Browse Movies : R : Foreign

Dreaming of becoming a millionaire, a short but ambitious Czech works his way into a posh pre-war luxury spa, where his marriage to a Hitler-loving fräulein provides him with a golden opportunity to make his fondest wish come true.

Paris, 2013. Damien is a member of an elite police squadron, a special unit highly trained in martial arts and the precise physical skills necessary to navigate the treacherous urban landscape of Paris' future. He is now tasked with the most vital and dangerous mission of his career: a weapon of mass destruction has been concealed by the most powerful gang of the suburbs of District B13, a walled off section of Paris in which the criminals rule themselves. Damien must infiltrate the gang in order to either defuse the bomb or recover it.

Mads Mikkelsen plays Lucas, a highly-regarded school teacher who has been forced to start over having overcome a tough divorce. Just as things are starting to go his way, his life is shattered. An untruthful remark throws the small community into a collective state of hysteria. The lie is spreading and Lucas is forced to fight a lonely fight for his life and dignity.

After almost ten years of marriage, the stunningly attractive Zoë realizes that her marriage to Ignacio no longer carries the passion and spark it once had. Emotionally adrift, she is left to search for those sensations once again, and soon finds herself seduced into the arms of Gonzalo, her husband's brother. At first, Zoe becomes reinvigorated by the romance. But her decision soon launches a series of events that drives these three people through a gauntlet of revenge, secret and despair that will unravel them all.

In the final part of the Millennium Trilogy, Lisbeth Salander is hospitalized after meeting with her father. Mikael Blomqvist continues to uncover the reasons why Lisbeth has been treated harshly by the Swedish authorities.

The 1970s was an extraordinary time of rebellion, of questioning every accepted idea: political activism, hedonism, protests, the sexual revolution, the women's movement, the civil rights movement, the music revolution, rage and liberation. Every standard by which we set our social and cultural clocks was either turned inside out or thrown away completely and reinvented. For American cinema, the 1970s was an era during which a new generation of filmmakers created work for a new kind of audience--moviegoers who were hungry for stories that reflected their own experiences and who were turning their backs on aged old studio formulas. As a result, emerging filmmakers influenced by foreign directors such as Godard, Kurasowa and Fellini coupled with the social climate and a struggling studio system, converged to create a new kind of moviemaking. Through their choice of material, filmmakers such as Francis Ford Coppola, Martin Scorsese, Robert Altman, Peter Bogdonovich, William Friedkin, Roger Corman and Paul Schrader revolutionized mainstream movies and for the first time personal visions were coming out of the studio system.

At a deserted train station, a teacher and a gangster meet and realize that each might have been better suited to the other man's way of life. As a friendship of sorts develops between these opposite personalities, each starts to envy the other and by the week's end, everything will change for both of them.

Hye-ja is a single mom to 27-year-old Do-joon. Her son is her raison d'etre. Though an adult in years, Do-joon is naive and dependent on his mother, and a constant source of anxiety, often behaving in ways that are foolish or simply dangerous.

Walking home alone one night down a nearly empty city street, he encounters a young girl who he follows for a while before she disappears into a dark alley. The next morning, she is found dead in an abandoned building and Do-joon is accused of her murder.

Thanks to an inefficient lawyer and an apathetic police force, Do-joon's case is quickly closed, but his mother refuses to let this be the end of the story. Trusting no one, Hye-ja's maternal instincts kick into overdrive, and she sets out to find the girl's killer and prove her son's innocence.

Takeshi Kaneshiro stars in this thriller as Miyamoto, an assassin who accidentally wounds a young woman during a shoot out. When Miyamoto goes to help her, she tells him that she has been sent from the future to prevent an alien invasion that will occur in 72 hours. She informs him that because he has injured her, he must now help her carry out her mission or else be responsible for the destruction of humanity.

A group of young geniuses are drawn together by a mysterious advertisement, then suspiciously abandoned on an island, where they scramble to sort out their collective fate.

Georges, a television talk show host, and his wife Anne, are living the perfect life of modern comfort and security. One day, their idyll is disrupted in the form of a mysterious videotape that appears on their doorstep. On it they are being filmed by a hidden camera from across the street with no clues as to who shot it, or why. As more tapes arrive containing images that are disturbingly intimate and increasingly personal, Georges launches into an investigation of his own as to who is behind this. As he does so, secrets from his past are revealed, and the walls of security he and Anne have built around themselves begin to crumble.

Poppy is a teacher from north London whose life, at first glance, seems to be full of complications. It is hard to figure if she is a little crazy and irresponsible or deeply sane and sensible. Either way, everybody falls in love with her for better or for worse.

The unspoken code of the underworld: keep your mouth shut, protect your family and don't be a traitor. Dris, having spent the last four years in jail with his mouth shut, wants to get back to his quiet life with his beautiful wife. But the past is never far away, and his partner and best friend Yanis, who now runs the streets, wants nothing more than to bring Dris back into the family.

A love story spanning two continents, "Nowhere in Africa" is the extraordinary true tale of a Jewish family who flees the Nazi regime in 1938 for a remote farm in Kenya. Abandoning their once-comfortable existence in Germany, Walter Redlich, his wife Jettel (Juliane Kohler) and their five-year-old daughter Regina each deal with the harsh realities of their new life in different ways. Attorney Walter is resigned to working the farm as a caretaker; pampered Jettel resists adjustment at every turn; while the shy yet curious Regina immediately embraces the country-learning the local language and customs, and finding a friend in Owuor, the farm's cook. As the war rages on the other side of the world, the trio's relationships to their strange environment become increasingly complicated as Jettel grows more self-assured and Walter more haunted by the life they left behind. As they eventually learn to cherish their life in Africa, they also endeavor to find a way back to each other.

One dark night, a former native of a rural Thai village, has his men steal the head of the town's Ong Bak (Buddha statue) to win favor with ruthless crime boss Khom Tuan. The locals regard the theft as a catastrophe, and seek a champion to retrieve their lost treasure. They find their man in Ting (Tony Jaa), an orphaned youngster raised at the local temple, and schooled by Pra Kru, a kindly monk, in an ancient system of Muay Thai: 'Nine Body Weapons'. Ting travels to the mean streets of Bangkok, where he's forced to compete in illegal street fights, taking on both local and foreign opponents to win the head of Ong Bak from the ruthless crime boss.

A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.

Growing up in a culture dictated by violence and run by street gangs, teenagers Acerola and Laranjinha have become close as brothers. With their eighteenth birthdays fast approaching, Laranjinha sets out to find the father he never met, while Acerola struggles to raise his own young son. But when they suddenly find themselves on opposite sides of a gang war, the lifelong friends are forced to confront a shocking secret from their shared past.

A Miami reporter travels to a small Ecuadorian village to cover a series of brutal murders and get the biggest story of his career, tracking a possible serial killer dubbed the Monster of Babahoyo.

This is the true story of how a Japanese businessman from Los Angeles, Eishy Hayata, built an emerald mining empire in Columbia that is today one of the world's largest and most powerful, starting in the 1970s as an "esmeraldero", an emerald buyer who goes directly to rural areas where emeralds can be procured from locals at bargain prices in their rough form. Central to the film's intrigue are Columbia's more brutal realities, as guerrilla warfare and street kidnappings are quite common. To combat this, Hayata fashions himself as a sort of modern cowboy, armed and dressed to fit the bill, along with a powerful cadre of personal bodyguards.

In "Saraband", Marianne and Johan (the couple in "Scenes from a Marriage") meet again after thirty years without contact, when Marianne suddenly feels a need to see her exhusband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss.

Also living at the summer house are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds