DVD & Blu-rays Released July 5, 2016

Jason Mewes stars as an in-your-face filmmaker known for his web videos of an urban avenger known only as ‘The Vigilante’ (Paul Sloan). But when The Vigilante terminates a creep with deep connections, it’ll trigger a live-feed bloodbath between the Armenian mob, Mexican cartels, a rogue team of Special Forces commandos, and an international black ops conspiracy that’s about to make things very personal.

In a rare act of selflessness (and desperation), a low-life whom everybody (from mob bosses, contract killers, and dirty cops) wants dead takes out a million-dollar policy to benefit his estranged daughter, but soon after, he realizes it doesn’t take effect for 21 days. The man tries to make it to the finish line.

Hank Williams, who grows up dirt poor in Alabama during the Depression, skyrockets to fame with 11 No. 1 hits, including classics "Cold, Cold Heart," "Your Cheatin' Heart" and "I'm So Lonesome I Could Cry." Williams suffers from spina bifida, which leads him to turn to alcohol and morphine for pain relief. Haunted by demons and bad habits, Williams dies in 1953 at age 29.

A couple of performance artists routinely sucked their kids into taking part in a variety of bizarre events. When the full-grown children return home in a state of crisis, they are unwittingly enlisted to help in the execution of a daring and mysterious final performance by their parents, who are hellbent on achieving the act of a lifetime. Their kids harbor more than a little resentment and blame the performance art for how badly their own lives have turned out.

It’s 1982, and Taeko (voiced by Daisy Ridley) is 27 years old, unmarried, and has lived her whole life in Tokyo. She decides to visit her family in the countryside, and as the train travels through the night, memories flood back of her younger years: the first immature stirrings of romance, the onset of puberty, and the frustrations of math and boys. At the station she is met by young farmer Toshio (voiced by Dev Patel), and the encounters with him begin to reconnect her to forgotten longings. In lyrical switches between the present and the past, Taeko contemplates the arc of her life, and wonders if she has been true to the dreams of her childhood self.

In an alternate version of 19th century London, the world has been revolutionized by “corpse reanimation technology” creating armies of undead who serve the living as laborers across the globe. In an attempt to revive his dearly departed friend, young medical student John Watson becomes obsessed with replicating the work of Dr. Victor Frankenstein—the legendary corpse engineer whose research produced the only re-animated corpse to possess a soul. But when his illegal experiments put him at odds with the British government, Watson is drafted into a worldwide race to find the lost research notes of Victor Frankenstein before the secrets of the human soul fall into the wrong hands.

In the year 2154, a group of young men and women awake in a dark claustrophobic maze. They don't remember who they are or how they got stuck in the Black Labyrinth of ANDRON. The group must learn to decipher codes, understand the signals and beat the tests in this mysterious and bizarre place. Out of necessity they struggle to form a bond to survive, while the outside world watches and wagers on their fate.

Sara Gold is a rising star at the United Animal Protection Agency (UAPA), a major animal rights organization that conducts animal rescues and lobbies for better animal welfare laws. Handpicked for a major assignment, Sara goes undercover as a college intern to infiltrate a suspected “puppy mill” run by the enigmatic Daniel Holloway. Sara soon ingratiates herself with Daniel and his family, and learns all about the world of dog breeding but is hard pressed to find any sign of animal abuse. The UAPA teams up with local law enforcement and raids the farm, accusing Daniel of the inhumane treatment of animals. Sara finds herself torn between doing her job and doing what’s right, and she awakens to the moral contradictions of her work with the UAPA.