Browse Movies : Sony Pictures Classics : Rating Not Available

Will (Winston Duke) spends his days in a remote outpost watching the live Point of View (POV) on TV's of people going about their lives, until one subject perishes, leaving a vacancy for a new life on earth. Soon, several candidates — unborn souls — arrive at Will's to undergo tests determining their fitness, facing oblivion when they are deemed unsuitable. But Will soon faces his own existential challenge in the form of free-spirited Emma (Zazie Beetz), a candidate who is not like the others, forcing him to turn within and reckon with his own tumultuous past. Fueled by unexpected power, he discovers a bold new path forward in his own life.

Tehran 1958 – Nasser Ali Khan, the most celebrated violin player, has his beloved instrument broken. Unable to find another to replace it, life without music seems intolerable. He stays in bed and slips further and further into his reveries from his youth to his own children’s futures. Over the course of the week that follows, and as the pieces of this captivating story fall into place, we understand his poignant secret and the profundity of his decision to give up life for music and love.

A cantor (Jason Schwartzman) in a crisis of faith finds his world turned upside down when his grade school music teacher (Carol Kane) re-enters his life as his new adult Bat Mitzvah student.

When Senior investment banker Naomi Bishop (Anna Gunn) is passed over for a promotion at her firm, she fights for the opportunity to take a start-up public, hoping this promising IPO will secure her a place at the firm’s highest level. But when an employee at the start-up raises questions about a possible crack in the company’s walls, Naomi must decide whether to investigate rumors that may compromise the deal, or push forward with the confidence her superiors expect.

1953. A London shattered by WWII is still recovering. Williams (Bill Nighy), a veteran civil servant, is an impotent cog within the city’s bureaucracy as it struggles to rebuild. Buried under paperwork at the office, lonely at home, his life has long felt empty and meaningless. Then a shattering medical diagnosis forces him to take stock – and to try and grasp fulfilment before it goes beyond reach.

Benjamin Millepied’s CARMEN is a gritty modern day tale, with a majestic score by Nicholas Britell, and dream-like dance sequences that evoke magic realism. The story follows a young and fiercely independent woman who is forced to flee her home in the Mexican desert following the brutal murder of her mother, another strong and mysterious woman. Carmen survives a terrifying and dangerous illegal border crossing into the US, only to be confronted by a lawless volunteer border guard who cold-bloodedly murders two other immigrants in her group. When the border guard and his patrol partner, Aidan—a Marine with PTSD—become embroiled in a deadly standoff, Carmen and Aidan are forced to escape together. They make their way north toward Los Angeles in search of Carmen’s mother’s best friend, the mercurial Masilda and owner of La Sombra nightclub - a sanctuary of music and dance. Carmen and Aidan find both solace and their unwavering love for each other in the safety of Masilda’s magical refuge, but time is running out as the police hunt closes in.

“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price (Michelle Pfeiffer), but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm (Lucas Hedges) and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.

Tells the story of how a murder at Columbia University in 1944 brought together the writers (Allen Ginsberg, Jack Kerouac and William Burroughs) who would spark the Beat Revolution.

Under the direction of a prestigious but borderline abusive instructor, a young college student begins to lose his humanity in his quest to become the core drummer of the top jazz orchestra in the country.

In June 1940, as politicians, journalists, society figures, demi-mondaines and spies from all sides all meet up at the Hotel Splendide in Bordeaux, a young man has to choose between a famous actress and an impassioned student, between politicians and hoodlums, between insouciance and adulthood.

A small-time operator named Norman Oppenheimer befriends a young politician at a low and lonely moment in his life. Three years later when that politician becomes an influential world leader, Norman's life dramatically changes. For better. And for worse.

The film, set in the early 1960s, tells the story of a young woman, Sister Cathleen (Margaret Qualley), who starts to question her Catholic faith as she trains to become a nun.

As a rookie member of an elite special-forces team, Rama (Iko Uwais) is instructed to hang back during a covert mission involving the extraction of a brutal crime lord from a rundown fifteen-story apartment block. But when a spotter blows their cover, boss Tama (Ray Sahetaphy) offers lifelong sanctuary to every killer, rapist and thief in the building in exchange fortheir heads. Now Rama must stand in for the team's fallen leader (Joe Taslim) and use every iota of his fighting strength - winding through every floor and every room to complete the mission and escape with his life.

Set in rural New England, reckless desire wreaks havoc over Memorial Day weekend as a family confronts the volatile and fragile nature of love.

A group of Lebanese women try to ease religious tensions between Christians and Muslims in their village.

In 1921, Jimmy Gralton's sin was to build a dance hall on a rural crossroads in an Ireland on the brink of Civil War. The Pearse-Connolly Hall was a place where young people could come to learn, to argue, to dream...but above all to dance and have fun. As the hall grew in popularity its socialist and free-spirited reputation brought it to the attention of the church and politicians who forced Jimmy to flee and the hall to close.

A decade later, at the height of the Depression, Jimmy returns to Co. Leitrim from the US to look after his mother and vows to live the quiet life. The hall stands abandoned and empty, and despite the pleas of the local youngsters, remains shut. However as Jimmy reintegrates into the community and sees the poverty, and growing cultural oppression, the leader and activist within him is stirred. He makes the decision to reopen the hall in the face of what they may bring...

In 1968, two producers went to a downtown Detroit bar to see an unknown recording artist – a charismatic Mexican-American singer/songwriter named Rodriguez who had attracted a local following with his mysterious presence, soulful melodies and prophetic lyrics. They were immediately bewitched by the singer, and thought they had found a musical folk hero in the purest sense – an artist who reminded them of a Chicano Bob Dylan, perhaps even greater. They had worked with the likes of Marvin Gaye and Stevie Wonder, but they believed the album they subsequently produced with Rodriguez – Cold Fact – was the masterpiece of their producing careers.

Near the end of World War II, 14-year-old Michiel becomes involved with the Resistance after helping a wounded British soldier.

Centers on the friendship between American writer and art-lover James Lord (Armie Hammer) and Alberto Giacometti (Geoffrey Rush).