Browse Movies : 2004 : R

When three generations of a dysfunctional family gather in Rhode Island to bury the family patriarch, members of the Collins clan are at each other's throats in no time. Son Daniel is a secret porn actor, and daughter Lucy is a lesbian. Lucy totes along her lover Judy to the outrage of Lucy's aggressively neurotic sister Alice, whose hysterical overreaction to the pair's marriage plans ought to tell everyone something. Rounding out the delightful crowd are dim brother Skip, whose unfailingly rude twin sons offer caustic commentary on their elders' infantile predilections; matriarchal widow Charlotte, who becomes so justifiably distraught at the insanity of her children she tries to commit suicide; and Kate, a confused but comely college freshman who juggles preparation of the eulogy with internal debate over what to do with her childhood friend-turned-suitor, Ryan.

Scotty Thomas (Scott Mechlowicz) and his Berlin-based computer pen pal Mieke (Jessica Boehrs) have been writing each other for years, sharing every detail of their lives. When Mieke makes a cyber pass at Scotty, he completely freaks out, thinking that this guy he's known for years is coming on to him…in German no less. Too bad the the one detail Scotty doesn't seem to know is that, in Germany, Mieke is a girl's name.By the time Scotty figures out that Mieke is a girl, and a hot one at that, Mieke has cut off her email account and all contact with him. Thinking that this might be his one chance at true love—even though he's never actually met the girl—Scotty and his best friends, Cooper (Jacob Pitts) and the twins Jenny (Michelle Trachtenberg) and Jamie (Travis Wester), embark on a raucous trip across Europe headed for Berlin.Their trek takes them from London to Paris to Amsterdam and Eastern Europe, exposing them—literally—to every lascivious, larcenous and lecherous indulgence Europe has to offer, in a comedy that gives new meaning to the phrase "foreign relations."

Max has lived a mundane life as a cab driver for twelve years. The faces have come and gone from his rear-view mirror: people and places he's long since forgotten—until tonight. Vincent is a contract killer. When an off-shore narco-trafficking cartel learns that they're about to be indicted by a federal grand jury, they mount an operation to identify and kill the key witness, and the last stage is tonight. It is on this very night that Vincent has arrived—and five bodies are supposed to fall. Circumstances cause Vincent to hijack Max' taxicab, and Max becomes collateral—an expendable person who's in the wrong place at the wrong time. Through the night, Vincent forces Max to drive him to each assigned destination. And as the L.A.P.D. and F.B.I. race to intercept them, Max and Vincent's survival become dependent on each other, in ways neither would have imagined.

When Dallas FBI Agent Thomas Mackelway violates serial killer Raymond Starkey's civil rights during an unorthodox arrest, Starkey goes free and Mackelway is demoted to a remote branch of the agency in Albuquerque. His first day on the job, Mackelway investigates the murder of a traveling salesman Harold Speck, which turns out to be the first of three seemingly random killings. Or perhaps they are not random at all; the last to die is Mackelway's nemesis, Raymond Starkey. The assignment consumes him. His past mistakes haunt him. His head throbs constantly as he tries to find the link between the victims that will lead him to their killer. The case becomes increasingly gruesome and patently personal. This does not go unnoticed by his unflappable partner Fran Kulok, who knows of Mackelway's past and the demons that afflict him. Like Mackelway, she becomes drawn into the labyrinth of chilling clues, all of which point to the enigmatic Benjamin O'Ryan. O'Ryan clearly has a connection to the murders, a connection he flaunts; quite possibly, he may also harbor a sinister link to Mackelway.

Donnie is a troubled high school student: in therapy, prone to sleepwalking and in possession of an imaginary friend, a six-foot rabbit named Frank, who tells him the world is going to end in 28 days, 6 hours, 42 minutes and 12 seconds. During that time he will navigate teenage life, narrowly avoid death in the form of a falling jet engine, follow Frank's maladjusted instructions and try to maintain the space-time continuum.

A film noir centering around a hard-boiled, stylish kingpin drug dealer, called King David, who returns to his hometown seeking redemption—but ends up only finding violent death. King David's final moments are spent with Paul, an aspiring journalist who knew him for just a few minutes; yet King David would forever more have an impact on Paul's life. Half preacher, half Satan, and all street smarts, King David had recorded the story of his exploits on audiotape, leaving behind an often-poetic sermon on villainy and its consequences. The tapes reveal that the cycle of violence and retribution, which his actions have spawned, has come back to him, full circle, as he suspected they might all along.

The true story of one of history's most luminous and influential leaders, Alexander the Great—a man who had conquered 90% of the known world by the age of twenty-seven. Alexander led his virtually invincible Greek and Macedonian armies through 22,000 miles of sieges and conquests in just eight years, and by the time of his death at the age of thiry-two had forged an empire unlike any the world had ever seen. The story chronicles Alexander's path to becoming a living legend, from a youth fueled by dreams of myth, glory and adventure to his lonely death as a ruler of a vast Empire. Alexander is the incredible story of a life that united the Known World and proved, if nothing else, fortune favors the bold.

Denzel Washington stars as a government operative/soldier of fortune who has pretty much given up on life. In Mexico City, he reluctantly agrees to take a job to protect a child (Dakota Fanning) whose parents are threatened by a wave of kidnappings. He eventually becomes close to the child and their relationship reawakens and rekindles his spirit. When she is abducted, his fiery rage is unleashed on those he feels responsible, and he stops at nothing to save her.

In the latter part of the 19th century, Australia is still largely untamed. The former penal colony's first-generation Irish immigrant population lives in poverty. Having already experienced police brutality and the death of his father, bushranger Ned (Heath Ledger) is wrongfully imprisoned on the trumped-up charge of stealing a horse. Emerging a few years later, in 1874, Ned is hardened but vows to stay straight. Rejoining his widowed mother and younger siblings, he makes money for his family as a champion bare-knuckle boxer. He also toils as a farmhand on the estate of an English landowner – with whose beautiful wife Julia (Naomi Watts) Ned shares a mutual attraction. But the British colonial system and its Victorian English enforcers remain prejudiced against Australia's working people, and the struggling Kelly family is no exception. When, in 1878, a bullying police officer is rebuffed by Ned's younger sister Kate and targets the family for harassment, Ned and his mother are unjustly charged with attempted murder. Ned is determined to avenge his family's name and strike back against his people's oppressors. While hiding in the bush, he forms a loyal Gang that includes his best friend and first lieutenant Joe Byrne (Orlando Bloom). A chance encounter with the police culminates in shots ringing out, and three officers are killed. The Kelly Gang is forced to go on the run. They blaze a trail through the Outback, robbing banks to fund themselves as well as to recover immigrants' land deeds, and giving police the runaround. The Kelly Gang's reputation as invincible outlaws grows, as does nationwide support from their immigrant countrymen. To the masses, Ned is a hero. To lawmen and the establishment, he is the most wanted man in Australia. £8,000 is offered for his capture – at the time, the highest reward the world had known. When the authorities bring in the formidable Superintendent Francis Hare (Geoffrey Rush), and an army of police, with carte blanche to capture and/or kill the outlaws, Ned strategizes a risky showdown at the Glenrowan Inn. It is this event which will seal his fate – and his legend.

Sarah Polley, Ving Rhames, Jake Webber and Mekhi Phifer head an ensemble cast in a re-envisioning of George Romero's apocalyptic horror classic, "Dawn of the Dead". An unexplained plague has decimated the world's population and yet...the dead aren't dying. They've become zombies, stalking endlessly in a constant quest to feed on the flesh and blood of the few remaining living. A ragtag group of desperate survivors in a Wisconsin town seek refuge in a large indoor mall, where they must learn not only to protect themselves from the ever-increasing zombie horde, but also to co-exist with each other as a last bastion of humanity. Sealed off from the rest of what used to be the world, the group uses every available resource—both within and without—in their against-all-odds fight to remain alive and human.

Abandoned by the death of their mother, Junior and Scooter find themselves ill prepared for life on their own. To ease their suffering, they search the desert dregs of West Texas for a woman to take Mom's place. Due to their social disability, they are forced to kidnap a woman from a Piggly Wiggly supermarket. They soon realize that they have gotten more than they bargained for when their "victim," Dede, turns out to be the maltreated wife of an abusive Texas Ranger. She quickly turns her misfortune into theirs, convincing the brothers to steal her baby away from her sadistic husband. Life gets even more complicated for these simple-hearted boys when the vengeful Ranger tracks them down bent on keeping them from living happily ever after.

A wine tasting road trip to salute Jack's final days as a bachelor careens woefully sideways as he and Miles hit the gas en route to mid-life crises. The comically mismatched pair, who share little more than their history and a heady blend of failed potential and fading youth, soon find themselves drowning in wine and women. Emerging from a haze of pinot noir, wistful yearnings and trepidation about the future, the two inevitably collide with reality.

Anna is a young widow who is finally getting on with her life after the death of her husband, Sean. Now engaged to be married, Anna meets a ten-year-old boy who tells her he is Sean reincarnated. Though his story is both unsettling and absurd, Anna can't get the boy out of her mind. And much to the concern of her fiancée, her increased contact with him leads her to question the choices she has made in her life.

Set against the backdrop of a mythic "New West," "Silver City" follows grammatically-challenged, "user-friendly" candidate Dicky Pilager (Chris Cooper), scapegrace scion of Colorado's venerable Senator Jud Pilager (Michael Murphy), during his gubernatorial campaign. When Pilager finds that he's reeled in a corpse during the taping of an environmental political ad, his ferocious campaign manager, Chuck Raven (Richard Dreyfuss), hires former idealistic journalist turned rumpled private detective Danny O'Brien (Danny Huston) to investigate potential links between the corpse and the Pilager family's enemies. Danny's investigation pulls him deeper and deeper into a complex web of influence and corruption, involving high stakes lobbyists, media conglomerates, environmental plunderers, and undocumented migrant workers.

Trevor Reznik, a machinist, has lost the ability to sleep. But this is no ordinary insomnia. Trevor has not slept in a year. Fatigue has led to a shocking deterioration of his physical and mental health. Suspicious of his appearance, Trevor's co-workers first shy away from him, then turn against him after he's involved in a shop accident that costs a man his arm. They blame Trevor for the accident. He has become a liability to himself and others, and now they want him out. Plagued with guilt, Trevor's shame becomes suspicion, then paranoia, when it appears his workmates are conspiring to have him fired –- or worse. First he finds cryptic notes left in his apartment. Next he's told that a mysterious co-worker involved in the accident doesn't exist. Are these mysteries part of a plot to drive Trevor mad? Or is it fatigue that's robbing him of his reason? Determined to find an answer, Trevor investigates the strange occurrences that are turning his world into a sleepless nightmare. Yet the more he learns, the less he wants to know.

U.S. Army Major Bennett Marco can't sleep at night—and he doesn't want to. Marco spends his days giving inspiring speeches about his platoon's ambush in the Kuwaiti desert and the heroics of Sergeant Raymond Shaw, who won the Medal of Honor for saving Marco's crew. But at night, Marco's dreamlike memories of the desert turn sinister and terrifying. And Marco privately wonders whether the two soldiers who died in the firefight might have met darker fates than officially recorded—and whether Shaw might not be the glorious hero that everyone thinks he is. When Shaw takes the national stage as a surefire candidate for vice president—under the thumb of his controversial mother, Senator Eleanor Prentiss Shaw—Marco is forced to act on his growing suspicions. With military officials questioning his sanity, and the net of security tightening around Shaw, Marco races to probe deeper into the unimaginable, shocking truth before the White House is won.

A comic clash of cultures, values and sexuality, Touch of Pink is a romantic comedy featuring Alim (Jimi Mistry), a young South Asian-Canadian, now living in London, who is so caught up in the romance, style and dreams of the old movies that he thinks he's living with the spirit of Cary Grant (Kyle MacLachlan). But Alim's ideal life in London with lover Giles (Kristen Holden-Ried) begins to unravel when his mother Nuru (Suleka Mathew) shows up. She's come to London to find Alim a proper Ismaili-Muslim girlfriend and to convince him to come home to Canada and join the family for his cousin's spectacular wedding. Once in Toronto, Alim's different worlds begin to collide and he has to choose between his fantasy life with Cary and the earthier pleasures of real life.

Throughout time, men have waged war. Some for power, some for glory, some for honor — and some for love. In ancient Greece, the passion of two of history's most legendary lovers, Paris, Prince of Troy (Orlando Bloom) and Helen (Diane Kruger), Queen of Sparta, ignites a war that will devastate a civilization. When Paris steals Helen away from her husband, King Menelaus (Brendan Gleeson), it is an insult that cannot be suffered. Familial pride dictates that an affront to Menelaus is an affront to his brother Agamemnon (Brian Cox), powerful King of the Myceneans, who soon unites all the massive tribes of Greece to steal Helen back from Troy in defense of his brother's honor. In truth, Agamemnon's pursuit of honor is corrupted by his overwhelming greed — he needs control of Troy to ensure the supremacy of his already vast empire. The walled city, under the leadership of King Prium (Peter O'Toole) and defended by mighty Prince Hector (Eric Bana), is a citadel that no army has been able to breach. One man alone stands as the key to victory or defeat over Troy — Achilles (Brad Pitt), believed to be the greatest warrior alive. Arrogant, rebellious and seemingly invincible, Achilles has no allegiance to anyone or anything, save his own glory. It is his insatiable hunger for eternal renown that leads him to attack the gates of Troy under Agamemnon's banner — but it will be love that ultimately decides his fate. Two worlds will go to war for honor and power. Thousands will fall in pursuit of glory. And for love, a nation will burn to the ground.

Four generations of men are suddenly brought together by the chance to uncover the truth about their family's past. It's a journey that takes them out on the road to a world full of surprises—some comic, some dramatic, and all of them personal.

"Closer" explores the ever-changing state of modern relationships through a quartet of lovers tangled in a web of love, lust sex and betrayal. Based on Patrick Marber's hit play about sexual politics, which was nominated for a Tony Award for "Best Play" in 1999.