Browse Movies : Lionsgate Studios : 2023 : PG-13

For over fifty years, Judy Blume’s classic and groundbreaking novel Are You There God? It’s Me, Margaret. has impacted generations with its timeless coming of age story, insightful humor, and candid exploration of life’s biggest questions. In Lionsgate’s big-screen adaptation, 11-year-old Margaret (Abby Ryder Fortson) is uprooted from her life in New York City for the suburbs of New Jersey, going through the messy and tumultuous throes of puberty with new friends in a new school. She relies on her mother, Barbara (Rachel McAdams), who is also struggling to adjust to life outside the big city, and her adoring grandmother, Sylvia (Kathy Bates), who isn’t happy they moved away and likes to remind them every chance she gets.

Years before he would become the tyrannical President of Panem, 18-year-old Coriolanus Snow (Blyth) is the last hope for his fading lineage, a once-proud family that has fallen from grace in a post-war Capitol. With the 10th annual Hunger Games fast approaching, the young Snow is alarmed when he is assigned to mentor Lucy Gray Baird (Zegler), the girl tribute from impoverished District 12. But, after Lucy Gray commands all of Panem’s attention by defiantly singing during the reaping ceremony, Snow thinks he might be able to turn the odds in their favor. Uniting their instincts for showmanship and newfound political savvy, Snow and Lucy’s race against time to survive will ultimately reveal who is a songbird, and who is a snake.

A Mexican father’s Christmas celebration goes from merry to messy when his daughter shows up with her new boyfriend — an uninvited gringo — in this hilarious holiday comedy.

Jesus Revolution is the story of one young hippie’s quest in the 1970s for belonging and liberation that leads not only to peace, love, and rock and roll, but that sets into motion a new counterculture crusade—a Jesus Movement—changing the course of history.

Inspired by a true movement, Jesus Revolution tells the story of a young Greg Laurie (Joel Courtney) being raised by his struggling mother, Charlene (Kimberly Williams-Paisley) in the 1970s. Laurie and a sea of young people descend on sunny Southern California to redefine truth through all means of liberation. Inadvertently, Laurie meets Lonnie Frisbee (Jonathan Roumie), a charismatic hippie-street-preacher, and Pastor Chuck Smith (Kelsey Grammer) who have thrown open the doors of Smith’s languishing church to a stream of wandering youth. What unfolds becomes the greatest spiritual awakening in American history. Rock and roll, newfound love, and a twist of faith lead to a Jesus Revolution that turns one counterculture movement into a revival that changes the world.

Baseball-size hail, violent winds, and churning tornadoes make supercells deadly, and when William Brody was a boy, his father – a legendary storm-chaser – was killed by one. Now, the family business belongs to Zane Rogers (Alec Baldwin), a reckless tour operator who sees dollar signs where others see storm clouds. When his destiny arrives in the form of one of the most powerful storms on record, William leaves his mom (Anne Heche) and home behind to team up with his father’s ex-partner, Roy Cameron (Skeet Ulrich), barely surviving a tornado yet determined to chase one of nature’s most terrifying creations: the bear’s cage.

The film centers around Sebastian (Maniscalco) who is encouraged by his fiancée (Leslie Bibb) to bring his immigrant, hairdresser father, Salvo (De Niro), to a weekend get-together with her super-rich and exceedingly eccentric family (Kim Cattrall, Anders Holm, Brett Dier, David Rasche). The weekend develops into what can only be described as a culture clash, leaving Sebastian and Salvo to discover that the great thing about family is everything about family.

In this workplace comedy reminiscent of Office Space and “Severance,” misfit Orson (Jon Hamm) finds himself trapped in the absurdities of corporate life. As The Authority’s newest employee, Orson finds it difficult to connect with his enigmatic desk mate, Rakesh (Danny Pudi), as well as with the rest of his colleagues. His alienation deepens when he discovers a room he’s told doesn’t exist – a place that unleashes his true potential, leading to an ascent up the corporate ladder. Buoyed by his newfound confidence, Orson invites a receptionist (Sarah Gadon) into his sanctuary, sparking a climactic clash between the corporate world’s harsh realities and his own wild fantasies.