Browse Movies : Foreign (Page #4)

Set in an unnamed country in a post-apocalyptic future, this is the story of a young female assassin, Yuki (Yumiko Shaku), who discovers that the leader of the band of outlaws she belongs to murdered her mother. Finding herself targeted for elimination after she confronts the group's leader about her mother's death, Yuki goes on the run from her former coworkers. Barely surviving an attack, she finds refuge with a young man who used to be a terrorist, with whom she gradually falls in love, but with trained killers getting closer and closer to finding her, can their love survive?

On April 11th, 2002, Irish documentarians Kim Bartley and Donnacha O'Briain were in Venezuela, with the intention of making a movie about the nation's left-leaning (and Castro-inspired) democratic president, Hugo Chavez, whose support comes mostly from the country's impoverished, who make up 80% of the population (versus past leaders who were often supported by the country's big money minority, like the petroleum industry). Although they did accomplish that, the film took a seriously unexpected turn when the filmmakers found themselves in the heart of a coup d'etat, trapped in the president's palace as Chavez's right-wing oligarchic opposition overthrew the leader. Chavez was able to return to power within 48 hours, buoyed by public support, but this film captures those frightening moments and days in which a nation's political future was fought over using both bullets and manipulation of the media. Venezuela's television networks, all owned by oil companies except for the state channel which the coup brought down, reported distorted interpretations of the coup, as proven by this movie's footage, which was then picked up by international news organizations like CNN. This movie also addresses what the White House thought about this coup in the world's fifth largest producer of oil (providing 14% of the United States' petroleum).

Fifteen-year-old Tracey Berkowitz is naked under a tattered shower curtain at the back of a bus, looking for her little brother Sonny, who thinks he's a dog. Tracey's journey leads her into the dark underbelly of the city, into the emotional cespool of her home, through the brutality of her high school, the clinical cat and mouse games with her shrink and her soaring fantasies of Billy Zero--her boyfriend and rock 'n' roll savior. Her travels also put her in contact with the seedier inhabitants of the city. Like Lance, her would-be savior who ultimately puts her life in jeopardy. Tracey's stories begin to intertwine truth with lies, hope with despair as she moves closer to the truth of Sonny's disappearance.

Adopted by his grandmother, Madame Souza, Champion is a lonely little boy. Noticing that this lad is never happier than on a bicycle, Madame Souza puts him through a rigorous training process. Years go by and Champion becomes worthy of his name. Now his ready to enter the world-famous cycling race, the Tour de France. However during this cycling contest two mysterious men in black kidnap Champion. Madame Souza and her faithful dog Bruno set out to rescue him. Their quest takes them across the ocean to a giant Megalopolis called Belleville where they encounter the renowned "Triplets of Belleville", three eccentric female music-hall stars from the 30's who decide to take Madame Souza and Bruno under their wing. Thanks to Bruno's brilliant sense of smell, the brave duo are soon on to Champion's trail. But will they succeed in beating the devilish plans of the evil French mafia?

This is the story of two brothers in Glasgow, Harbour (Adrian Rawlins) and Wilbur (Jamie Sives), who inherit a used bookstore. The brothers discover that a chance encounter with a cleaning lady at the local hospital, Alice (Shirley Henderson), who's the single mother of a little girl, Mary (Lisa McKinlay), prompts them to reconsider the choices they've made in life, which might change all four of their lives.

A dramatic tale of the moral dilemmas of a not-too-honest cop played out against a background of a manhunt. Pascal supplies his wife, Agnes, with morphine provided by Jaquillat, the local crime boss; Agnes was addicted even before the pair met. But the prison break-out of terrorist Bruno Le Roux, and the certainty that he's settling old scores in the Grenoble area, has made Jaquillat a worried man. He attempts to blackmail Pascal into killing Bruno on sight, using the supply of morphine as a lever. Pascal refuses to co-operate, but he can't tell Agnes why his supplies have suddenly dried up. As a result, she trawls the streets in search of a hit, which is where she meets, and is helped by, the fugitive. He takes her back to her place to tend to her injuries after a street dealer beats her up, and Pascal, coming home, sees them together; however, he doesn't make them aware of his presence, and deliberately lets the fugitive slip through his fingers.

A tale about a troubled hit man who is starting to realize that he has too much conscience to kill. Having recently rekindled his relationship with his childhood soul mate, Michelle, he sees their love as a way out. But reality soon grips him when he learns that she has stolen a mysterious briefcase, forcing Jean-Pierre to walk a fine line between protecting the woman he loves and falling back into the world of crime he just left--an impossible task that soon unravels in ways that he can neither imagine nor control.

Set in Toronto, a romantic tale which revolves around Rahul Seth, a Westernized, young dot.com millionaire, and his unconventional relationship with the beautiful and wild Sue Singh. Rahul is devastated after the untimely death of his beautiful, pop artist, blonde girlfriend Kimberly. To make matters worse, he is under extreme pressure from his family to get engaged to a good Hindu girl before his sister's upcoming wedding. Lest one forgets, according to the popular Hindu adage, 'the best cure for a broken heart is marriage'. Desperate, he hires the services of the gorgeous Sue, a local escort girl, to pretend to be his fiancée during the ten days of celebration, leading up to his sister's marriage ceremony. While Rahul is the scion of a typically successful NRI family, Sue is the daughter of a humble car mechanic and--professionally speaking--is one of the highest paid escorts in Toronto. They enter into the relationship as opposites. However, during this fateful period of much song, dance and merriment, Rahul and Sue's relationship slowly transcends that of employer and employee. With her passion for life, Sue manages to break through Rahul's hardened exterior to reveal a sensitive man who is not as emotionally dead as he would like to believe. In turn, Rahul's strong personality and advice enables Sue to see her parents in a more positive light.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

A group of young geniuses are drawn together by a mysterious advertisement, then suspiciously abandoned on an island, where they scramble to sort out their collective fate.

When her husband dies, an Israeli mother, Dafna (Orly Silbersatz Banai), must cope with both her own grief, that of her four children, and the economic problems that his passing leaves them with, as she tries to keep the family together and functioning.

Georges, a television talk show host, and his wife Anne, are living the perfect life of modern comfort and security. One day, their idyll is disrupted in the form of a mysterious videotape that appears on their doorstep. On it they are being filmed by a hidden camera from across the street with no clues as to who shot it, or why. As more tapes arrive containing images that are disturbingly intimate and increasingly personal, Georges launches into an investigation of his own as to who is behind this. As he does so, secrets from his past are revealed, and the walls of security he and Anne have built around themselves begin to crumble.

After it is killed in a bullfight, a bull's body parts are transported across Europe, in Spain, France, Italy and Belgium, with this ensemble drama showing us the people who are the recipients of the remains in one way or another, like an Italian actress (Chiara Mastroianni) selling the bones in a supermarket promotion, a Spanish woman (Angela Molina) who dines on its steaks, a little girl (Raphaelle Molinier) in northern France who imagines a world where animals are much larger than humans, and a taxidermist (Jacques Gamblin) whose wife is simultaneously giving birth to quintuplets.

An expressionist work comprised of surreal action involving: a hockey rink that houses a forgotten wax museum, where ghosts of dead lovers stroll; and a beauty salon where a demented doctor, wearing a corset, performs abortions.

A murder and a suicide occur early one morning in a jewelry store. Behind this headline lies the story of a desperate man's feelings of humiliation in a world of social injustice... When his friend Ali shows him the contents of a lost purse, Hussein cannot imagine the large sum of money marked on a receipt for an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein feels even lower on the social scale when a smooth-talking professional thief mistakes the two friends for petty crooks. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. Hussein's job delivering pizzas allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in for a closer look at what goes on behind closed doors. The hypocrisy of the system is thrown in his face wherever he turns. But Hussein will taste the luxurious life for one night before his deep feelings of humiliation push him over the edge.

A Miami reporter travels to a small Ecuadorian village to cover a series of brutal murders and get the biggest story of his career, tracking a possible serial killer dubbed the Monster of Babahoyo.

A photographer who is haunted by the feeling that the gap between his ideals and his real life is growing finds himself obliged to put up in his apartment a young relative who has left behind his village looking for a job aboard a ship in Istanbul to go abroad.

Paris, 2013. Damien is a member of an elite police squadron, a special unit highly trained in martial arts and the precise physical skills necessary to navigate the treacherous urban landscape of Paris' future. He is now tasked with the most vital and dangerous mission of his career: a weapon of mass destruction has been concealed by the most powerful gang of the suburbs of District B13, a walled off section of Paris in which the criminals rule themselves. Damien must infiltrate the gang in order to either defuse the bomb or recover it.

This is the true story of how a Japanese businessman from Los Angeles, Eishy Hayata, built an emerald mining empire in Columbia that is today one of the world's largest and most powerful, starting in the 1970s as an "esmeraldero", an emerald buyer who goes directly to rural areas where emeralds can be procured from locals at bargain prices in their rough form. Central to the film's intrigue are Columbia's more brutal realities, as guerrilla warfare and street kidnappings are quite common. To combat this, Hayata fashions himself as a sort of modern cowboy, armed and dressed to fit the bill, along with a powerful cadre of personal bodyguards.

After accidentally causing the death of her mother (Mariella Valentini), a young lesbian, Lenni (Regina Orioli), runs away with her auto mechanic girlfriend, Stella (Maya Sansa), with the mom's body in the trunk of their car and a gang of crazies on their tail.