By Amy Renner Dec. 22, 2008
1 – 3 of 3 movies
First Daughter
When Samantha Mackenzie (Katie Holmes), the 18-year-old daughter of the president of the United States, demands that she be allowed to go to college without having to be followed by a fleet of secret service agents (with their suits, sunglasses, ear-pieces and very unhip attitudes), her dad agrees... while actually assigning one of the youngest Secret Service agents to follow her around on campus disguised as a student anyway. The president's plan goes smoothly until the young agent falls in love with this girl he has to spend all day following, and she falls in love with him too, until... she finds out whom he really is. Can their love outlive the deception that gave it fruit?
Fat Albert
Live-action version of the Saturday morning television cartoon (1972-85) following the misadventures of a group of adolescent boys growing up in a Philadelphia neighborhood, focusing on an obese boy named Albert and his friends Rudy, Mushmouth, Bill, Dumb Donald, Russell, and Weird Harold. Fat Albert pulls his pals into trouble when they fall out of their TV world into the real world, where Fat Albert tries to help a young girl, Doris, make friends. However, the simple life of the group is interrupted when Fat Albert falls for Doris' older sister, Lauri, sparking his friends to worry that their leader may never want to return to his cartoon world.
Finding Neverland
It all begins as successful Scottish playwright J.M. Barrie watches his latest play open to a ho-hum reaction among the polite society of Edwardian England. A literary genius of his times but bored by the same old themes, Barrie is clearly in need of some serious inspiration. Unexpectedly, he finds it one day during his daily walk with his St. Bernard Porthos in London's Kensington Gardens. There, Barrie encounters the Llewelyn Davies family: four fatherless boys and their beautiful, recently widowed mother. Despite the disapproval of the boys' steely grandmother Emma du Maurier and the resentment of his own wife, Barrie befriends the family, engaging the boys in tricks, disguises, games and sheer mischief, creating play-worlds of castles and kings, cowboys and Indians, pirates and castaways. He transforms hillsides into galleon ships, sticks into mighty swords, kites into enchanted fairies and the Llewelyn Davies boys into "The Lost Boys of Neverland." From the sheer thrills and adventurousness of childhood will come Barrie's most daring and renowned masterwork, "Peter Pan." At first, his theatrical company is skeptical. While his loyal producer Charles Frohman worries he'll lose his shirt on this children's fantasy, Barrie begins rehearsals only to shock his actors with such unprecedented requests as asking them to fly across the stage, talk to fairies made out of light and don dog and crocodile costumes. Then, just as Barrie is ready to introduce the world to "Peter Pan," a tragic twist of fate will make the writer and those he loves most understand just what it means to really believe.