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The Dead Don’t Hurt

A story of star-crossed lovers on the western U.S. frontier in the 1860s, The Dead Don’t Hurt centers on Vivienne Le Coudy (Krieps), a fiercely independent woman who embarks on a relationship with Danish immigrant Holgen Olsen (Mortensen).

The Settlers

Chile, 1901. A wealthy landowner hires three horsemen to mark out the perimeter of his property and open a route to the Atlantic Ocean across Patagonia. The expedition, composed of a young Chilean mestizo, an American mercenary and a reckless British lieutenant, soon turns into a “civilizing” raid.

The Ballad of Davy Croc...

Long before his last stand at the Alamo, the legendary American hero Davy Crockett fought his way through a wild frontier to rescue his sons from the clutches of an evil land baron.

The Outlaw Johnny Black

Hell bent on avenging the death of his father, Johnny Black (Michael Jai White) vows to gun down Brett Clayton (Chris Browning) and becomes a wanted man in the process. He goes into hiding, posing as a preacher in a small mining town that's been taken over by a notorious Land Baron. "I hope this movie, inspired by the late Sidney Poitier and Harry Belafonte, creates for others, the kind of joy I felt as a child when I could watch movies over and over with my family and get something new each time!"

The Ridiculous 6

When his outlaw dad is kidnapped, Tommy “White Knife” Stockburn sets off across the West on a rescue mission with five brothers he never knew he had.

The Big Valley

A feature adaptation of ABC's '60s TV series "The Big Valley." Susan Sarandon would play the role of Victoria Barkley, the character played by Barbara Stanwyck in the original.

The Sun Always Sets in ...

A drifter finds redemption with a hardscrabble frontier woman and her young daughter, only to see his dream of happiness jeopardized when brute mercenaries show up at his door.

Terror on the Prairie

Set in 1872 along the Dakota plains, a pioneering family led by Hattie (Carano) is terrorized on their newly-built farm by a gang of vicious outlaws who seek revenge for a mysterious crime commited during the Civil War. A dark history is revealed and loyalties are tested as Hattie must protect her family during a bullet-ridden showdown for survival. Produced by Dallas Sonnier.
Location: US - Montana

Completed

June 14, 2022 VOD / Digital

The Last Victim

A group of modern-day outlaws, pursued by an aging sheriff, deal with the fallout of a crime gone wrong in the harsh landscape of the American Southwest. When a young professor and her husband cross paths with the gang, they are drawn into a chain of vengeance where morality is ambiguous and survival is the only priority.

The Outsider

Country Music Legend Trace Adkins stars in this gritty tale of revenge in a small Western boomtown. In search of the American dream, a railroad worker (Jon Foo) finds himself on the wrong side of a lawless frontier. As the Marshall (Adkins) attempts to control his corrupt town, tragedy strikes sending the railroad worker on a path of retaliation.

The Hawkline Monster

Two unlikely hero gunslingers are hired by a fifteen-year-old girl named Magic Child to kill the monster that lives in the caves under the basement of one Miss Hawkline's house.

The Scent of Rain & Lig...

Based on the bestselling novel, a Midwestern woman investigates the murder of her parents when she begins to doubt the guilt of the man convicted.

The Legend of Molly Joh...

In 1893 on an isolated property, a heavily pregnant woman named Molly Johnson (Leah Purcell) and her children struggle to survive the harsh Australian landscape; her husband is gone, droving sheep in the high country. Molly then finds herself confronted by a shackled Aboriginal fugitive named Yadaka (Rob Collins). As an unlikely bond begins to form between them, secrets unravel about her true identity. Meanwhile, realizing Molly’s husband is missing, new town lawman Nate Clintoff becomes suspicious and sends his constable to investigate. The deadly encounter between Molly, Yadaka and the constable results in a tragic chain of events with Molly becoming a symbol of feminism and anti-racism.

Completed

August 19, 2022 Limited VOD / Digital

The Sisters Brothers

It is 1851, and Charlie and Eli Sisters (Joaquin Phoenix and John C. Reilly) are both brothers and assassins, boys grown to men in a savage and hostile world. They have blood on their hands: that of criminals, that of innocents...and they know no state of existence other than being gunmen. The older of the two, introspective Eli (Reilly) rides hard with his younger sibling yet dares to dream of a normal life. The younger of the two, hard-drinking Charlie (Phoenix) has taken charge with gusto as lead man on the duo's assignments. Each increasingly questions, and quibbles with, the other's methods.

The Cowboys

A rancher is forced to train a group of boys and get a herd to market on time to avoid financial ruin after his cattle drivers leave to look for gold.

The Creed of Violence

Depicts the 1910 Mexican revolution via the gun sights of an unlikely duo: small-time assassin Rawbone and John Lourdes, a young Bureau of Investigation agent. The two are forced to work together to infiltrate the Mexican criminal underground, encountering thieves, smugglers and professional killers

The Oregon Trail

A group of settlers from Independence, Missouri make the trek to Willamette Valley in Oregon while traveling along the Oregon Trail in 1848.

The Pinkerton

Described as a supernatural revenge-western hybrid. The Pinkertons are a private security guard and detective agency established in the US by Scotsman Allan Pinkerton in 1850.

The Color of Lightning

After freed slave Britt Johnson moves his family to Young County, TX at the end of the Civil War, his family and neighbors are attacked by Comanche and Kiowa, with many of them being taken captive. While Britt waits through the winter before he can set out to rescue his wife and children, Samuel Hammond, a Quaker man preaching nonviolence and an agrarian lifestyle gets sent to the region to be the new Indian Agent. The contrast between Johnson, a pragmatic man of action, and Hammond, an idealist who struggles with the ambiguities of reality, echoes the history of a period when government programs and westward expansion collided, ruinously, with Native cultures.