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In this tense thriller, John Travolta is Mason, leader of a high-end crew of thieves that hang it up for good after a double-cross spells a near miss with the law. But when he’s thrust into his younger brother Shawn’s hare-brained scheme to rob a bank – and tempted by what could be his biggest score ever – Mason jumps right back into his old ways. Then the heist goes awry, and the thieves are trapped inside the bank with hostages while surrounded by SWAT teams, the FBI, and Interpol. Included among the authorities waiting to nab the crew is someone Mason knows well: lead negotiator Decker (Kristin Davis) — Mason’s former lover.

Tennis player turned coach Tashi (Zendaya) has taken her husband, Art (Mike Faist), and transformed him into a world-famous grand slam champion. To jolt him out of his recent losing streak, she makes him play a “Challenger” event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi’s former boyfriend (Josh O’Connor).

An adrenaline-fueled thrill ride through a near-future fractured America balanced on the razors edge.

Reluctantly, 17-year-old Gretchen leaves her American home to live with her father, who has just moved into a resort in the German Alps with his new family. Arriving at their future residence, they are greeted by Mr. König, her father's boss, who takes an inexplicable interest in Gretchen's mute half-sister Alma. Something doesn't seem right in this tranquil vacation paradise. Gretchen is plagued by strange noises and bloody visions until she discovers a shocking secret that also concerns her own family.

A father (Viggo Mortensen), devoted to teaching his six children how to live and survive in the deep forests of the Pacific Northwest, is forced to leave his self-created paradise. When confronted with the real world, he begins a journey that challenges his ideas of freedom and what it means to raise a family.

With everything to gain, and even more to lose, Mark Chamberlain (Patrick J. Adams) and his brazen sales team have just eight hours to sell more cars than have ever been sold in a single day. As the clock ticks down, their outrageous tactics step up, with each salesperson ready to do whatever it takes to be top “car dog.” But for Mark, the stakes are much more than a paycheck.

Leading the pack is sales vet, Christian (George Lopez). He’s slick, fast talking, and conniving; able to get customers to both open their wallets and part with their better judgement. Hot on his heels is Sharon (Nia Vardalos). She’s smart and savvy, outmaneuvering the competition with her wit and charm. Tyler (Joe Massingill) is the rookie of the team, trying to compensate with enthusiasm for his lack of experience. But that may not be enough to even get him through the good natured hazing that is the rite of passage for all “newbies.” Undermining the team’s efforts is Mike Reynolds (Josh Hopkins), Mark’s underhanded and manipulative rival who has an agenda all his own.

As victory comes within reach, Mark is pushed further to the edge by his ruthless and manipulative boss, Malcolm Chamberlain (Chris Mulkey), who also happens to be his father. Mark is forced to come face to face with his own reality. Is he his father? Or is he a man who can stand on his own two feet? And in one incredibly tense and life changing moment, he must decide if he can save his team, retain his self-respect, and still come out ahead of his old man.

A gripping thriller chronicling three couples over the course of one fateful night in an LA restaurant. Hunter (Ryan Phillippe) finds himself on an awkward blind date with the captivating Tamira (Kat Graham), while a busboy (Dylan Flashner) and his girlfriend (Aisha Dee) are hiding mounds of cocaine to score a big payday, and outside, Peter (Jim Gaffigan) sits in his car observing his wife’s (Drea de Matteo) infidelity with the restaurant’s manager (David Cade). Though all strangers, their stories are weaved together as they hurl towards an explosive end.

Cloud Atlas explores how the actions and consequences of individual lives impact one another throughout the past, the present and the future. Action, mystery and romance weave dramatically through the story as one soul is shaped from a killer into a hero and a single act of kindness ripples across centuries to inspire a revolution in the distant future. Each member of the ensemble appears in multiple roles as the stories move through time.

Max has lived a mundane life as a cab driver for twelve years. The faces have come and gone from his rear-view mirror: people and places he's long since forgotten—until tonight. Vincent is a contract killer. When an off-shore narco-trafficking cartel learns that they're about to be indicted by a federal grand jury, they mount an operation to identify and kill the key witness, and the last stage is tonight. It is on this very night that Vincent has arrived—and five bodies are supposed to fall. Circumstances cause Vincent to hijack Max' taxicab, and Max becomes collateral—an expendable person who's in the wrong place at the wrong time. Through the night, Vincent forces Max to drive him to each assigned destination. And as the L.A.P.D. and F.B.I. race to intercept them, Max and Vincent's survival become dependent on each other, in ways neither would have imagined.

It's the summer of 1983 in the north of Italy, and Elio Perlman (Timothée Chalamet), a precocious 17- year-old American-Italian boy, spends his days in his family's 17th century villa transcribing and playing classical music, reading, and flirting with his friend Marzia (Esther Garrel). Elio enjoys a close relationship with his father (Michael Stuhlbarg), an eminent professor specializing in Greco-Roman culture, and his mother Annella (Amira Casar), a translator, who favor him with the fruits of high culture in a setting that overflows wit h natural delights. While Elio's sophistication and intellectual gifts suggest he is already a fully-fledged adult, there is much that yet remains innocent and unformed about him, particularly about matters of the heart. One day, Oliver (Armie Hammer), a charming American scholar working on his doctorate, arrives as the annual summer intern tasked with helping Elio's father. Amid the sun-drenched splendor of the setting, Elio and Oliver discover the heady beauty of awakening desire over the course of a summer that will alter their lives forever.

When Saúl Armendáriz (Gael García Bernal) starts competing in the macho world of Mexican Lucha Libre wrestling, he's always cast as the runt. After he meets Sabrina (Roberta Colindrez), Saúl gains not only a professional trainer but also a friend who helps him create a new character in the ring. Together they debut ‘Cassandro,’ a radical subversion of Lucha Libre's stereotypical role known as the Exótico. Flamboyant and powerful, Cassandro turns lucha on its head. But Cassandro also upends Saúl's own life, throwing into tumult his relationships with his mother Yocasta, his secret lover Gerardo, and his absent father Eduardo.

As Tom (Michael Shannon) celebrates his birthday with a group of close friends in Brooklyn, he is startled to see a woman from his distant past at the party. Jenny - or Alice (Rachel Weisz), as she now calls herself - first denies even knowing Tom, but as the evening progresses, she reveals a shocking secret. After disappearing from Tom's life 20 years earlier, she began to reinvent herself every few years, taking on a new name, a new career and a new life each time. After giving Tom a glimpse of what life could be like if he lets go of the safety and security he has so carefully created, Alice asks him to make a choice that will change everything.

The film takes place across Poland, Berlin, Yugoslavia, and Paris, and is set in the 1950s.

Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In "Crossing Over", writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create -- in 21st century L.A.

A PI (Antonio Banderas) and his partner (Alice Eve) are drawn into a web of intrigue when they start tracking a serial killer targeting a wealthy family with a dark secret.

A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage. As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

It's the long-awaited film version of the Broadway hit. Set in the roaring 20's, this is the story of Chicago chorus girl Roxie Hart (Renée Zellweger), who shoots her unfaithful lover (Dominic West). Landing in jail, she meets Velma Kelly (Catherine Zeta-Jones), another chorus girl and murderess, currently enjoying media attention and legal manipulation, care of her attorney, Billy Flynn (Richard Gere), king of the old "Razzle Dazzle." Soon enough, however, Flynn takes Roxie's case as well, and Velma finds herself old news as Roxie is now the most famous murderess in town, on her way to getting out of jail and becoming a star. The two go through a series of attempts at getting what they both want: freedom and fame.

A wealthy family in Iran struggling to contain a teen's growing sexual rebellion.