Browse Movies : R : H (Page #4)

"Havoc" is Academy Award-winning writer Stephen Gaghan's ("Traffic") searing vision of teen culture as it clashes with the real world of urban Latino gangsters. Compelling and comic, contemporary and tragic, Gaghan's music-driven tale follows two beautiful girls on their journey from the safety of their suburban homes into the dangerous underworld of East L.A., where they learn that even innocent actions have consequences.

A girl from the wrong side of the tracks is given a second chance to use her skills for constructive purposes.

A comedy about two best friends who must rescue their pal when he is accidentally dragged to hell.

"Hell Ride" is a raucous throwback to the days of the Sergio Leone spaghetti western, with a heaping helping of testosterone-fueled chopper action thrown into the mix. Writer/director Larry Bishop takes on a third role as Pistolero, head honcho of the Victors, a group of badass bikers who are out to avenge the murder of one of their members at the hands of the 666ers, a rival gang whose actions live up to their hellish moniker. Along with his cohorts, the Gent (deviously portrayed by Michael Madsen) and the mysterious Comanche (Eric Balfour), Pistolero aims to take down the Deuce and Billy Wings, menacing leaders of the 666ers, but a mutiny looms on the horizon when his commitment to profit is questioned by a few of his fellow Victors. An even larger story unravels when previously unknown information about Comanche resurrects ghosts from Pistolero's past.

Although there is enough sex, violence, and all-out machismo to keep grind-house fans firmly plastered to their seats, Bishop's take on the genre strays far from exploitation as he weaves a twisting, multilayered tale of revenge, loyalty, and brotherhood that is brought to life by a superb ensemble cast, with memorable performances by Dennis Hopper, Vinnie Jones, and David Carradine. In the words of Comanche, "The road to hell is paved with anything but good intentions."

Raised in the U.S., Claudia (22) is an undocumented immigrant living beyond her means in a twisted version of the American dream. When she’s arrested by the FBI for credit card fraud, Claudia is quickly deported to México. Speaking no Spanish and lost in her foreign “homeland,” she reluctantly takes refuge at her estranged father's cattle ranch. As she clashes with her unyielding father, her attempts to return home to the U.S. thrust her into a dangerous bond with a foreign smuggler, Ricky. Caught between her father’s sermons, Ricky's promises, and the encroaching military, Claudia must navigate a tightrope of impossible choices.

A 1950s-era tale, focusing on the obscenity trial launched to censor Allen Ginsberg's groundbreaking book-length poem.

Dan Dunne is an idealistic inner-city junior high school teacher. Although he can get it together in the classroom, he spends his time outside school on the edge of consciousness. He juggles his hangovers and his homework, keeping his lives precariously separated, until one of his troubled students, Drey, catches him in a compromising situation. From this awkward beginning, Dan and Drey stumble into an unexpected friendship that threatens either to undo them, or to provide the vital change they both need to move forward in their lives.

Picks up at the exact moment the first movie stopped and follow the aftermath of Michael Myers murderous rampage through the eyes of heroine Laurie Strode.

If I Can’t Have Love, I Want Power, an hour-long film set to the music of Halsey’s upcoming album, introduces a young pregnant Queen, Lila, as she wrestles with the manipulative chokehold of love to ultimately discover that the ability to create life (and end it) unlocks the paranormal power within her.

Hands of Stone follows the life of Roberto Duran (Edgar Ramirez), the Panamanian fighter who made his professional debut in 1968 as a 16 year-old and retired in 2002 at the age of 50. In June 1980, he defeated Sugar Ray Leonard (Usher Raymond) to capture the WBC welterweight title, but shocked the boxing world by returning to his corner in their November rematch, famously saying the words "no mas" (no more.)

An ex-Navy man carrying out the last wish of a dying shipmate renews contact with old friends to break the code of silence around a mysterious, long-buried crime.

Mischa and Hannibal (Gaspard Ulliel), baby brother and sister, are inseparable; it is their love for each other that ties their bond. Their companionship is forever binding, until, with their family, while hiding from the Nazi war machine a twisted set of circumstance sets the pace for a most vicious attack on the future of one Hannibal Lecter for the sworn vengeance for the brutal killing of his baby sister. Years later, we find Hannibal, the teenager, setting up in Paris, and living with his aunt Lady Murasaki Shikibu (Li Gong) and studying at medical school here he finds his forte. Still searching for his sister's murderers, still bitter and still ever hopeful of satisfying his desire for retribution. This chance arrives, and soon we are to learn that for a pound of flesh lost a pound of flesh must be repaid. This is the horrific tale of justice and honour, a young mans growing pains that will have the guilty paying with more than just flesh and bone. This is the up and rising tale of the young Hannibal, prey you do not meet him, for meat you shall be to him. Taste his wroth.

Harley loves Ilya. He gives her life purpose, sets her passion ablaze. So when he asks her to prove her love by slitting her wrists, she obliges with only mild hesitation, perhaps because of her other all-consuming love: heroin.

When their attempt to rob a casino owned by the feared gangster Pope (Robert De Niro) goes awry and a shootout ensues, Vaughn (Jeffrey Dean Morgan) and Cox (Dave Bautista) are forced to flee on foot and hijack city Bus 657 and take the passengers hostage. Now, in a high speed chase, Vaughn will not only have to outwit the police, led by Officer Bajos (Gina Carano) who are in hot pursuit, but he will have to contend with Pope’s maniacal right hand man, Dog (Morris Chestnut), in order to make it through the day alive. But we quickly learn that things are not what they seem, and Vaughn has more than one card up his sleeve.

There are demons so terrible that no mortal man of God could successfully drive them back to Hell. The only option is for the exorcist himself to invite possession and then commit suicide, dragging along the demon to damnation – so the Augustine Interfaith Order of Hellbound Saints – or Hellbenders – was formed. A group of elite, highly-trained exorcists, they live in a constant state of debauchery so they will be ready to go to Hell at any moment. When an infernal Norse demon called BLACK SURTR escapes into New York City intent on cracking open the gates of Hell, the Hellbenders must use every ounce of their debauchery to battle the demon and save the planet from eternal damnation!

When Sandra (Clare Dunne) escapes her abusive partner with her two young children, finding a home to call their own seems impossible. After months of struggling, she draws inspiration from one of her daughter’s bedtime stories and hits upon the idea of self-building an affordable home. She finds an architect who provides her with plans and is offered land by Peggy (Harriet Walter), a woman she cleans for. Aido (Conleth Hill), a building contractor, appears willing to help, too. But as her past rears its head in the form of Gary (Ian Lloyd Anderson), her possessive ex, and as bureaucrats fight back against her independent spirit, will Sandra be able to rebuild her life from the ground up?

Carolyn Briggs grew up with modest means in the Iowa heartland. Pregnant at seventeen, married a few months later, by the age of 18 she found herself living in a trailer with no plans beyond having more babies-until she found Jesus.

J.D. Vance (Gabriel Basso), a former Marine from southern Ohio and current Yale Law student, is on the verge of landing his dream job when a family crisis forces him to return to the home he’s tried to forget. J.D. must navigate the complex dynamics of his Appalachian family, including his volatile relationship with his mother Bev (Amy Adams), who’s struggling with addiction. Fueled by memories of his grandmother Mamaw (Glenn Close), the resilient and whip-smart woman who raised him, J.D. comes to embrace his family’s indelible imprint on his own personal journey.

Hitman: Agent 47 centers on an elite assassin who was genetically engineered from conception to be the perfect killing machine, and is known only by the last two digits on the barcode tattooed on the back of his neck. He is the culmination of decades of research ­ and forty-six earlier Agent clones -- endowing him with unprecedented strength, speed, stamina and intelligence. His latest target is a mega-corporation that plans to unlock the secret of Agent 47's past to create an army of killers whose powers surpass even his own. Teaming up with a young woman who may hold the secret to overcoming their powerful and clandestine enemies, 47 confronts stunning revelations about his own origins and squares off in an epic battle with his deadliest foe.

A Southern Gothic thriller about a teenager searching for her lost sister in the Appalachian Mountains, where she encounters a snake-handling religious cult and eventually learns the truth about her sister's fate.