Browse Movies : Completed : 2003 : Rating Not Available (Page #2)

This movie is an anthology of four gay-themed short films that have been recent hits on the film festival circuit: "Bumping Heads"; "L.T.R."; "O' Beautiful"; and "This Car Up". "Bumping Heads" is the story of two gay men trying to figure out if they want to become boyfriends who find themselves working through issues one night at a hospital emergency room. "L.T.R." is the story of a young gay couple in a "long-term relationship" who allow a documentary film crew to follow them around. "O Beautiful" shows what happens after a gay bashing in a corn field, when one of the attackers returns to reveal a secret, and express remorse for what he did. "This Car Up" uses a split-screen to follow the synchronized lives of two lovers.

Normally, the mantis shrimp only grows to about a foot long or so, but in this movie, a seven-foot-long one shows up in England (by way of the Philippines). Pub owner and failed boxer Bill (Kevin McNally) buys the creature, seeing it as his chance to become rich and famous, training the ferocious crustacean to box. Hitting the road with his amateur boxer best friend, Steve (Perry Fitzpatrick), a trainee hairdresser (Louise Mardenborough) and the giant sea creature, Bill heads to London to convince a TV network to feature the crustacean on an 'American Gladiators'-style event hosted by Ulrika Jonsson.

"Divine Intervention" follows ES, a character played by and clearly based upon the filmmaker himself. ES is burdened with a sick father, a stalled screenplay and an unrequited love affair with a beautiful Palestinian woman (Manal Khader) living in Ramallah. An Israeli checkpoint on the Nazareth-Ramallah road forces the couple to rendezvous in an adjacent parking lot. Their relationship and the absurd situations around them serve as metaphors for the lunacy of larger cultural problems, and the result is palpable, bottled personal and political rage.

Cassandra Reilly (Judy Davis) is an American translator who has moved permanently to Barcelona. She's quite broke, though, so when a glamorous stranger asks for her help, she can't afford to refuse. The hot femme-fatale Frankie Stevens (Marcia Gay Harden) is another American in Barcelona. Her husband has disappeared under mysterious circumstances, and she asks Cassandra to help her find him. As she offers a significant amount of money for the assistance, Cassandra simply can't refuse. Soon she finds herself caught up in a web of mistaken identities, double-crossing families and a devilish kidnapping plot.

"Km. 0" is a exuberant sex farce that takes a frenzied peek into the lives of a group of 14 people whose lives all intersect one very hot summer day at "km. 0" – the very center of Madrid. The various plotlines – several of which involve gay men – all involve chance meetings, missed connections and mistaken identifies, but from the confusion comes unexpected erotic interludes, new friendships, hot and bothered sexual escapades and romantic couplings. It's gay, straight, young, old: there's the 21-year-old movie director hopeful who is fresh off the bus and is picked up by a prostitute instead of his sister's friend; Marga (Concha Valasco), an older woman who beds a male escort (Jesus Cabrero) only to discover that she may be related to him; a gay dance instructor whose personal encounter with a chat room guy offers sex and maybe even love; Sergio (Alberto San Juan), a virgin about to be married but befriended by a interested gay man; Silvia (Mercè Pons), an aspiring actress who will do anything to get a part in a big musical. Amidst the heat, dreams are realized, clothing shed and romance triumphs! A rollicking, fast-paced comedy about finding your right partner, even if it means trying on a few beforehand.

"Prey for Rock & Roll" is the adrenaline-filled story of a contemporary LA all-girl punk band led by singer/guitarist Jacki (Gina Gershon), bassist Tracy (Drea De Matteo), lead guitarist Faith (Lori Petty), and drummer Sally (Shelly Cole). The directing debut of esteemed music supervisor/producer Alex Steyermark, the film captures the color and energy of a veteran band struggling to make it while personal obstacles and disturbing new events threaten to tear them apart.

A man too small, a boy too tall, a girl with her mouth made over all meet by chance. An encounter that seems fated to have no story but, as fate would have it, it becomes the tormented chronicle of denied love. Peppino, the man too small, is a taxidermist. Valerio, the boy too tall, is a waiter. Deborah, the girl with her mouth made over, is one who continually changes jobs… all have different dreams, hidden needs, secret drives. They are three castaways trying to cling to the certainty of a love that can justify the common ills of living and make them normal. They are just as incapable of communicating the ideals of the others as they are incapable of accepting them, they will tragically become lost.

This action comedy spoof, said to be in the same vein as "Undercover Brother", but for Orthodox Jews, Adam Goldberg ("Saving Private Ryan") stars as a superhero detective who's out to stop Santa's evil son Damien (Andy Dick) from eliminating Hanukkah forever. It's based on the short of the same name, written and directed by Jonathan Kesselman during his days as a student at USC's Film School.

Set in the world's holiest city during the dawn of the new century as fanatical Christians from across the globe arrive in hopes of provoking a confrontation between the many extremist Arabs and Jews, the plot of "The Holy Land" focuses on Menachem Weinbaum ("Mendy"),a young rabbinical student who is restless to learn about the bigger world. On the advice of his slightly demented teacher, Mendy visits a brothel in Tel Aviv so he can be rid of his 'madness' and return tohis studies. There he meets Sasha, a nineteen-year-old Russian prostitute, whose dire situation and immense beauty captivates him. But Mendy's world really opens up when he discovers Mike's Place, a real-life magnet for the lost souls who flock to Jerusalem. A place where Arabs, Christians and Jews drink side by side, Mike's Place introduces Mendy to a gun-toting American-born settler, a shady entrepreneurial Arab and a slew of American expatriates, forever changed by the sixties, who act out biblical roles. As Mendy becomes more immersed in this culture of the millennium he begins to wonder if Mike and his band of misfits are as harmless as they seem? Or are they intent on provoking Armageddon? A story of doomed, passionate love and coming of age in troubled times -- set in a world-famous place not unlike Rick's Cafe American or the Cantina in "Star Wars" -- "The Holy Land" explores the underbelly of real life in Jerusalem after the sun goes down and the tourists and Orthodox families go to sleep.

After his wife leaves him, a man (Jean-Pierre Bacri) hires an unqualified but lovely suburban girl to clean his Paris apartment. The two become close as they chat while she's working, but can the lonely older guy sweep her off her feet?

This documentary explores the lives and worlds of women who explore their masculine sides as "drag kings," using a legendary Drag King Night in New York as a starting point to follow some of the women into their lives, whether their drag persona be an identity they assume part or full-time. Drag kings in London and Zurich are also interviewed, including some who are experimenting with hormones to accelerate their masculinity.

Harry Mayfield (Baker Hall) was once an extremely successful Los Angeles architect. Today, he is an aging, charming but cantankerous idealist who teaches rather than practices architecture. Decades earlier, he had started work on a magnificent house for his family on a hillside site overlooking the city and the sea. A rich young couple, Kate and Richard Banks, see the charred remains of what was once his house, and decide they want Mayfield to come out of retirement and re-build the house for them. Mayfield, flattered by the attention and attracted by the challenge, agrees. Kate hires him to redesign the house and asks a young Hollywood friend, Gaby (Sangiacomo), to make a documentary record, a film of the building of the house. She learns that Mayfield's work made considerable impact on his colleagues and experts in the field, but for some reason he never achieved great public fame. The house was not finished, and the incidents surrounding its failure to be completed caused the tragic death of his young son, and possibly the end of his career. Mayfield works hard to make a new design. After getting it approved by Kate he starts construction with the contractor he has hired to rebuild the house.

Set in Los Angeles at home of the middle-class Hong family, a drama thriller in which many layers of deception in a bi-cultural clan are unraveled--upon the arrival of an intruder brandishing a gun.

Im Kwon-taek's ninety-fifth film tells the story of renowned nineteenth-century painter Jang Seung-up (Choi Min-Sik), an artist whose revolutionary work - and persona - has forever changed the face of Korean art.

A young woman, Diane, works for a multinational corporation run by Henri-Pierre Volf. In the logic of the diversification of its activities - from real estate to clothing design - the Volf Group is negociating the acquisition of TokyoAnime, a Japanese company which produces a new form of manga and their pornographic version, hentaï, in digital 3D images that will outdate and destroy the competition in this extraordinarily lucrative market. Two companies battle to obtain exclusive diffusion of Volf's new images on the Web: Mangatronics and Demonlover. Mangatronics has recruted Diane as a sort of industrial spy to serve its interests by torpedoing the Demonlover contract from within. The links between Demonlover and various violent and illegal pornographic sites dangerously weakens the relationship with the Volf Group, unaware of the existence of those secret sites. Diane discovers that they also have their strategy and their spies in the form of her seemingly neutral, naive colleagues. She ends up knowing too much and becomes a danger to Demonlover. Soon there is no way out, except fading into the cyber-reality of which she was perhaps a part from the start.

A moving documentary from director Jennifer Dworkin, "Love and Diane" tells the hard tale of Diane, whose crack cocaine drug addiction in the 1980s resulted in social services taking each of her six children out of her care for more stable lives in foster homes and group homes. Now Diane is clean, and the oldest of her children, Love, is 18-years-old, HIV positive, and has a baby boy. Diane tries to reunite the family, which consists of five teenagers (one of her sons died), but life for them is not easy. At the beginning of the film they are all living together in a Brooklyn, New York apartment. But slowly things go awry. Diane and Love quarrel and social services comes to take the baby away. Neglect charges are filed against Love and social services separates her sisters into another living situation. Their younger brother stops going to school and then also leaves the apartment, no longer interested in living with his mother or with his family. A moving and emotional look at a family struggling against difficult odds to do what's best, LOVE & DIANE is mostly made up of conversations between Diane, Love, and the family. They talk about the hardships they've endured, how they got through difficult times, and how they pray for a brighter future. All combined, it is a truly affecting portrait of a family trying to keep together.

A wry comedy unfolds when Lucía's (Cecilia Roth) husband mysteriously disappears leaving her to discover that her life is not what it seems. In the search for her husband, Lucía finds two new friends who help her on her quest: Adrián (Kuno Becker), a charismatic 25-year-old; and Félix (Carlos Alvarez-Novoa), a seasoned veteran. Together they discover the value of friendship and passion while Lucía reinvents her life, finding a world she had forgotten, her ability to smile and her freedom.

In this documentary, Nathaniel Kahn examines the life and career of his father, Philadelphia architect Louis I. Kahn (1901-1974), whose work included the Salk Institute and the Parliament and Capitol Buildings in Dhaka, Bangladesh, before dying of a heart attack in a Penn Station bathroom in 1974, unidentified and broke despite having been one of the century's most influential architects. Louis Kahn also led three different personal lives, with three different families, fathering a daughter with his wife, and a child each by two other lovers (one of whom was the mother of Nathaniel, who was 11 when his father died).

Bruno Le Roux (Elie Belvaux) breaks out of the prison in which he's served 15 years of a life sentence for his membership in an armed wing of a left-wing revolutionary movement, the Popular Army. Bruno is determined to continue the fight against capitalist society, and to avenge his fallen comrades-in-arms. But most of his former associates are dead or behind bars, and the others are either unwilling or untrustworthy. He seeks help from former radical Jeanne (Catherine Frot), but she's now a mother and schoolteacher. Another former contact is local crime boss Jaquillat (Patrick Descamps). Years earlier, Bruno and Jaquillat had been allies in a bank robbery, but now Jaquillat's drug dealing is seriously constrained by the massive police presence as the manhunt for Bruno continues. It's in Jaquillat's interests to finish off Bruno. An alliance between Jaquillat and local cop Pascal Manise (Gilbert Melki) makes things even more dangerous for Bruno. Whatever ideals Bruno might once have had have been distorted by imprisonment and suffering. Bruno is now willing to kill for the most casual reasons -- he's turned into a psychopath with nothing to lose. However, he finds an unexpected ally in Agnes (Dominique Blanc), Manise's junkie wife. Bruno helps her when she is attacked by a street dealer, and, without really knowing who he is, she finds him a place to stay, in the chalet owned by her friend, Cecile (Ornella Muti).