Browse Movies : 2005 : R

On November 15, 1959, the brutal murder of a family in a small Kansas town sent shockwaves through the nation - and captured the attention of one of the most distinctive minds of our time. One-of-a-kind author Truman Capote was sent to Kansas to pen an article about the crimes for "The New Yorker" magazine. He ended up writing one of the most celebrated books of the century.

"Capote" follows Truman Capote (Philip Seymour Hoffman) on his odyssey to create the landmark bestseller "In Cold Blood". With signature style and mordant wit—and his friend Harper Lee (Catherine Keener) in tow—Capote attempts to charm the locals and work his way into the story behind the murders. He's soon shocked, however, to find himself forming a friendship with one of the killers, Perry Smith (Clifton Collins, Jr.). As the book nears completion and execution day approaches, Capote finds himself torn in directions he never anticipated and is forever changed by his experiences.

Justin Cobb (Lou Pucci) is seventeen, and he still sucks his thumb. Even though it worries his mother (Tilda Swinton), irritates his father (Vincent D'Onofrio), and threatens his prospects with debate team crush Rebecca (Kelli Garner), he can't stop sucking until his "guru" orthodontist (Keanu Reeves) hypnotizes him. Hypnosis frees Justin from his thumbsucking problem, but he still doesn¹t feel "normal."

He experiments with Ritalin, pot, and sex as substitutes for his thumb but they only provide temporary solutions, as he remains unable to shake his feelings of alienation. Justin looks for guidance from his parents, his debate team coach (Vince Vaughn), and even TV star Matt Schramm (Benjamin Bratt), before he finally comes to understand that no one has an easy answer, everyone is struggling to

Stella Raphael, a cultured and elegant but restless young woman, lives with her husband, Max, a forensic psychiatrist, and their small son, Charlie, at a high-security mental hospital in rural England. Isolated from the urban excitement she craves, Stella is unhappy with her husband and her life, and when she comes into contact with the brilliant and attractive sculptor Edgar Stark, a patient who is engaged in rebuilding the asylum's decrepit Victorian conservatory, she begins to fall in love. Her discovery that Edgar was confined to the hospital after he brutally murdered and disfigured his wife in a psychotic, jealous rage fails to deter Stella from her growing passion, and eventually her love for Edgar is pitted against her husband, her child, the institution, and the entire fabric of her society. Finally Stella makes her choice, precipitating an appalling tragedy and changing the course of several lives.

Set in the Philippines in 1945, "The Great Raid" tells the true story of the 6th Ranger Battalion, under the com-mand of Lieutenant Colonel Henry Mucci (Benjamin Bratt) who undertake a daring rescue mission against all odds. Traveling thirty miles behind enemy lines, the 6th Ranger Battalion aims to liberate over 500 American prisoners-of- war from the notorious Cabanatuan Japanese POW camp in the most audacious rescue ever.

"End Game" is a political thriller opening with a presidential assassination and following a perilous path of intrigue. Cuba Gooding Jr. plays a Secret Service agent in charge of the president's protection detail. He blames himself for his team's failure and quits his post only to become obsessed with solving the crime. A tenacious reporter (played by Angie Harmon) aids him in his quest. Together they must unravel a web of lies as they try to divine the truth behind the conspiracy among shadowy assassins, an ex-special ops comma.

Sequel to "House of 1000 Corpses" is set some months later with the Texas State Police making a full-scale attack against the murderous Firefly family residence for the 1,000+ murders and disappearances of the past several years. But three of the family members escape, including Otis, Baby Firefly and Baby's father Captain Spaulding. The evil trio go on a road trip, leaving dozens of mangled bodies in their wake. Evading a massive Texas Rangers dragnet as well as a group of equally murderous bounty hunters led by Ken Dwyer (the brother of a policeman Mamma Firefly killed in 'House of...') who's obsessed with finding the deadly killers, the surviving Firefly clan gather at a run-down amusement park owned by Captain Spaulding's half-brother, Charlie Altamont, whom offers them shelter and a new base of operations for their killing spree as Sheriff Dwyer, the Texas Rangers, the FBI and others slowly close in.

Mamie is being blackmailed. This filmmaker named Nick claims to know Mamie's son—the one she gave up for adoption—but Nick won't introduce her to him unless he can film the reunion. Enter Javier, Mamie's massage therapist boyfriend, who convinces Nick to film him instead. Now they're all making a movie about massage. And ‘happy endings'…

Charley has a longtime boyfriend named Gil. Their best friends, Pam and Diane, once tried using Gil as a sperm donor. They said his sperm didn't take, but Charley thinks those selfish, control-freak lesbians are lying. Pam and Diane's two-year-old son looks exactly like Gil. And it's time to set the record straight…

Jude is pissed. Not at anyone in particular. Just in general. When her cousin kicks her out of the house, Jude shacks up with Otis, who's still trying to convince his father, Frank, that he's straight. Frank's a widower. And he's rich. So Jude decides to sleep with him, too. Really. The last thing she expected was to fall in love…

A road trip to the biggest college football championship of the year takes a turn for the worse for Carly, Paige and their friends, when they decide to camp out for the night before heading to the game. A confrontation with a mysterious trucker at the camp site leaves everyone unsettled, and Carly has her hands full trying to keep the peace between her boyfriend Wade and her hot-headed brother Nick. They wake up the next morning to find that their car might have been tampered with, preventing their departure. At the risk of being stranded, they accept a local's invitation for a ride into Ambrose, the only town for miles. Once there, they are drawn to Ambrose's main attraction--Trudy's House of Wax, which is filled with remarkably life-like wax sculptures. But as they soon discover, there is a shocking reason the exhibits look so real. As the friends uncover the town's dark secrets, they are stalked by a mysterious killer and find themselves in a bloody battle for survival. The group must find a way out of Ambrose—or become permanent additions to the "House of Wax".

Set against the sweeping vistas of Wyoming and Texas, the film tells the story of two young men—a ranch-hand and a rodeo cowboy—who meet in the summer of 1963, and unexpectedly forge a lifelong connection, one whose complications, joys, and tragedies provide a testament to the endurance and power of love. Early one morning in Signal, Wyoming, Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) meet while lining up for employment with local rancher Joe Aguirre (Randy Quaid). The world which Ennis and Jack have been born into is at once changing rapidly and yet scarcely evolving. Both young men seem certain of their set places in the heartland—obtaining steady work, marrying, and raising a family—and yet hunger for something beyond what they can articulate. When Aguirre dispatches them to work as sheepherders up on the majestic Brokeback Mountain, they gravitate towards camaraderie and then a deeper intimacy.

At summer's end, the two must come down from Brokeback and part ways. Remaining in Wyoming, Ennis weds his sweetheart Alma (Michelle Williams), with whom he will have two daughters as he ekes out a living. Jack, in Texas, catches the eye of rodeo queen Lureen Newsome (Anne Hathaway). Their courtship and marriage result in a son, as well as jobs in her father's business. Four years pass. One day, Alma brings Ennis a postcard from Jack, who is en route to visit Wyoming. Ennis waits expectantly for his friend, and when Jack at last arrives, in just one moment it is clear that the passage of time has only strengthened the men's attachment. In the years that follow, Ennis and Jack struggle to keep their secret bond alive. They meet up several times annually. Even when they are apart, they face the eternal questions of fidelity, commitment, and trust. Ultimately, the one constant in their lives is a force of nature—love.

In "Kiss Kiss, Bang Bang", a breezy take on Black's trademark buddy action/comedy oeuvre, a petty thief (Robert Downey Jr.) is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl (Michelle Monaghan) and a detective (Val Kilmer) who has been training him for his upcoming role.

The film recounts the dramatic story of the secret Israeli squad assigned to track down and assassinate 11 Palestinians believed to have planned the 1972 Munich massacre—and the personal toll this mission of revenge takes on the team and the man who led it. Eric Bana stars as the Mossad agent charged with leading the band of specialists brought together for this operation.

Inspired by actual events, the narrative is based on a number of sources, including the recollections of some who participated in the events themselves.

Sixteen years ago while being pursued by the law and high on drugs, Joe (Billy Bob Thornton) was responsible for a car accident that killed his young son and seriously injured his wife, Chrystal (Lisa Blount), breaking her neck. Returning to his hometown in the Ozarks of Arkansas after his time in prison for the accident, Joe is faced with the challenge of finally coming to terms with Chrystal, who is still plagued with pain, both physical and psychological.

John Constantine has been to hell and back. Born with a gift he didn't want, the ability to recognize the half-breed angels and demons that walk the earth in human camouflage, Constantine (Keanu Reeves) was driven to take his own life to escape the tormenting clarity of his vision. But he failed. Resuscitated against his will, he found himself cast back into the land of the living. Now, marked as an attempted suicide with a temporary lease on life, he patrols the earthly border between heaven and hell, hoping in vain to earn his way to salvation by waging war on the earthbound minions of evil. But Constantine is no saint. Increasingly disillusioned by the world around him and at odds with the one beyond, he's a hard-drinking, hard-living bitter hero who scorns the very idea of heroism. Constantine will fight to save your soul but he doesn't want your admiration or your thanks—and certainly not your sympathy. All he wants is a way out. When a desperate but skeptical police detective (Rachel Weisz as Angela Dodson) enlists his help in solving the mysterious death of her beloved twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic series of otherworldy events, the two become inextricably involved and seek to find their own peace at whatever cost.

Charles Schine is a New York businessman who meets a sexy woman on a train and ends up in a seedy hotel room with her. While there, he's beaten and she is raped by a man who also robs them. The robber then begins to blackmail Schine so that his wife and family don't find out about his infidelity with the woman. This drives Schine from his humdrum life into a world of fraud, betrayal, and murder.

Rob Schneider is seduced back to his unlikely pleasure-for-pay profession, when his former pimp T.J. Hicks (Eddie Griffin) is implicated in the murders of Europe's Greatest Gigolos. Deuce must go back to work in order to clear his good friend's name. Along the way, Deuce must compete against the powerful European Union of Prosti-dudes and court another bevy of abnormal female clients including the beautiful Eva, who suffers from acute obsessive-compulsive disorder.

Paul Schrader's initially scrapped prequel to "The Exorcist" focuses on a young Father Merrin and his first encounter with Satan.

Traudl Junge (Lara), the final stenographer for Adolf Hitler (Ganz), tells of the Nazi dictator's final days in his Berlin bunker at the end of WWII.

After their adoptive mother is murdered during a grocery store holdup, the Mercer brothers - hotheaded Bobby (Mark Wahlberg), hard-edged Angel (Tyrese Gibson), family man and businessman Jeremiah, and hard rocking Jack (Garrett Hedlund) - reunite to take the matter of her death into their own hands. As they track down the killer, they quickly realize that their old ways of doing business have new consequences. The four brothers come together to discover that they are bound by ties thicker than blood.

Starring Sigourney Weaver, Jeff Daniels, Emile Hirsch, and Michelle Williams, "Imaginary Heroes" is a funny and poignant coming of age story in which the façade of an ordinary American family is peeled back to reveal that nothing is as it seems. Tim Travis (Hirsch) is walking through his life like it's a bad dream. His mother Sandy (Weaver) is the master of the Travis house - with a healthy drug habit, a decade long grudge, and a secret that is literally tearing her apart. His father Ben (Daniels) is a shell of the man he once was, crippled by circumstance and blind to the mistakes of his past. But in typical American style, the Travises aren't depressed - they're living their lives in a forlorn haze. As painful revelations are made that threaten to divide the family, moments of laughter and truth provide the salve that ultimately bring them closer together.

"Match Point" represents a departure for native New Yorker Woody Allen, the majority of whose films lovingly depict New York and—not always so lovingly—New Yorkers. Crossing the Atlantic for the first time in his film career, Allen set "Match Point" in London, where it was also filmed. The film is described as a melodrama about many things -- ambition, the seduction of wealth, love, sexual passion and, most importantly, the huge part luck plays in events as opposed to the comforting misconception that more of life is under our control than it really is.