Browse Movies : Foreign (Page #2)

Set in the midst of war and political upheaval during the Taiping Rebellion of the 1860s, "Warlords" stars Jet Li as General Pang, who barely survives a brutal massacre of his fellow soldiers by playing dead, and joins a band of bandits led by Er Hu (Andy Lau) and Wu Yang (Takeshi Kaneshiro). After fighting back attackers from an helpless village, the three men take an oath to become blood brothers, pledging loyalty to one another until death, but things quickly turn sour and the three men become embroiled in a web of political deceit, and a love triangle between Pang, Er Hu and a beautiful courtesan (Wu Jing-Lei).

Back to Burgundy tells the story of Jean, who left his family and his native Burgundy ten years ago to tour the world. When learning of his father’s imminent death he returns to his childhood home where he, his sister, Juliette, and brother, Jérémie, inherit their family vineyard. As the seasons go by and they work to save the vineyard, they’ll have to learn to trust each other again and reinvent their relationship.

Bunty and Babi are two avid dreamers -- two free souls born into caged small town realities. They grow weary of being two specks on the horizon. They desire the horizon itself. And, so they pack their aspirations in worn out bags, whip a scarf of confidence around their proud necks and set forth on a journey across the length and breath of the country, spinning circles around the people they meet.

Dreaming of becoming a millionaire, a short but ambitious Czech works his way into a posh pre-war luxury spa, where his marriage to a Hitler-loving fräulein provides him with a golden opportunity to make his fondest wish come true.

One dark night, a former native of a rural Thai village, has his men steal the head of the town's Ong Bak (Buddha statue) to win favor with ruthless crime boss Khom Tuan. The locals regard the theft as a catastrophe, and seek a champion to retrieve their lost treasure. They find their man in Ting (Tony Jaa), an orphaned youngster raised at the local temple, and schooled by Pra Kru, a kindly monk, in an ancient system of Muay Thai: 'Nine Body Weapons'. Ting travels to the mean streets of Bangkok, where he's forced to compete in illegal street fights, taking on both local and foreign opponents to win the head of Ong Bak from the ruthless crime boss.

Just when Michael arrives in Berlin to visit his ex-girlfriend Gabi, a terrible virus starts spreading across the city at a rapid pace, turning people into mindless homicidal maniacs. Much to Michael's concern, Gabi's not home; instead, he meets Harper, a teenage plumber's apprentice at work in her apartment block. Together, they manage to barricade themselves when raging hordes of infected people swarm the building. Surrounded by these thirsty zombies, Michael and Harper have their hands full to survive - and it will take all of their ingenuity to make their way out to try and find Gabi.

Forty years ago, Harriet Vanger disappeared from a family gathering on the island owned and inhabited by the powerful Vanger clan. Her body was never found, yet her uncle is convinced it was murder and that the killer is a member of his own tightly knit but dysfunctional family. He employs disgraced financial journalist Mikael Blomkvist and the tattooed, ruthless computer hacker Lisbeth Salander to investigate. When the pair link Harriet's disappearance to a number of grotesque murders from almost forty years ago, they begin to unravel a dark and appalling family history. But the Vanger's are a secretive clan, and Blomkvist and Salander are about to find out just how far they are prepared to go to protect themselves.

Mads Mikkelsen plays Lucas, a highly-regarded school teacher who has been forced to start over having overcome a tough divorce. Just as things are starting to go his way, his life is shattered. An untruthful remark throws the small community into a collective state of hysteria. The lie is spreading and Lucas is forced to fight a lonely fight for his life and dignity.

The film examines the relationship of a physically handicapped boy with his parents as they struggle to carve out a normal life for the their son.

It's the score of their lives--if they can pull it off. Five thieves at the top of their game, and the crew is assembling for their biggest job yet. Popie's the muscle and brains, Pepsee's the safecracker. Yenicall climbs walls, Zampano is the strategy man, and Chewingum is the master of disguise. But this new score--it's hot. Maybe too hot. But who can resist the Tear of The Sun: a 318-carat diamond, worth 20 million dollars, and locked away in a casino. The vault is impenetrable, the location covered in cops, and everyone knows there's no honor among thieves--especially not the crew Macao Park, Popie's old partner, has forced their team to work with. As they gear up and stroll into the casino with a plan, skills, and a whole lot of nerve, they quickly learn that avoiding the cops may not be their toughest problem. What's Macao Park's real motive? Who will betray them all? And who will walk away with the diamond?

This documentary is an intimate portrayal of several months at a one-room elementary schoolhouse in a small village (Saint-Etienne Sur Usson) in rural France, where a single teacher, Georges Lopez, gives his small class of thirteen students, ages 3-10, the sort of attention that is dwindling in many other schools in France (and elsehwere), where crowded classrooms are the norm.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

During one of their adventures, Cowboy, Indian and Horse discover a strange and fascinating underwater world. While there, a conflict with the habitants is solved with the physical and geographical distribution of the two worlds.

Alain (François Morel) runs a small hi-tech engineering company; he is married to teacher Cecile, and they seem to be a blissfully happy couple. But Alain has come to the conclusion that he's terminally ill. A chronic worrier, he's convinced that some minor symptoms which he's experiencing are the beginning of the end. Alain decides not to tell his wife the bad news. So, on the night she holds a surprise birthday party for him, he goes to see his doctor, a family friend, and makes a lame excuse for this late return home that makes Cecile instantly suspicious. Cecile seeks help from Pascal, who agrees to follow Alain to see if he's meeting another woman. When he does, indeed, see him embrace a young woman (Raphaële Godin) in a city park, he thinks the mystery is solved; but the girl turns out to be Louise, the daughter of Alain and Cecile. Cecile then considers the possibility that Alain is having an affair with his secretary, Claire (Valérie Mairesse), but when Agnes asks her if she can borrow her chalet for a few days because she's met a man, Cecile immediately assumes that Agnes is her husband's secret mistress. But by this time Alain has come to the conclusion that Cecile is hiding something from him. The two begin to lie to each other and suspect one another as their paranoid delusions escalate.

This is a true story, set in Palermo in 1984, of the Sicilian "trophy wife", Angela (Donatella Finocchiaro) of a powerful member of the mafia (Mario Pupella) who becomes involved in her husband's drug dealing business which operates under the cover of her popular shoe store. Ultimately, Angela falls in love with one of her husband's underlings (Andrea Di Stefano), creating a dangerous love triangle...

A mysterious and intoxicating pop romance, Ryûsuke Hamaguchi's follow-up to his acclaimed HAPPY HOUR, begins with Asako, young woman who meets and falls madly in love with a drifter named Baku who one day drifts right out of her life. Two years later, working in Tokyo, Asako sees Baku again – or, rather, a young solid businessman named Royhei, who bears a striking resemblance to her old flame. They begin to build a happy life together until traces of Asako’s past start to resurface

A dysfunctional family is at the core of the story that unfolds as the matriarch, Magda, attempts to cope with the aftermath of a deadly accident. She dotes on her 20-year old son while her daughter and her husband live upstairs. Seven characters struggle to survive against odds that become more complicated than any of them could have contemplated. Greed, betrayal, homosexual politics, manipulation, blackmail, and a ferocious race to take ownership of a family owned plot of land, all combine to make this a modern day Greek tragedy, However, as in most tragedies of this nature, farce is never far behind.

The story of a beautiful young Bangladeshi woman, Nazneen, who arrives in 1980s London, leaving behind her beloved sister and home, for an arranged marriage and a new life. Trapped within the four walls of her flat in East London, and in a loveless marriage with the middle aged Chanu, she fears her soul is quietly dying. Her sister Hasina, meanwhile, continues to live a carefree life back in Bangladesh, stumbling from one adventure to the next. Nazneen struggles to accept her own lifestyle, and keeps her head down in spite of life's blows, but she soon discovers that life cannot be avoided--and is forced to confront it the day that the hotheaded young Karim comes knocking at her door.

Three young women – Ada (Karina Smulders), Esther (Anna Drijver), and Marjorie (Elise Schaap) – emigrate from post-WWII Holland to New Zealand for what they hope will be a better life. They are all awaited by their fiancés, who have already settled in Christchurch. On the plane trip overseas – dubbed the 'Bride Flight' – the three become fast friends and meet a dashing young man, Frank (Waldemar Torenstra), who will come to play a large role in each of their lives.