Browse Movies : Warner Bros. Pictures : R : Crime

Los Angeles, 1949. Ruthless, Brooklyn-born mob king Mickey Cohen (Sean Penn) runs the show in this town, reaping the ill-gotten gains from the drugs, the guns, the prostitutes and—if he has his way—every wire bet placed west of Chicago. And he does it all with the protection of not only his own paid goons, but also the police and the politicians who are under his control. It’s enough to intimidate even the bravest, street-hardened cop…except, perhaps, for the small, secret crew of LAPD outsiders led by Sgt. John O'Mara (Josh Brolin) and Jerry Wooters (Ryan Gosling), who come together to try to tear Cohen’s world apart.

An unlikely alliance between a cop and a hitman takes place after each watches his partner die. The new partners seek revenge and discover they have a shared enemy and much in common despite being on opposite sides of the law.

Will Smith stars as Nicky, a seasoned master of misdirection who becomes romantically involved with novice con artist Jess (Margot Robbie). As he’s teaching her the tricks of the trade, she gets too close for comfort and he abruptly breaks it off. Three years later, the former flame—now an accomplished femme fatale—shows up in Buenos Aires in the middle of the high-stakes racecar circuit. In the midst of Nicky’s latest, very dangerous scheme, she throws his plans for a loop… and the consummate con man off his game.

In 1970s South Boston, FBI Agent John Connolly (Joel Edgerton) persuades Irish mobster James “Whitey” Bulger (Johnny Depp) to collaborate with the FBI and eliminate a common enemy: the Italian mob. The drama tells the true story of this unholy alliance, which spiraled out of control, allowing Whitey to evade law enforcement, consolidate power, and become one of the most ruthless and powerful gangsters in Boston history.

Joker centers around the iconic arch-nemesis and is an original, standalone story not seen before on the big screen. The exploration of Arthur Fleck (Joaquin Phoenix), a man disregarded by society, is not only a gritty character study, but also a broader cautionary tale.

Brooklyn mobster and prolific hit man Jimmy Conlon (Liam Neeson), once known as The Gravedigger, has seen better days. Longtime best friend of mob boss Shawn Maguire (Ed Harris), Jimmy, now 55, is haunted by the sins of his past—as well as a dogged police detective who’s been one step behind Jimmy for 30 years. Lately, it seems Jimmy’s only solace can be found at the bottom of a whiskey glass. But when Jimmy’s estranged son, Mike (Joel Kinnaman), becomes a target, Jimmy must make a choice between the crime family he chose and the real family he abandoned long ago. With Mike on the run, Jimmy’s only penance for his past mistakes may be to keep his son from the same fate Jimmy is certain he’ll face himself…at the wrong end of a gun. Now, with nowhere safe to turn, Jimmy just has one night to figure out exactly where his loyalties lie and to see if he can finally make things right.

The Nice Guys takes place in 1970s Los Angeles, when down-on-his-luck private eye Holland March (Gosling) and hired enforcer Jackson Healy (Crowe) must work together to solve the case of a missing girl and the seemingly unrelated death of a porn star. During their investigation, they uncover a shocking conspiracy that reaches up to the highest circles of power.

Doug MacRay (Ben Affleck) is an unrepentant criminal, the de facto leader of a group of ruthless bank robbers who pride themselves in stealing what they want and getting out clean. With no real attachments, Doug never has to fear losing anyone close to him. But that all changed on the gang's latest job, when they briefly took a hostage--bank manager, Claire Keesey (Rebecca Hall). Though they let her go unharmed, Claire is nervously aware that the robbers know her name...and where she lives. But she lets her guard down when she meets an unassuming and rather charming man named Doug...not realizing that he is the same man who only days earlier had terrorized her. The instant attraction between them gradually turns into a passionate romance that threatens to take them both down a dangerous, and potentially deadly, path.

Melissa McCarthy, Tiffany Haddish and Elisabeth Moss star as three 1978 Hell’s Kitchen housewives whose mobster husbands are sent to prison by the FBI.  Left with little but a sharp ax to grind, the ladies take the Irish mafia’s matters into their own hands—proving unexpectedly adept at everything from running the rackets to taking out the competition…literally.

Directed by Kevin Smith, "Cop Out" features two longtime NYPD partners on the trail of a stolen, rare, mint-condition baseball card who find themselves up against a merciless, memorabilia-obsessed gangster. But before they can recover the prized `52 Pafko, they must first rescue a Mexican beauty who holds the key to millions of dollars in off-shore bank accounts--and who has already witnessed one high-profile murder because of them.

Veteran detective Jimmy Monroe (Bruce Willis) needs to cash in on his perfect Pafko in order to pay for his daughter's upcoming wedding, but in the tradition of everything that can go wrong...it's pilfered before he has a chance to collect. Paul Hodges (Tracy Morgan) is Jimmy's "partner-against-crime," whose preoccupation with his wife's alleged infidelity makes it hard for him to keep his eye on the ball, or his mind on the crime. Already in trouble and with nothing left to lose, Jimmy and Paul will have to break all the rules--including enlisting the aid of stoner thief Dave (Seann William Scott), who's working Paul's last nerve as Paul and Jimmy try to work the case.

For Nick (Jason Bateman), Kurt (Jason Sudeikis) and Dale (Charlie Day), the only thing that would make the daily grind more tolerable would be to grind their intolerable bosses (Kevin Spacey, Colin Farrell, Jennifer Aniston) into dust. Quitting is not an option, so, with the benefit of a few-too-many drinks and some dubious advice from a hustling ex-con (Jamie Foxx), the three friends devise a convoluted and seemingly foolproof plan to rid themselves of their respective employers…permanently. There’s only one problem: even the best laid plans are only as foolproof as the brains behind them.

Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark’s history, becoming a man just as rival gangsters begin to rise up and challenge the all-powerful DiMeo crime family’s hold over the increasingly race-torn city. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, who struggles to manage both his professional and personal responsibilities—and whose influence over his nephew will help make the impressionable teenager into the all-powerful mob boss we’ll later come to know: Tony Soprano.

Clint Eastwood stars as Earl Stone, a man in his 80s who is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he’s just signed on as a drug courier for a Mexican cartel. He does well—so well, in fact, that his cargo increases exponentially, and Earl is assigned a handler. But he isn’t the only one keeping tabs on Earl; the mysterious new drug mule has also hit the radar of hard-charging DEA agent Colin Bates. And even as his money problems become a thing of the past, Earl’s past mistakes start to weigh heavily on him, and it’s uncertain if he’ll have time to right those wrongs before law enforcement, or the cartel’s enforcers, catch up to him.

When Gotham’s most nefariously narcissistic villain, Roman Sionis, and his zealous right-hand, Zsasz, put a target on a young girl named Cass, the city is turned upside down looking for her. Harley, Huntress, Black Canary and Renee Montoya’s paths collide, and the unlikely foursome have no choice but to team up to take Roman down.

When millionaire hedge fund manager James (Will Ferrell) is nailed for fraud and bound for a stretch in San Quentin, the judge gives him 30 days to get his affairs in order.  Desperate, he turns to Darnell (Kevin Hart) to prep him for a life behind bars.  But despite James' one-percenter assumptions, Darnell is a hard-working small business owner who has never received a parking ticket, let alone been to prison.  Together, the two men do whatever it takes for James to "get hard" and, in the process, discover how wrong they were about a lot of things – including each other.

After Scott and Kate Johansen (Will Ferrell and Amy Poehler) lose their daughter Alex’s college fund, they become desperate to earn it back so she can pursue her dream of attending a university. With the help of their neighbor Frank (Jason Mantzoukas), they decide to start an illegal casino in the basement of his house.

When an international criminal (Mark Dacascos) kidnaps the daughter of a gang leader (DMX) and demands extremely rare "black diamonds" in exchange for her safety, it forces the gangster to align with a Taiwanese Intelligence Agent (Jet Li) to find and procure the jewels... even as they discover that the bad guy wants them so that he can build a dangerous new weapon that could jeopardize the entire world.

Shaft is the next chapter in the film franchise featuring the coolest private eye on any New York City block. JJ, aka John Shaft Jr. (Usher), may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide.  Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft (Jackson) agrees to help his progeny navigate Harlem’s heroin-infested underbelly.  And while JJ’s own FBI analyst’s badge may clash with his dad’s trademark leather coat, there’s no denying family.  Besides, Shaft’s got an agenda of his own, and a score to settle that’s professional and personal.

What was Mark Whitacre thinking? A rising star at agri-industry giant Archer Daniels Midland (ADM), Whitacre suddenly turns whistleblower. Even as he exposes his company's multi-national price-fixing conspiracy to the FBI, Whitacre envisions himself being hailed as a hero of the common man and handed a promotion. But before all that can happen, the FBI needs evidence, so Whitacre eagerly agrees to wear a wire and carry a hidden tape recorder in his briefcase, imagining himself as a kind of de facto secret agent. Unfortunately for the FBI, their lead witness hasn't been quite so forthcoming about helping himself to the corporate coffers. Whitacre's ever-changing account frustrates the agents and threatens the case against ADM as it becomes almost impossible to decipher what is real and what is the product of Whitacre's rambling imagination. Based on the true story of the highest-ranking corporate whistleblower in U.S. history.

New York City homicide detective Vincent LaMarca has forged a long and distinguished career in law enforcement, making a name for himself as a man intensely committed to his work. But on his latest case, the stakes are higher for Vincent - the suspect he's investigating is his own son, Joey. Vincent and Joey have been painfully estranged ever since Vincent divorced Joey's mother and left the decaying boardwalks of Long Beach, Long Island for the anonymity of Manhattan and a successful career with the NYPD. He lives his life in solitude, keeping his girlfriend at arm's length; the closest relationship he maintains is with his partner, Reg - and Vincent makes sure that friendship stops at the precinct door. As long as Vincent lives in the protection of the present, he doesn't have to deal with the pain of his past - or his sorrow over his broken relationship with Joey. But this murder investigation is drawing Vincent home to Long Beach, the self-proclaimed "City by the Sea," where the past has been waiting for him to return. The agonizing memory that has tortured him all his life - the death of his father, a convicted murderer who was executed when Vincent was just a boy - still plagues him. In the course of the investigation, he discovers that his own unresolved pain and failures as a father have deeply influenced Joey's life, and the destructive choices he has made. As a cop, Vincent must bring a criminal to justice; as a father he must find a way to save his son. Now he will put his life on the line in order to do right by both his family and his profession.