2006 Worst Movies (Page #10)

Pierre Dulaine is a Manhattan ballroom teacher and competitor who volunteers his time to teach ballroom dancing to a group of New York inner city high school kids. Initially forced to participate as a form of detention, the kids reject Mr. Dulaine's efforts until his unwavering commitment and dedication finally inspires them to embrace the program, infusing it with their own unique hip-hop style while subconsciously learning valuable life lessons about pride, respect, self-esteem and honor.

On what should be one of the happiest days of her life, high school senior Wendy joins her friends for a graduation night celebration at a local amusement park. As they're about to board a roller coaster, Wendy is suddenly spooked. Her boyfriend Jason reassures her that it's merely the act of relinquishing control that's giving her the jitters. Wendy overcomes her fear, but no sooner has the pneumatic harness descended, securing her in her seat, than Wendy experiences a vivid premonition of a fatal accident in which the roller coaster becomes a death trap for her and her friends. Emerging from her terrifying vision and still on the ride platform, Wendy freaks out and demands to be let off. Her classmate, Kevin, who's seated beside her, feels compelled to accompany Wendy. As they're leaving, Lewis taunts Kevin, calling him a wimp. Insults turn to blows, others join the scuffle, and soon a handful of students are forcibly ejected from the ride. As they watch from below, Wendy's premonition proves nightmarishly true--the coaster careens out of control, and all those aboard perish. But that's only about the beginning. Those who survive the disaster discover that fate is hard to escape. They were meant to die--and death is not so easily cheated! It's not long before death comes to claim its next victim, and it's through this tragedy that Wendy realizes there are clues to the survivors' impending demise contained in photos she took at the amusement park that fateful night. As Wendy and Kevin desperately try to interpret the clues that might save lives, one-by-one their friends meet fantastically gruesome ends--and soon it will be their turn.

The cocaine cowboys of the '80s are gone, but Miami's Casablanca allure, the undercover cops and the attitudes of Michael Mann's culturally influential television series have been enhanced by time in the feature film version of Miami Vice.

Ricardo Tubbs (Academy Award winner Jamie Foxx of "Ray", "Jarhead") is urbane and dead smart. He lives with Bronx-born intel analyst Trudy, played by British actress Naomie Harris ("28 Days Later"), as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders.

Sonny Crockett (Colin Farrell of "S.W.A.T.", "The New World") ]to the untrained eye, his presentation may seem unorthodox, but procedurally he is sound] is charismatic and flirtatious until-while undercover working with the supplier of the South Florida group-he gets romantically entangled with Isabella, the Chinese-Cuban wife of an arms and drugs trafficker. Isabella is played by the Chinese actress Gong Li ("Raise the Red Lantern, Memoirs of a Geisha").

The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of this case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one- especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.

"Miami Vice", as a large-scale feature film, liberates what is adult, dangerous and alluring about working deeply undercover...especially when Crockett and Tubbs go to where their badges don't count...

"Bobby" revisits the night Robert F. Kennedy was gunned down at the Ambassador Hotel in 1968. Story is about how the lives of those at the hotel that evening intersected. Movie will take place against the backdrop of the cultural issues gripping the country at the time, including racism, sexual inequality and class differences.

A remake of the 2001 Italian film "L'Ultimo bacio", the story concerns a couple who live together and could be undone by questions of whether they are meant to be together.

In the re-telling of this classic fable, the story begins at the end. Chief Grizzly (Xzibit) and Detective Bill Stork (Anthony Anderson) investigate a domestic disturbance at Granny's (Glenn Close) cottage involving a karate-kicking Red Riding Hood (Anne Hathaway), a sarcastic Wolf (Patrick Warburton) and an oafish Woodsman ( Jim Belushi). The charges are many: breaking and entering, intent to eat and wielding an axe without a license, but these unusual suspects have their story to tell first.

Set amidst the backdrop of a 1930s southern speakeasy, the film follows two characters, Percival (Andre Benjamin), the club's piano player, and Rooster (Antwan Patton), the club's lead performer and manager, through intersecting stories of love and ambition.

New York City resident Edmond Burke (William H. Macy) encounters a fortuneteller, whose predictions throw him for a loop and lead him to abandon his previous life, wandering into the dark side of the city.

The movie revolves around the events following the 1970 plane crash that killed members of the West Virginia-based Marshall football team, along with most of its coaching staff, sports commentators and many of its local boosters.

A deer buddies up with a domesticated grizzly bear when the two animals are alone in the woods during hunting season. Meanwhile, Beth, a forest ranger who raised the bear, embarks on a desperate search to find her friend.

Jim Davis (Christian Bale) is an ex-Army Ranger recently discharged from the military, yet still haunted by nightmares of his former occupation. While seeking a position with the LAPD that will allow him to marry his Mexican girlfriend and bring her to the United States, Jim kills time chilling with his best friend, Mike (Freddy Rodriguez). Mike is feeling the heat from his longtime girlfriend, Sylvia (Eva Longoria): either get a job or get out. But the love of a beautiful woman can't compare to the bonds of friendship, and Jim and Mike are soon cruising the streets of South Central, slipping back into a deceitful life of drugs, violence and petty crime, just like when they were kids.

This rites of passage comedy introduces a shy and downtrodden Ben (Rupert Grint) with yet another dreary school holiday coming around. Seventeen years of living in an absurdly conservative and traditional household with his highly-strung and overbearing mother (Laura Linney) and quiet, mild mannered vicar father have taken its toll on young Ben. While the other kids are out having fun, Ben spends these precious few weeks attending bible classes, having driving lessons with his mother and helping out at a local old people's home.

However, Ben's world is turned upside down when he's employed by an eccentric retired actress Evie (Julie Walters). Vulgar, dignified and childish all at once, she certainly is not the kind of person Ben expected when searching through the job listings in the stuffy parish magazine, "Hello Jesus". Evie enters Ben's life with a cataclysmic force, whisking him away on a series of adventures from camping, to performing Shakespeare in the garden, to attending the Edinburgh festival — where he finally meets a girl much nearer his own age.

Evie's unconventional and often downright bizarre behavior challenges Ben's beliefs, and forces him to confront the very idea of who he wants to be. Then, when it seems that his new-found freedom is about to be taken away, Ben has to suddenly choose; should he continue to conform, or break out and live his life as his own man?

Are we what we eat? To a degree both engrossing and alarming, the story of fast food is the story of postwar Amerca. Though created by a handful of mavericks, the fast food industry has triggered the homogenization of our society.

This is the strange, disturbing story of the Manderlay plantation.

Manderlay lay on a lonely plain somewhere in the deep south of the USA. It was in the year of 1933 that Grace and her father had left the township of Dogville behind them. Grace's father and his army of villains had spent the entire winter seeking out new hunting grounds in vain, and now they were heading south in one last attempt to find a favourable location in which to take up residence.

By chance their cars stop in the state of Alabama in front of a large iron gate bearing a thick chain and a padlock. Beside the gate, a dead oak tree towers over a heavy boulder with Manderlay hewn in monumental letters into the granite.

Just as Grace, her father and his men are about to leave after a short break and a quick lunch, a young black woman runs up to the car. She knocks on Grace's window. She hammers at the glass in despair. Ignoring her father's advice to leave others to their own affairs, Grace follows the girl through the gates of Manderlay and there, she finds a group of people living as if slavery had not been abolished seventy years earlier, with white masters and black slaves...

Grace believes that she has a duty to make it up to the slaves for injustices they have suffered at the hands of her kind: 'we brought them here, we abused them and made them what they are', as she argues to her father; and she decides that having liberated Manderlay, she will remain at the plantation until she has seen them through their first harvest.

Her father grudgingly leaves her with four henchmen and a lawyer, warning Grace that he won't be there to pick up the pieces when her plans for the resurrection of Manderlay fall apart...

The true story of celebrated Scottish cyclist Graeme Obree, a former world champion who broke the world one-hour record on a bike of his own design, made partly out of sections of a washing machine. It follows his life's victories as well as his debilitating battles with mental health problems.