Browse Movies : 2009 (Page #5)

Robert De Niro plays a widower who realizes his only connection to his children was through his deceased wife. So, he decides to take a trip to reconnect with his kids, and discovers they are living far from perfect lives.

A group of friends who are avid "Star Wars" fans travel west to see the Holy Grail of all sci-fi movies, "Star Wars: Episode I." The year is 1999 and for these death star dorks, the "Star Wars" films are more than just movies; they are a way of life. So, after one of the group takes sick, it is nothing short of a moral imperative that the friends break into George Lucas' Skywalker Ranch to watch the seminal sci-fi picture together before its release. Enlisting the help of an estranged friend, who has traded in his Darth Vader mask for a proper day job, the adventure lays way to some extremely funny situations, including an outrageous brawl with some hard-core Trekkies.

Searching for his missing sister, Clay heads up to the eerie woods of legendary Crystal Lake where he stumbles on the creaky remains of rotting old cabins that lie in wait behind moss-covered trees. And that's not the only thing hiding under the brush. Against the advice of police and cautions from the locals, Clay pursues what few leads he has with the help of a young woman he meets among a group of college kids up for an all-thrills weekend. But they are about to find much more than they bargained for. Little do they know, they've entered the domain of one of the most terrifying specters in American film history - the infamous killer who haunts Crystal Lake armed with a razor-sharp machete...Jason Voorhees.

Hector Villa, a ranked fighter, flees Mexico with his friend and mentor, Billy, after being told he must throw a fight. He and Billy seek sanctuary as farm laborers on a ranch, where Hector is eventually recognized and forced to fight the owner's evil son.

Over the past few years, writer/director Judd Apatow ("The 40-Year-Old Virgin," "Knocked Up") has shown that nothing—not even losing your virginity or the miracle of childbirth—is sacred. About his third film behind the camera, he says, "I'm trying to make a very serious movie that is twice as funny as my other movies. Wish me luck!" Apatow directs Adam Sandler, Seth Rogen and Leslie Mann in "Funny People," the story of a famous comedian who has a near-death experience.

An all-star cast is featured in the stories of a group of interconnected, Baltimore-based twenty- and thirtysomethings as they navigate their various relationships from the shallow end of the dating pool through the deep, murky waters of married life. Trying to read the signs of the opposite sex, each hopes to be the exception to the "no exceptions" rule.

Space-time vortexes suck. Will Ferrell stars as has-been scientist Dr. Rick Marshall, sucked into one and spat back through time. Way back. Now, Marshall has no weapons, few skills and questionable smarts to survive in an alternate universe full of marauding dinosaurs and fantastic creatures from beyond our world—a place of spectacular sights and super-scaled comedy known as the Land of the Lost.

Sucked alongside him for the adventure are crack-smart research assistant Holly (Anna Friel) and a redneck survivalist (Danny McBride) named Will. Chased by T. rex and stalked by painfully slow reptiles known as Sleestaks, Marshall, Will and Holly must rely on their only ally—a primate called Chaka (Jorma Taccone)—to navigate out of the hybrid dimension. Escape from this routine expedition gone awry and they're heroes. Get stuck, and they'll be permanent refugees in the "Land of the Lost".

A young man who awakens from a four-year coma to hear that his once virginal high-school sweetheart has since become a centerfold in one of the world's most famous men's magazines. He and his sex-crazed best friend decide to take a cross- country road trip in order to crash a party at the magazine's legendary mansion headquarters and win back the girl.

Sam Bell (Rockwell) is nearing the end of his contract with Lunar. He's been a faithful employee for 3 long years. His home has been Selene, a moon base where he has spent his days alone, mining Helium 3. The precious gas holds the key to reversing the Earth's energy crisis.

Isolated, determined and steadfast, Sam has followed the rulebook obediently and his time on the moon has been enlightening, but uneventful. The solitude has given him time to reflect on the mistakes of his past and work on his raging temper. He does his job mechanically, and spends most of his available time dreaming of his imminent return to Earth, to his wife, young daughter and an early retirement.

But two weeks shy of his departure from Selene, Sam starts seeing things, hearing things and feeling strange. And when a routine extraction goes horribly wrong, he discovers that Lunar have their own plans for replacing him... and the new recruit is eerily familiar.

Before he can return to Earth, Sam has to confront himself and the discovery that the life he has created, may not be his own. It's more than his contract that is set to expire.

It's a new "Night" and "Museum" for Ben Stiller, who is joined by several other stars from the original film, as well as new characters from history. The centerpiece of the film will be bringing to life the Smithsonian Institution, which houses the world’s largest museum complex with more than 136 million items in its collections, ranging from the plane Amelia Earhart flew on her nonstop solo flight across the Atlantic and Al Capone’s rap sheet and mug shot to Dorothy’s ruby red slippers and Archie Bunker’s lounge chair. No major film has ever shot inside the Smithsonian in Washington…until "Night at the Museum 2: Battle of the Smithsonian".

Two best friends—one unlucky-in-love divorcee (Robin Williams) and the other a fun-loving bachelor (John Travolta)—have their lives turned upside down when they’re unexpectedly charged with the care of six-year-old twins while on the verge of the biggest business deal of their lives. The not-so-kidsavvy bachelors stumble in their efforts to take care of the twins (newcomers Ella Travolta and Conner Rayburn), leading to one debacle after another, and perhaps to a new-found understanding of what’s really important in life.

With sheer audacity and utter authenticity, director Lee Daniels tackles "Push: Based on the Novel by Sapphire" and creates an unforgettable film that sets a new standard for cinema of its kind. Precious Jones (Gabourey "Gabby" Sidibe) is a high-school girl with nothing working in her favor. She is pregnant with her father's child - for the second time. She can't read or write, and her schoolmates tease her for being fat. Her home life is a horror, ruled by a mother (Mo'Nique) who keeps her imprisoned both emotionally and physically. Precious's instincts tell her one thing: if she's ever going to break from the chains of ignorance, she will have to dig deeply into her own resources. Don't be misled - "Push: Based on the Novel by Sapphire" is not a film wallowing in the stillness of depression; instead, it vibrates with the kind of energy derived only from anger and hope. The entire cast are amazing; they carry out a firestorm of raw emotion. Daniels has drawn from them inimitable performances that will rivet you to your seat and leave you too shocked to breathe. If you passed Precious on the street, you probably wouldn't notice her. But when her story is revealed, as Daniels does in this courageous film, you are left with an indelible image of a young woman who - with creativity, humor, and ferocity - finds the strength to turn her life around.

Devastated by the kidnapping of her father, Chun-Li takes to the streets of Hong Kong, embarking on an epic quest for justice – and hurtling toward a confrontation with a seemingly unstoppable foe.

People are living their lives remotely from the safety of their own homes via robotic surrogates—sexy, physically perfect mechanical representations of themselves. It’s an ideal world where crime, pain, fear and consequences don’t exist. When the first murder in years jolts this utopia, FBI agent Greer (BRUCE WILLIS) discovers a vast conspiracy behind the surrogate phenomenon and must abandon his own surrogate, risking his life to unravel the mystery.

"The Blind Side" depicts the remarkable true story of Michael Oher, a homeless African-American youngster from a broken home, taken in by the Touhys, a well-to-do white family who help him fulfill his potential. At the same time, Oher's presence in the Touhys' lives leads them to some insightful self-discoveries of their own. Living in his new environment, the teen faces a completely different set of challenges to overcome. As a football player and student, Oher works hard and, with the help of his coaches and adopted family, becomes an All-American offensive left tackle.

Handyman and ex-con Arkin aims to repay a debt to his ex-wife by robbing his new employer's country home. Unfortunately for Arkin, a far worse enemy has already laid claim to the property - and the family. As the seconds tick down to midnight, Arkin becomes a reluctant hero trapped by a masked "Collector" in a maze of lethal invention - the Spanish Inquisition as imagined by Rube Goldberg - while trying to rescue the very family he came to rob.

On what should have been a fun-filled day at the races, Nick O'Bannon has a horrific premonition in which a bizarre sequence of events causes multiple race cars to crash, sending flaming debris into the stands, brutally killing his friends and causing the upper deck of the stands to collapse on him. When he comes out of this grisly nightmare Nick panics, persuading his girlfriend, Lori, and their friends, Janet and Hunt, to leave...escaping seconds before Nick's frightening vision becomes a terrible reality. Thinking they've cheated death, the group has a new lease on life, but unfortunately for Nick and Lori, it is only the beginning. As his premonitions continue and the crash survivors begin to die one-by-one--in increasingly gruesome ways--Nick must figure out how to cheat death once and for all before he, too, reaches his final destination. The film marks the latest in the highly popular "Final Destination" series, and its first 3D installment, giving horror fans an especially visceral thrill ride.

Masters of horror Wes Craven and Sean Cunningham revisit their landmark film that launched Craven's directing career and influenced decades of horror films to follow: "The Last House on the Left". Bringing one of the most notorious thrillers of all time to a new generation, they produce the story that explores how far two ordinary people will go to exact revenge on the sociopaths who harmed their child.

The night she arrives at the remote Collingwood lakehouse, Mari (Sara Paxton) and her friend are kidnapped by a prison escapee and his crew. Terrified and left for dead, Mari's only hope is to make it back to parents John and Emma (Tony Goldwyn and Monica Potter). Unfortunately, her attackers unknowingly seek shelter at the one place she could be safe. And when her family learns the horrifying story, they will make three strangers curse the day they came to "The Last House on the Left".

In his most powerful performance to date, Ben Foster stars as Will Montgomery, a U.S. Army officer who has just returned home from a tour in Iraq and is assigned to the Army’s Casualty Notification service. Partnered with fellow officer Tony Stone (Woody Harrelson) to bear the bad news to the loved ones of fallen soldiers, Will faces the challenge of completing his mission while seeking to find comfort and healing back on the home front. When he finds himself drawn to Olivia (Samantha Morton), to whom he has just delivered the news of her husband's death, Will’s emotional detachment begins to dissolve and the film reveals itself as a surprising, humorous, moving and very human portrait of grief, friendship and survival.

"The Young Victoria" chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert.