Movies Released April 7, 2023

Follows aspiring musical superstar Sam (Chlöe Bailey), a young woman driven, at almost any cost, to break into the music business. So, when her father (Philip Fornah; Richard Jewel, Better Call Saul), worried that Sam is associating with a dangerous crowd, moves them from Los Angeles to Atlanta to live with Sam’s sunny cousin, Jess, Sam is… not happy.

Jackie Powers (Scott Caan) is a nice guy but a lousy hit man, and when he’s sent to take out a crafty debtor (J.K. Simmons), Jackie only pisses him off. Fleeing the scene, Jackie takes bored waitress Lola as a hostage. When Jackie reveals he needs money to get his son out of jail, Lola cooks up a scheme for them to get cash from her dying mother (Virginia Madsen). Meanwhile, a thug sent to kill him is sleeping with Jackie’s ex.

Living with Chucky takes an in depth look at the groundbreaking Child’s Play franchise from the perspective of a filmmaker who grew up within it. Featuring interviews with cast and crew such as Brad Dourif, Jennifer Tilly, Alex Vincent, creator Don Mancini, and much more, this personal film recounts the dedication, creativity and sacrifice that went into making the franchise and its long-lasting impact on the horror community.

Gangs of Lagos is a high-stakes, gritty, and hard-hitting action crime-thriller, with an authentic storyline centred on a group of childhood friends who each have to navigate destiny, growing up on the bustling streets and neighbourhood of Isale Eko, Lagos. It features elaborate set pieces, action scenes, and engaging dialogue, balanced by a high-octane pace and emotionally grounded story at its core.

Poppy Valentine, a young circus performer who has grown up in her family's traveling circus, begins dreaming of what life would be like outside of its fences. Now in her mid-20s and with more unwelcomed responsibility weighing her down, she's desperate to figure out if this life is for her. As she slowly begins to take time for herself, finding independence and even love, she strains her relationship with those around her in the tight-knit circus community. Amidst her overprotective father, stressful circus expectations, and a blossoming curiosity for a life of her own, Poppy must decide if the risk is worth leaving everything she's ever known behind.

Headed home after a wild night at a Los Angeles club, young lovers Jordan White (James Duval) and Amy Blue (Rose McGowan) pick up a dangerously handsome drifter named Xavier Red (Johnathon Schaech). Jordan doesn’t see a problem with offering Xavier a quick ride, but his acid-tongued girlfriend thinks he’s a creep. When Xavier inadvertently kills a convenience store clerk, they are forced to go on the run, traversing a bizarre and ultra-violent America. Somehow, every random thug, drive-thru operator, and neo-Nazi they encounter seem to recognize Amy as a past fling or alter ego, adding to the already explosive sexual tension brimming among the renegade trio.

A young man and a young woman drive to a village to find out something.... There is a sense of familiarity, and of sharing the trauma of a horrible event. They both have a profound need to understand, but they couldn’t be more different. One moves with aggressiveness, the other moves with care, but they both need the same thing: to be in contact with the last people and spaces one of their loved ones was in contact with, to sink into his waters, to believe that a person’s presence remains beyond death. Skillfully doling out narrative information piece by piece and layer upon layer in scenes marked by elegant, sinister single takes, Bareiša has created a foreboding, yet ultimately hopeful portrait of people racked with trauma and unresolved anger.

Moroccan-Dutch Karim (Fahd Larhzaoui) decides it's time to tell his parents (Lubna Azabal and Slimane Dazi) that he is attracted to men. After years of keeping up appearances, the word is finally out… The difficult days that follow evoke beautiful and poignant memories. He realizes that he has to confront his family to finally break the silence. But in order to be accepted, he must come to terms with his own feelings first.