Browse Movies : Warner Bros. Pictures : Crime (Page #4)

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Untitled Chris Paciello...

Based on the true story of Chris Paciello, the charismatic Miami nightclub owner, who in the 1990’s became the “King of Miami” and turned South Beach into the hottest party destination in the world.

100 Bullets

An enigmatic man named Agent Graves presents different people, for reasons unknown, with a gun, the identity of the person who ruined their lives and a hundred rounds of untraceable ammunition.

16 Blocks

"16 Blocks" follows Jack Mosley (Bruce Willis), an aging cop assigned the mundane task of escorting a fast-talking, wise-cracking young witness (Mos Def) to the courthouse—sixteen city blocks away—and the action-packed thrill ride that takes place in those "sixteen blocks."
Location: US - New York

For Richer or Poorer

A thief teams up with her ex-boyfriend to stage a fake wedding at the Natural History Museum in New York as a cover for the perfect heist.

Fully Automatic

Two rookie cops, out to make their mark, team up with a female former Delta Force operative to stop a mercenary who has stolen a cache of weapons.

Kangaroo Jack

Two friends from Brooklyn (Jerry O'Connell, Anthony Anderson) are forced to deliver mob money to Australia. Their misadventures begin when one of them places his red jacket on a kangaroo while attempting to snap a picture. When the kangaroo bounces off, they realize the mob money is in the jacket and are forced to give chase through the Outback.

LA Confidential

Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.

Stompanato

Lana Turner and Johnny were sweethearts--until the day in 1958 when the screen queen's daughter, Cheryl, stabbed the hot-tempered gangland figure before he could make an exit from her mom's Beverly Hills bedroom.

Taking Lives

A top FBI profiler, Special Agent Illeana Scott (Angelina Jolie) doesn't rely on traditional crime-solving techniques to unravel the mysteries of a murderous mind. Her intuitive, unconventional approach often makes the crucial difference between catching a killer and sending a dead-end case to the cold file. When Montreal detectives handling a local homicide investigation reluctantly ask for an outsider's help to get inside the head of a cunning serial killer, Agent Scott joins the case. With meticulous insight, she theorizes that the chameleon-like killer is "life-jacking" – assuming the lives and identities of his victims. As the pressure mounts to catch the elusive murderer, Agent Scott's unorthodox methods alienate her from a territorial police team that feels threatened by her uncanny abilities. Her seemingly cold demeanor belies an unparalleled passion for her work, and she's at her best when she's working alone. But when an unexpected attraction sparks a complicated romantic entanglement, the consummate specialist begins to doubt her finely-honed instincts. Alone in an unfamiliar city with no one she can trust, Agent Scott suddenly finds herself on a twisted and terrifying journey, surrounded by suspects in a case that has become chillingly personal.

The Fugitive

Kiefer Sutherland and Boyd Holbrook star in this edge-of-your-seat crime thriller from the creator of Most Dangerous Game and co-executive producer of Prison Break in which an innocent man on the run, desperate to clear his name, is chased through Los Angeles by the cop who will not rest until he is captured.

Completed

August 3, 2020 VOD / Digital

The House

After Scott and Kate Johansen (Will Ferrell and Amy Poehler) lose their daughter Alex’s college fund, they become desperate to earn it back so she can pursue her dream of attending a university. With the help of their neighbor Frank (Jason Mantzoukas), they decide to start an illegal casino in the basement of his house.

The Road Home

Set during the Depression, a war-scarred rancher on the Central California coast finds himself entangled in scandal when he is asked to investigate the brutal murder of a local man, a case that local police have swept under the rug.

Tokyo Underworld

Nick Zappetti, an Italian-American from East Harlem, is was part of the U.S. occupation forces sent to Japan after World War II. Believing that Tokyo offers certain opportunities, Zappetti has a failed stint as a wrestler, participates in a fumbled diamond heist and is deported. But he returns illegally and opens a pizza joint, which in the mid-'60s becomes the center of Tokyo's nightlife, and for the next 15 years, he becomes an integral part in the yakuza's rise to power.

Welcome to Collinwood

When petty thief Cosimo is given the plan for the perfect heist from a lifer in prison--the kind of job you dream about, the kind of job that the reprobates on the block refer to as a 'Bellini'--he has to get out of jail, fast. Opportunities like this don't come along every day for the hard-luck folks who hang around the streets of Collinwood, a working class neighborhood on Cleveland's east side. What Cosimo needs is a fall guy, a 'Mullinski,' somebody who needs the $15,000 Cosimo can offer more than they need one to three years of freedom. But with Cosimo stuck in the joint, it's up to his girl Rosalind to track down a patsy. But while no one wants to do the time for Cosimo's crime, everybody seems to know a guy who will--and for a share in the Bellini, they're willing to track him down. Before long, Rosalind has five guys trailing behind her, looking to get their bungling hands on a piece of the action. Led by Pero, a very amateur boxer who schemes to get the particulars of the job from Cosimo before leaving him in the joint to rot, the group assembles itself. The motley crew consists of: photographer and frustrated artist Riley, a single father with an infant on his hands who needs a thousand bucks to spring his wife from jail; Leon, who desperately wants to secure a better life for his sister, Michelle; Basil, a handsome Italian gigolo who's as broke as a one-wheeled wagon; and Toto, a thief way past his prime who's got nothing but time.