Browse Movies : Drama (Page #4)

Daisy Ridley stars as the accomplished swimmer who was born to immigrant parents in New York City in 1905. Through the steadfast support of her older sister and supportive trainers, she overcame adversity and the animosity of a patriarchal society to rise through the ranks of the Olympic swimming team and complete the staggering achievement – a 21-mile trek from France to England.

When Italian immigrant Francesca Cabrini steps foot in America in 1889, she is greeted by disease, crime, and impoverished children living in New York's slums. Armed with a fearless spirit and a compassionate heart, Cabrini sets off on a daring mission to convince the hostile mayor to secure housing and healthcare for society's most vulnerable. Despite broken English and poor health, Cabrini leverages her entrepreneurial mind to build an empire of hope unlike anything the world had ever seen.

Tells the true story of Sir Nicholas ‘Nicky’ Winton, a young London broker played by Hopkins, who, in the months leading up to World War II, rescued 669 children from the Nazis. Nicky visited Prague in December 1938 and found families who had fled the rise of the Nazis in Germany and Austria, living in desperate conditions with little or no shelter and food, and under threat of Nazi invasion. He immediately realised it was a race against time. How many children could he and the team rescue before the borders closed?

Set during World War II, the film will follow a variety of Londoners during 1940 and 1941 as they navigate a new normal.

In 2008, during the last month of summer before high school begins, an impressionable 13-year-old Taiwanese American boy learns what his family can’t teach him: how to skate, how to flirt, and how to love your mom.

Rapping in their native Irish language, KNEECAP fast become the unlikely figureheads of a Civil Rights movement to save their mother tongue. But the trio must first overcome police, paramilitaries & politicians trying to silence their defiant sound - whilst their anarchic approach to life often makes them their own worst enemies

Simon (Théodore Pellerin) is a rising star in Montreal's drag scene performing lively disco pop numbers weekly at his local club. Friendly with his fellow drag queens and supported by his sister, who delights in designing increasingly elaborate and beautiful costumes for his act, Simon vibrates with the passion of his adopted artistic community. When he meets Oliver (Félix Maritaud), the alluring new recruit at the club, their irresistible chemistry sparks an electric romance and a fulfilling creative collaboration. Their dynamic is mesmerizing and tender until Oliver’s dominant instincts and destructive behavior jeopardize Simon’s space in the spotlight. Simon has plenty of experience with tempestuous personalities – his mother, a bona fide opera diva, is back in his life after years on the road – but can he get out from under the shadow of their influence?

Tells the story of the German-Dutch Ludwig Mengelberg (played by Peter Nillesen), an officer in the German army who holds the nickname of "Der Fliegende Holländer." He finds it increasingly difficult to cope with the horrors of the war and when his wife and daughter are killed in a bombing, he makes a drastic choice. Transferred to the Netherlands, he decides to help a Dutch farm family covering up people in hiding. In doing so, he commits high treason against his own men. When the SS becomes suspicious and the resistance advances, Mengelberg not only puts his own life in danger, but also those of the people he aims to help.

A dark dramedy that follows Sam Cowell (Rachel Sennott), an aspiring stand-up comedian and au pair struggling with PTSD, as she decides whether or not to join the search for Brooke (Olga Petsa), a missing teenage girl she used to nanny. The story exists between the present, where Sam tries to recover from her trauma and get back on stage, and the past, where memories of Brooke make it harder and harder to ignore the troubled teen’s sudden disappearance.

A girl named Lily has just moved and is ready to start her life after college. Lily then meets a guy named Ryle and she falls for him. As she is developing feelings for Ryle, Atlas, her first love, reappears and challenges the relationship between Lily and Ryle.

Within the walls of the Grave, the orphanage where Nica and Rigel grew up, a legend has always been told: that of the Tearsmith, a mysterious craftsman, guilty of forging all the fears and anxieties that inhabit people’s hearts. But, at seventeen, the time has come for them to leave fairy tales behind and find the courage to accept that force that keeps them apart and united at the same time, which is called love.

The year is 2044: artificial intelligence controls all facets of a stoic society as humans routinely “erase” their feelings. Hoping to eliminate pain caused by their past-life romances, Gabrielle (Léa Seydoux) continually falls in love with different incarnations of Louis (George MacKay). Set first in Belle Époque-era Paris Louis is a British man who woos her away from a cold husband, then in early 21st Century Los Angeles, he is a disturbed American bent on delivering violent “retribution.” Will the process allow Gabrielle to fully connect with Louis in the present, or are the two doomed to repeat their previous fates?

Banel and Adama are fiercely in love. The young married couple lives in a remote village in northern Senegal. For them, nothing else exists. But for the rest of their tight-knit village, duty dictates that Adama soon accept the role of chief. The young man and his lovelorn wife have their own plans — until something in the air changes. The rains do not come, the cattle begin to die, the men leave. Senegal's official submission to the Academy Awards and the only debut feature in competition at last year's Cannes Film Festival, Banel & Adama is a lush and lyrical fable that soars to the heights of longing and descends deep into the realm of myth, sending its protagonists' perfect everlasting love on a collision course with their community’s customs. Because in this world, there is no room for passion, let alone chaos.

In a utopia where stability hinges upon control of monogamy and privacy, members of the collective begin to question the rules of their society.

In a world hit by a wave of mutations that are gradually transforming some humans into animals, François (Romain Duris) does everything he can to save his wife, who is affected by this mysterious condition. As some of the creatures disappear into a nearby forest, he embarks with Emile (Paul Kircher), their 16-year-old son, on a quest to find her with some help from a local police officer (Adèle Exarchopoulos).

Le Ying (played by Jia Ling) has been staying at home for many years, doing nothing in particular. After graduating from college and working for a while, Le Ying chooses to withdraw from society, closing herself off from social circles, which she believes is the best way to "reconcile" with herself. One day, after several twists of fate, she decides to live life in a different way. In cautiously venturing into the outside world, Le Ying meets boxing coach Hao Kun (played by Lei Jia-Yin). Just when she thinks life is about to take a positive turn, the challenges that follow far exceed her imagination, and her vibrant life is just beginning...

A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?

A small group of prisoners inside Sing Sing Correctional Facility, one of the world’s most infamous maximum security prisons, attempt to stage their own original production, “Breakin’ The Mummy’s Code,” from inception to opening night.

A story of star-crossed lovers on the western U.S. frontier in the 1860s, The Dead Don’t Hurt centers on Vivienne Le Coudy (Krieps), a fiercely independent woman who embarks on a relationship with Danish immigrant Holgen Olsen (Mortensen).