Browse Movies : Foreign (Page #3)

We come to know the rapist Gilson, tried and sentenced by the Law Behind Bars; Zico and Deusdete, inseparable half brothers who, in jail, become each other's assassins; Highness and his shrewd balancing act between women and heists; Old Chico, a Zen master in the ways of the dungeon, at last on the brink of his long-awaited freedom; Warden Pires, who oversees the prison with the perspicacity of a tightrope walker; Ebony, the true leader of the inmate community and the arbiter of all its contentions; the religious conversion of the assasin, Dagger, the rise and fall of the surfer Ezequiel; Antonio Carlos, Claudiomiro and, coming between them like a knife, and depraved Dina; the existentialist philosopher No Way and his love affair with the divine lady Di. The narrative of the film is crafted like a puzzle with one story giving way to another for of surrealist, uniquely Brazilian collage of tragedy.

Growing up in a culture dictated by violence and run by street gangs, teenagers Acerola and Laranjinha have become close as brothers. With their eighteenth birthdays fast approaching, Laranjinha sets out to find the father he never met, while Acerola struggles to raise his own young son. But when they suddenly find themselves on opposite sides of a gang war, the lifelong friends are forced to confront a shocking secret from their shared past.

1930s Shanghai: the glamorous, tumultuous "Paris of the East" whose salons, streets and bedrooms frame this Chinese adaptation of the French novel Les Liaisons Dangereuses. Aging socialite Mo Jieyu (Cecilia Cheung) still finds herself circling ex-boyfriend Xie Yifan (Jang Dong-kun). Even after years of separation, their attraction--and appetites--burn just beneath the surface. Mo, the rich and charming widow with a taste for indulgence and sensuous pleasures, still has eyes for famous womanizer Xie, who secretly burns with love for her. And yet, in his luxurious life, Xie's new interest lies in chaste humanitarian Du Fenyu (Ziyi Zhang), who has captured his attention and earned his desire for conquest. Mo lures Xie into a treacherous, dangerous game of hearts: win, bed, and leave Du, proving his mettle as a rogue and impossible catch. But can Xie take the honor of such a woman, without losing his own heart, as well? As war looms in Shanghai, can Xie win Mo's seductive game? Can he choose between these two women? Where will such a triangle lead them all? In matters of the heart, and in this city, there may be no difference between love and war.

Based on a concept the director and Abbas Kiarostami developed on a photography trip together, a man and a young woman (Leila Hatami of Leila) are stranded in a remote village after their car breaks down. The photographer and the sole adult male inhabitant, a schoolteacher, leave to get help while the young woman, herself childless, bonds with the children whose parents are nowhere to be found.

After nine years, acclaimed writer/director Mamoru Oshii follows up his cult hit "Ghost in the Shell"—one of the biggest animé successes of all time—with the long-awaited sequel "Ghost in the Shell 2: Innocence". It is the year 2032 and the line between humans and machines has been blurred almost beyond distinction. Humans have forgotten that they are human and those that are left coexist with cyborgs (human spirits inhabiting entirely mechanized bodies) and dolls (robots with no human elements at all). Batou is a cyborg. His body is artificial: the only remnants left of his humanity are traces of his brain…and the memories of a woman called The Major. A detective for the government's covert anti-terrorist unit, Public Security Section 9, Batou is investigating the case of a gynoid—a hyper-realistic female robot created specifically for sexual companionship—who malfunctions and slaughters her owner. As Batou delves deeper into the investigation, questions arise about humanity's need to immortalize its image in dolls. The answers to those questions lead to the shocking truth behind the crime...and quite possibly the very meaning of life.

"House of Flying Daggers" is set in the year 859AD as China's once flourishing Tang Dynasty is in decline. Unrest is raging throughout the land, and the corrupt government is locked in battle with rebel armies that are forming in protest. The largest, and most prestigious of these is the "House of Flying Daggers", which is growing ever more powerful under a mysterious new leader. Two local captains, Leo (Lau) and Jin (Kaneshiro) are ordered to capture the new leader and the two hatch an elaborate plan. Captain Jin will pretend to be a lone warrior called Wind and rescue the beautiful, blind revolutionary Mei (Ziyi), from prison, earning her trust and escorting her to the secret headquarters of the House of Flying Daggers. The plan works, but to their surprise, Jin and Mei fall deeply in love on their long journey to the House. Danger lurks in the forest surrounding them, and the wind is still, as if sensing the tension in the air. What lies ahead for Jin and Mei, these star-crossed lovers? If this is true love, then why are there plots in their heads, and secrets in their hearts?

The public life of Yves Saint Laurent was an extravagant spectacle, as a design prodigy and then the grand coutourier of a fashion empire, he influenced fifty years of style and was an icon to millions -- but few are familiar with the private life of the legend. In Pierre Thoretton's L'Amour Fou, Pierre Berge, the man with which YSL shared four decades of his life, reflects on the equally extravagant history of their personal relationship.

The unspoken code of the underworld: keep your mouth shut, protect your family and don't be a traitor. Dris, having spent the last four years in jail with his mouth shut, wants to get back to his quiet life with his beautiful wife. But the past is never far away, and his partner and best friend Yanis, who now runs the streets, wants nothing more than to bring Dris back into the family.

From the slums of Paris to the limelight of New York, Edith Piaf's life was a battle to sing and survive, live and love. Raised in poverty, Edith's magical voice and her passionate romances and friendships with the greatest names of the period - Yves Montand, Jean Cocteau, Charles Aznavour, Marlene Dietrich, Marcel Cerdan and others - made her a star all around the world. But in her audacious attempt to tame her tragic destiny, the Little Sparrow - her nickname - flew so high she could not fail to burn her wings.

Shortly after both his brother died and his girlfriend left him, Bruce (Rodolphe Marconi), a young filmmaker attending a year-long seminar in Rome, finds himself becoming the subject of obssession by a mostly straight Italian tour guide, Matteo (Andrea Necci), after the two end up sleeping together. Matteo continues to hang around Bruce, sometimes lurking in the darkness, stalking him, even as a new American girl (Echo Danon) with a fascination with serial killers enters their lives.

Legendary criminal. Proud homosexual. Cabaret star. Passionate lover. Killer. Devoted father of seven adopted children. Saint or devil? Madame Satã. Born to slaves in the arid wasteland of Northern Brazil and sold by his mother at the age of 7, he pursued his freedom on the mean streets of Lapa, Rio de Janeiro. Jet-black, six feet tall, 180 pounds of proud muscle in a silk shirt and tight pants, a cutthroat razor in his back pocket. Karim Aïnouz's extraordinary portrait of the triumphs and tragedy of this explosive and paradoxical personality unfolds against the vibrant, sordid background of Lapa: thronging underworld of pimps and whores, of cut-throats, queers and artists, of dark bars and brothels thick with smoke, drenched in sweat and cheap perfume. A world run through with violence and raw desire, where desperate dreams spring from poverty and squalor.

During the early 1960s, Paris was an explosion of life. As the old gave way to the new, everything was in flux and the city was filled with an energy that promised cultural shifts and social change. Against this background, in a working class neighborhood, two unlikely characters--a young Jew and an elderly Muslim--begin a friendship. When we meet Moise, also known as Momo, he is in effect an orphan even tough he lives with prostitutes who treat him with genuine affection. Momo buys his groceries at the neighborhood shop, a crowded dark space owned and run by Ibrahim, a silent exotic looking man who sees and knows more than he lets on. After Momo is abandoned by his father, Ibrahim becomes the one grownup in Momo's life. Together they begin a journey that will change their lives forever.

Four siblings live happily with their mother in a small apartment in Tokyo. The children all have different fathers. They have never been to school. The very existence of three of them has been hidden from the landlord. One day, the mother leaves behind a little money and a note asking her 12-year-old boy to look after his younger siblings. And so begins the children's odyssey, a journey nobody knows. Despite their mother's abandonment, the four children do their best to survive in their own little world, devising and following their own set of rules. But when they have no choice but to engage with the world outside the apartment, the fragile balance that has sustained them collapses. Kore-eda incorporated documentary techniques to makes this film extraordinarily intimate and unaffected. Filmed chronologically over a year, "Nobody Knows" captures the young amateur actors growing as their characters do, highlighting the details of the children's lives, whether the nuances of a manicure, a toy piano, squeaking sandals, a cup of instant noodles, or a box of chocolates, to evoke not only the distinctive world of these particular abandoned children, but the gentleness and beauty of every childhood.

In "Saraband", Marianne and Johan (the couple in "Scenes from a Marriage") meet again after thirty years without contact, when Marianne suddenly feels a need to see her exhusband again. She decides to visit Johan at his old summer house in the western province of Dalarna. And so, one beautiful autumn day, there she is, beside his reclining chair, waking him with a light kiss.

Also living at the summer house are Johan's son Henrik and Henrik's daughter Karin. Henrik is giving his daughter cello lessons and already sees her future as staked out. Relations between father and son are very strained, but both are protective of Karin. They are all still mourning Anna, Henrik's much-loved wife, who died two years ago, yet who, in many ways, remains present among them. Marianne soon realizes that things are not all as they should be, and she finds

This film tells the stories of the locals living in a resort town in northern France so renowned for its pebble-covered beach that the central character, Marie (Helene Fillieres), works at a pebble processing factory. As the town changes seasonally from being completely empty in the winter and crowded during the summer, the working class lives of the locals whose livelihoods depend upon the money spent while others have a great time on vacation go on...

Set in China under the Ching Dynasty, the emperor imposes a brutal ban on all martial arts practice and sends out his imperial enforcers to execute all martial artists. A group of seven master swordsmen set out to save a village besieged by the enforcers. These heroes face various challenges that encompass combat, love and treachery...

A revisiting, some 15 years later, of the principal characters of Denys Arcand's 1986 comedy drama film, "The Decline of the American Empire". Rémy, now divorced and in his early fifties, is hospitalized. His ex-wife, Louise, asks their son Sébastien to come home from London where he now lives. Sébastien hesitates; he and his father haven't had much to say to one another for years now. He relents, however, and flies to Montreal to help his mother and support his father. As soon as he arrives, Sébastien moves heaven and earth, brings his contacts into play and disrupts the system in every way possible to ease the ordeal that awaits Rémy. Around his father's bedside, Sébastien also reunites the merry band of folk who were all players in Rémy's complicated past: relatives, friends and former mistresses.

After his wife leaves him, a man (Jean-Pierre Bacri) hires an unqualified but lovely suburban girl to clean his Paris apartment. The two become close as they chat while she's working, but can the lonely older guy sweep her off her feet?

In today's Beirut, an insult blown out of proportion finds Toni (Adel Karam), a Lebanese Christian, and Yasser (Kamel El Basha), a Palestinian refugee in court.

Two young couples in Madrid (Alterio and Vega; Toledo and Verbeke) are searching for love and happiness, but ultimately they find only lies and heartache, as they switch lovers back and forth, and the erotic tension escalates. There's also a good deal of singing and dancing amidst all the bed swapping.