1 – 20 of 126 movies
In "Walking Tall", Dwayne "The Rock" Johnson plays Chris Vaughn, a retired soldier who returns to his hometown to make a new life for himself, only to discover his wealthy high school rival, Jay Hamilton (Neal McDonough), has closed the once-prosperous lumber mill and turned the town's resources towards his own criminal gains. The place Chris grew up is now overrun with crime, drugs, and violence. Enlisting the help of his old pal Ray Templeton (Johnny Knoxville), Chris gets elected sheriff and vows to shut down Hamilton's operations. His actions endanger his family and threaten his own life, but Chris refuses to back down until his hometown once again feels like home.
Benjamin Franklin Gates is a third generation treasure hunter. All his life, Gates has been searching for a treasure no one believed existed: amassed through the ages, moved across continents, to become the greatest treasure the world has ever known. Hidden by our Founding Fathers, they left clues to the Treasure's location right before our eyes--from our nation's birthplace, to the nation's capitol, to clues buried within the symbols on the dollar bill. Gates' life-long journey leads him to the last place anyone thought to look: a map hidden on the back of the Declaration of Independence. But what he thought was the final clue is only the beginning. Gates realizes in order to protect the world's greatest treasure, he must now do the unthinkable: steal the most revered, best guarded document in American history before it falls into the wrong hands. In a race against time, Gates must elude the authorities, stay one step ahead of his ruthless adversary, decipher the remaining clues and unlock the 2000 year-old mystery behind our greatest national treasure.
Based on the true story of the greatest long-distance horse race ever run, "Hidalgo" is an epic action-adventure and one man's journey of personal redemption. Held yearly for centuries, the Ocean of Fire - a 3,000 mile survival race across the Arabian Desert - was a challenge restricted to the finest Arabian horses ever bred, the purest and noblest lines, owned by the greatest royal families. In 1890, a wealthy Sheik invited an American and his horse to enter the race for the first time. Frank T. Hopkins (Viggo Mortensen) was a cowboy and dispatch rider for the US cavalry who had once been billed as the greatest rider the West had ever known. The Sheik (Omar Sharif) would put his claim to the test, pitting the American cowboy and his mustang, Hidalgo, against the world's greatest Arabian horses and Bedouin riders - some of whom were determined to prevent the foreigner from finishing the race. For Frank, the Ocean of Fire becomes not only a matter of pride and honor, but a race for his very survival as he and his horse, Hidalgo, attempt the impossible.
The paparazzi are the chroniclers of Hollywood glitz and glamour, and key players in the public's insatiable appetite for information and photos about their favorite stars. They are as much part of gala premiers as bright lights and red carpets. Their photos can make or break careers. For rising action star Bo Laramie, a quartet of paparazzi is at first an annoyance, then an ever-disturbing presence. One night they trap Bo and his family into a high speed chase that ends in a terrible accident, sending his wife Abby into intensive care and son Zach into a coma. Veteran Los Angeles detective Burton believes Bo's version of the accident, but when Burton can't make the case against the photographers, Bo seeks vengeance on his own. And the paparazzi start falling one by one.
Based on the story of Jackie Kallen, the first female boxing manager. Ryan will play Kallen, and Epps the pugilist whom she helps lead to glory. Kallen battled personal adversity to become a fight manager who, three years into the game, helped James Toney battle to the world middleweight championship.
This film tells the story of the last 12 hours in the life of Jesus (Jim Caviezel), on the day of his crucifixion in Jerusalem. This film's script is based upon several sources, including the diaries of St. Anne Catherine Emmerich (1774-1824) as collected in the book, "The Dolorous Passion of Our Lord Jesus Christ", "The Mystical City of God" by St. Mary of Agreda, and the New Testament books of John, Luke, Mark and Matthew.
An epic adventure of discovery, survival and wonder, "Two Brothers" is the story of twin tiger brothers who are born amidst the temple ruins and exotic jungles of French Indo-China. Separated as cubs and taken into captivity, one tiger is forced to become a circus performer, the other a trained killer. Years later, the brothers find themselves reunited, but as forced enemies pitted against each other. "Two Brothers" stars Guy Pearce as a romantic explorer whose tragic intervention into the idyllic lives of the two tiger brothers forever intertwines their fates.
Havana: November, 1958. 18-year-old Katey Miller (Romola Garai) brings an innate curiosity and a smattering of Spanish to her new life in Cuba's lush capital, where her father has taken an executive posting at Ford. Bookish and awkward, Katey is expected to join the smart set of American teenagers who are the Millers' neighbors at the exclusive Oceana Hotel. But Katey finds herself drawn instead to the proud, purposeful Javier (Diego Luna), a waiter who also happens to be brilliant dancer. Determined to learn the slinky, spectacular moves that Javier seems to know in his bones, Katey persuades him to partner with her in a prestigious national dance competition at Havana's glittering nightclub/casino, The Palace. Soon, the straight-A student is deceiving her parents, stealing away both day and night to discover a different part of Cuba with Javier. They meet at the steamy nightclub La Rosa Negra, where only the locals go and where the dancing is hotter than the temperature outside. Some days, they practice on the sand of an out-of-the way beach, aligning their bodies in a sensual harmony that mirrors the growing passion between them. As the night of the contest finally arrives, Katey and Javier are ready to take their place as a couple on the dance floor - unaware that the country club, and the streets of Havana itself, are about to erupt in revolutionary violence.
Based on the novel by Anne Tyler, "A Slipping Down Life" is the story of the peculiar courtship of an awkward young woman and a charismatic singer/songwriter, and the profound effect that their unlikely relationship has on eachother's lives and futures. Evie Decker (Lili Taylor) is a painfully timid young woman whose monotonous life consists of living with her reclusive widower father (Tom Bower) and working a dead-end job dressed in a rabbit costume at a rundown amusement park. Evie's quiet existence is shattered when she hears a late-night radio interview with struggling musician Drumstrings Casey (Guy Pearce). Evie is fascinated with his seductive voice and sultry lyrics and convinces her best friend Violet (Sara Rue) to go with her to the local roadhouse to see him perform. Seeing him in person, Evie becomes even more mesmerized by the handsome and brooding musicians. During one of Drum's shows, Evie's growing infatuation blends with obsession when she becomes so entranced by his singing that she actually cuts his name into her forehead with a piece of glass. Instead of regretting her action, she considers this her first step towards taking more control of her life. The stunt brings her to Drum's attention and he and his manager David Elliot (John Hawkes) decide to use her as a marketing gimmick at future shows. Evie's total faith in Drum's talent inspires and intrigues him while her role as his "muse" imparts Evie with uncharacteristic self-assurance. The physical attraction between Evie and Drum increases as their emotional need for one another becomes more and more apparent. The inspiration they find together to break out from the confines of low expectations and the ordinariness of small town life begins to conflict with the pursuit of their individual dreams. Together or apart they must decide which path will lead to the fulfillment of their newfound strength.
Four generations of men are suddenly brought together by the chance to uncover the truth about their family's past. It's a journey that takes them out on the road to a world full of surprises—some comic, some dramatic, and all of them personal.
It all begins as successful Scottish playwright J.M. Barrie watches his latest play open to a ho-hum reaction among the polite society of Edwardian England. A literary genius of his times but bored by the same old themes, Barrie is clearly in need of some serious inspiration. Unexpectedly, he finds it one day during his daily walk with his St. Bernard Porthos in London's Kensington Gardens. There, Barrie encounters the Llewelyn Davies family: four fatherless boys and their beautiful, recently widowed mother. Despite the disapproval of the boys' steely grandmother Emma du Maurier and the resentment of his own wife, Barrie befriends the family, engaging the boys in tricks, disguises, games and sheer mischief, creating play-worlds of castles and kings, cowboys and Indians, pirates and castaways. He transforms hillsides into galleon ships, sticks into mighty swords, kites into enchanted fairies and the Llewelyn Davies boys into "The Lost Boys of Neverland." From the sheer thrills and adventurousness of childhood will come Barrie's most daring and renowned masterwork, "Peter Pan." At first, his theatrical company is skeptical. While his loyal producer Charles Frohman worries he'll lose his shirt on this children's fantasy, Barrie begins rehearsals only to shock his actors with such unprecedented requests as asking them to fly across the stage, talk to fairies made out of light and don dog and crocodile costumes. Then, just as Barrie is ready to introduce the world to "Peter Pan," a tragic twist of fate will make the writer and those he loves most understand just what it means to really believe.
This is the story of a 12-year-old boy, David (Ben Tibber), who travels across Europe by himself in 1952 after escaping from the Communist concentration camp in Bulgaria where he's spent most of his life. Advised and helped by a fellow inmate, Johannes (James Caviezel), David makes his way out of the camp with only a loaf of bread, a compass to guide him and a letter he's been told to deliver to Copenhagen, Denmark. Not even knowing where Denmark is, David must first make his way from Bulgaria to Italy...
Kurt Russell stars as coach Herb Brooks in the story of how the 1980 U.S. Olympic hockey team toppled the seemingly invincible Soviet Union squad to capture the gold medal. A former U.S. player himself, Brooks was the last skater to be cut from the 1960 U.S. Olympic team, the most recent one to win the gold medal before Brooks became the team coach. He cobbled together a group of players and taught them to excel at the European game. Even so, the Russian team had won four consecutive gold medals and was so good that it defeated a team of National Hockey League all-stars. The U.S. team wasn't expected to even make the medal rounds. But led by Brooks, the team defeated the Soviet Union in the semifinal round, then bested Finland in the finals to win the gold.
During the early 1960s, Paris was an explosion of life. As the old gave way to the new, everything was in flux and the city was filled with an energy that promised cultural shifts and social change. Against this background, in a working class neighborhood, two unlikely characters--a young Jew and an elderly Muslim--begin a friendship. When we meet Moise, also known as Momo, he is in effect an orphan even tough he lives with prostitutes who treat him with genuine affection. Momo buys his groceries at the neighborhood shop, a crowded dark space owned and run by Ibrahim, a silent exotic looking man who sees and knows more than he lets on. After Momo is abandoned by his father, Ibrahim becomes the one grownup in Momo's life. Together they begin a journey that will change their lives forever.
Throughout time, men have waged war. Some for power, some for glory, some for honor — and some for love. In ancient Greece, the passion of two of history's most legendary lovers, Paris, Prince of Troy (Orlando Bloom) and Helen (Diane Kruger), Queen of Sparta, ignites a war that will devastate a civilization. When Paris steals Helen away from her husband, King Menelaus (Brendan Gleeson), it is an insult that cannot be suffered. Familial pride dictates that an affront to Menelaus is an affront to his brother Agamemnon (Brian Cox), powerful King of the Myceneans, who soon unites all the massive tribes of Greece to steal Helen back from Troy in defense of his brother's honor. In truth, Agamemnon's pursuit of honor is corrupted by his overwhelming greed — he needs control of Troy to ensure the supremacy of his already vast empire. The walled city, under the leadership of King Prium (Peter O'Toole) and defended by mighty Prince Hector (Eric Bana), is a citadel that no army has been able to breach. One man alone stands as the key to victory or defeat over Troy — Achilles (Brad Pitt), believed to be the greatest warrior alive. Arrogant, rebellious and seemingly invincible, Achilles has no allegiance to anyone or anything, save his own glory. It is his insatiable hunger for eternal renown that leads him to attack the gates of Troy under Agamemnon's banner — but it will be love that ultimately decides his fate. Two worlds will go to war for honor and power. Thousands will fall in pursuit of glory. And for love, a nation will burn to the ground.
In their small New England college town, Jack Linden and Hank Evans are the best of friends. Fellow instructors at the university where Jack teaches literature and Hank, writing, the two enjoy the camaraderie of men who have shared similiar circumstances. Their bond however is put to the test and their lives are upended when the love-lives of the two men and their wives, Edith and Terry, become tangled.
"Young Adam" is David McKenzie's adaptation of Alexander Trocchi's novel, a romantic murder mystery set on a barge in the canals of Scotland. Lovely photography by Giles Nuttgens, complemented by a lonely score by David Byrne, provides a picturesque backdrop for what is otherwise a seedy story of morality gone far astray and hopelessness taking hold of everyday life, with sex as the only outlet. Ewan McGregor and Tilda Swinton both lend excellent performances to the film, acting out a strained relationship of carnal misgiving that is their mutual respite. Working on a barge that travels to ports between Glasgow and Edinburgh, Joe (McGregor) is a randy ol' chap. He befriends Les (Peter Mullen) as they labor hard days shoveling coal and pass their evenings over pints and darts in the local pubs. But Joe is simply positioning himself to seduce Les' wife, Ella (Swinton), who he easily and frequently beds. A steamy affair with a heavy dose of on-screen coitus eventually leads to trouble for all three. A subplot concerns Joe's past romance with a girl (Emily Mortimer) whose mysterious death is reported in local papers, with flashbacks to raunchy sexual interludes representing his fondest memories of her.
It is the 1940s and the Czech lands have been occupied by the Nazis. Eliska is a young woman who was unable to complete medical school because the Germans closed the universities and now works as a nurse in a city hospital. She is also involved in the resistance movement along with her lover, the surgeon Richard, and their friend Dr. Chldek. One night, a man from a rural mountain area is brought to the hospital with serious injuries and desperately needs a transfusion. Eliska is the only one with the same blood type. Her blood saves his life and a connection is formed between the two that in the course of the story becomes an extraordinarily strong relationship between the modern, cosmopolitan, and educated Eliska and the barbaric, salt of the earth man with the soul of a child, Joza. The resistance group that the doctors are involved in is discovered and hunted by the Gestapo and suddenly their lives are threatened. While Eliska's lover, Richard, flees the country overnight, the group quickly has to find a different safe haven for her. They ask Joza, the patient whose life she saved with her blood, to hide her in his remote mountain cabin. Eliska is forced to leave her urban life and all at once become a new woman: Hana, the wife of a mountain man. Her new home is the wild mountain village where time stopped one hundred and fifty years ago called Zelary.
When her husband dies, an Israeli mother, Dafna (Orly Silbersatz Banai), must cope with both her own grief, that of her four children, and the economic problems that his passing leaves them with, as she tries to keep the family together and functioning.
After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.