrieve his cash package from a crooked cop (Marshall-Green). Everyone gets in over their heads, and a series of double-crosses leaves a string of dead bodies in this pulse-pounding story about desperation and survival.