Browse Movies : Sony Pictures Classics : Comedy : T

An aging comic icon, JACKIE BURKE (Robert De Niro) has seen better days. Despite his efforts to reinvent himself and his comic genius, the audience only wants to know him as the former television character he once played. Already a strain on his younger brother (Danny DeVito) and his wife (Patti LuPone), Jackie is forced to serve out a sentence doing community service for accosting an audience member. While there, he meets HARMONY (Leslie Mann), the daughter of a sleazy Florida real estate mogul (Harvey Keitel), and the two find inspiration in one another resulting in surprising consequences. Through the alchemy of their unlikely friendship, Harmony and Jackie overcome their own emotional damage and emerge as better people.

A small-town cop gets pulled into the investigation of an international drug smuggling ring.

It's the summer of 1994, and the streets of New York are pulsing with hip-hop and wafting with the sweet aroma of marijuana--but change is in the air. The newly-inaugurated mayor, Rudy Giuliani, is beginning to implement his anti-fun initiatives against "crimes" like noisy portable radios, graffiti and public drunkenness. Set against this backdrop, Luke Shapiro (Josh Peck) spends his last summer before college selling dope throughout New York City, trading it with his shrink (Ben Kingsley) for therapy, while crushing on his step-daughter (Olivia Thirlby). Famke Janssen, Mary Kate Olsen,and Method Man round out the cast in this edgy, bittersweet, and funny coming of age story.

John Hollar, an aspiring NYC artist, takes his girlfriend back to his Middle America hometown on the eve of his mother’s brain surgery. There he’s forced to navigate the crazy life he left behind as his dysfunctional family, high school pals, his father, and his over-eager ex flood back into his life ahead of the operation.

Follows Marnie Minervini (Susan Sarandon), recent widow and eternal optimist, as she moves from New Jersey to Los Angeles to be closer to her daughter (Rose Byrne). Armed with an iPhone and a full bank account, Marnie sets out to make friends, find her purpose, and possibly open up to someone new.

Rauch plays a foul-mouthed former gymnastics bronze medalist who must fight for her local celebrity status when a young athlete’s star rises in town.

Coming from two countries at odds with each other, Iranian-American Leila (Layla Mohammadi) strives to find balance and embrace her opposing cultures, while boldly challenging the labels society is so quick to project upon her. When her family reunites in New York City for her father’s heart transplant, Leila navigates her relationships from arms length in an effort to keep her “real” life separate from her family life. However, when her secret is unceremoniously revealed, so are the distinct parallels between her life and that of her mother Shireen (Niousha Noor).

The story centers on a sexy flirtatious woman who returns to her small country village and stirs up dark passions among the locals.

Set in 1961 when Kempton Bunton, a 60-year old taxi driver, stole Goya’s portrait of the Duke of Wellington from the National Gallery in London. It was the first (and remains the only) theft in the Gallery’s history. Kempton sent ransom notes saying that he would return the painting on condition that the government agreed to provide television for free to the elderly. What happened next became the stuff of legend. Only 50 years later did the full story emerge – a startling revelation of how a good man set out to change the world and in so doing saved his son and his marriage.

The last days of Oscar Wilde — and the ghosts that haunted them — are vividly evoked in Rupert Everett's directorial debut. Everett gives a career defining performance as Wilde, physically and emotionally embodying the literary genius as he lives out his last days in exile in Europe. His body ailing and heavy, his mind spinning, he survives by falling back on the flamboyant irony and brilliant wit that defined him. As the film travels through Wilde's final act and journeys through England, France and Italy, desire and loyalty face off, the transience of lust is laid bare, and the true riches of love are revealed.

A story about a number of people in Italy, some American, some Italian, some residents, some visitors, and the romances and adventures and predicaments they get into.

Kyle and Mike are best friends who share a close bond — until Mike sleeps with Kyle's fiancée. The Climb is about a tumultuous but enduring relationship between two men across many years of laughter, heartbreak and rage. It is also the story of real-life best friends who turn their profound connection into a rich, humane and frequently uproarious film about the boundaries (or lack thereof) in all close friendships.

An elderly couple -- to the chagrin of their children -- head off on an impromptu RV trip down Route 66, determined to enter their twilight years on their own terms.

Justin Cobb (Lou Pucci) is seventeen, and he still sucks his thumb. Even though it worries his mother (Tilda Swinton), irritates his father (Vincent D'Onofrio), and threatens his prospects with debate team crush Rebecca (Kelli Garner), he can't stop sucking until his "guru" orthodontist (Keanu Reeves) hypnotizes him. Hypnosis frees Justin from his thumbsucking problem, but he still doesn¹t feel "normal."

He experiments with Ritalin, pot, and sex as substitutes for his thumb but they only provide temporary solutions, as he remains unable to shake his feelings of alienation. Justin looks for guidance from his parents, his debate team coach (Vince Vaughn), and even TV star Matt Schramm (Benjamin Bratt), before he finally comes to understand that no one has an easy answer, everyone is struggling to

September 1944. Several days before Finland, an ally of Nazi Germany, pulls out of World War II, Veiko, (Ville Haapasalo) a lone Finnish sniper, is turned on by his compatriots for a being a pacifist and, in their eyes, a reluctant fighter. As a punishment, the young man is placed in shackles, nailed to a heavy rock and forced to wear a German uniform, knowing full well that Russian soldiers have orders to shoot Germans on sight, without accepting surrender. Veiko is thus left to die in a remote Lapland forest, with nothing but a few supplies and his wits. Days pass, and after several failed attempts, he succeeds in freeing himself and heads for safety, shackles still attached. While trying to escape, Veiko witnesses the following through his rifle's telescope: Ivan, a captain in the Russian army accused of anti-Soviet correspondence, is being held prisoner by the Soviet Military secret police. En route to his court martial, Russian planes accidentally bomb the vehicle carrying the disgraced captain, killing the driver and his guard. Not far away is Anni (Anni-Kristiina Juuso), a Lapp reindeer farmer whose husband was drafted into the war by the Finnish authorities four years earlier, never to return. Hungry and alone, the young and resourceful widow locates the bodies of Ivan and his captors while foraging for food. As she begins to bury the dead, Anni discovers that Ivan is still alive, but seriously hurt. She carries him to her wooden hut and nurses him back to health. Meanwhile, Veiko, in search of tools to remove his shackles, stumbles upon Anni's farm. Thus World War II creates the unlikeliest of bonds (between three different people, from three different cultures, speaking three different languages.) Comic, and sometimes tragic, misunderstandings soon arise, resulting in a passionate, and very human, three-way relationship. Unable to communicate with the others and unaware that the war between the USSR and Finland is over, Ivan is convinced that Veiko is a German soldier gone astray; to Ivan, the German uniform the Finnish soldier was forced to wear is further proof. But Veiko is unaware of Ivan's hatred and just wants to cut off his shackles, return home and put the war behind him. Yet, to avoid falling into enemy hands, Veiko opts to stay on Anni's farm for temporary safety. The earthy and sensuous Anni, who has not been with a man in four years, could not be more delighted with her good fortune, language barrier be damned. For Anni, Veiko and Ivan are not enemies, but just men. An uncommon and touching bond develops, as the three unlikely souls begin a domestic routine of hunting and gathering in preparation for the long Lap winter. The two men do what they can to contribute to Anni's well being: Veiko builds a sauna and Ivan picks mushrooms... but their war is not over.

At the beginning of the film, a man (Markku Peltola) who has traveled to Helsinki in search of work gets mugged and loses his memory, forcing him to start completely anew. He soon discovers love (Kati Outinen), and a new set of values. A small story about people who still know how to be gentle.

A comic clash of cultures, values and sexuality, Touch of Pink is a romantic comedy featuring Alim (Jimi Mistry), a young South Asian-Canadian, now living in London, who is so caught up in the romance, style and dreams of the old movies that he thinks he's living with the spirit of Cary Grant (Kyle MacLachlan). But Alim's ideal life in London with lover Giles (Kristen Holden-Ried) begins to unravel when his mother Nuru (Suleka Mathew) shows up. She's come to London to find Alim a proper Ismaili-Muslim girlfriend and to convince him to come home to Canada and join the family for his cousin's spectacular wedding. Once in Toronto, Alim's different worlds begin to collide and he has to choose between his fantasy life with Cary and the earthier pleasures of real life.

Adopted by his grandmother, Madame Souza, Champion is a lonely little boy. Noticing that this lad is never happier than on a bicycle, Madame Souza puts him through a rigorous training process. Years go by and Champion becomes worthy of his name. Now his ready to enter the world-famous cycling race, the Tour de France. However during this cycling contest two mysterious men in black kidnap Champion. Madame Souza and her faithful dog Bruno set out to rescue him. Their quest takes them across the ocean to a giant Megalopolis called Belleville where they encounter the renowned "Triplets of Belleville", three eccentric female music-hall stars from the 30's who decide to take Madame Souza and Bruno under their wing. Thanks to Bruno's brilliant sense of smell, the brave duo are soon on to Champion's trail. But will they succeed in beating the devilish plans of the evil French mafia?