Browse Movies : PG-13 : M (Page #5)

The journey of six DNA-enhanced young orphans with the ability to fly — on a mission to rescue the youngest of their flock while discovering the diabolical, scientific secrets of how they came to exist. Their leader is Max, wise beyond her years, who must summon all her courage and acumen to outmaneuver the brutal half-human/half-wolf creations known as “Erasers,” confront her own inner demons and ultimately face a stunning betrayal.

Documentary about writer, actor, filmmaker, studio head and media titan Tyler Perry.

In the wake of a painful estrangement from his daughter, boxing trainer Frankie Dunn (Clint Eastwood) has been unwilling to let himself get close to anyone for a very long time—then Maggie Fitzgerald (Hilary Swank) walks into his gym. In a life of constant struggle, Maggie's gotten herself this far on raw talent, unshakable focus and a tremendous force of will. But more than anything, she wants someone to believe in her. The last thing Frankie needs is that kind of responsibility—let alone that kind of risk—but won over by Maggie's sheer determination, he begrudgingly agrees to take her on. In turns exasperating and inspiring each other, the two come to discover that they share a common spirit that transcends the pain and loss of their pasts, and they find in each other a sense of family they lost long ago. Yet, they will both face a battle that will demand more heart and courage than any they've ever known.

(Gina Rodriguez) finds a power she never knew she had when she is drawn into a dangerous world of cross-border crime. Surviving will require all of her cunning, inventiveness, and strength.

As all of Edo flocks to see the work of the revered painter Hokusai, his daughter O-Ei toils diligently inside his studio. Her masterful portraits, dragons and erotic sketches- sold under the name of her father- are coveted by upper crust Lords and journeyman print makers alike. Shy and reserved in public, in the studio O-Ei is as brash and uninhibited as her father, smoking a pipe while sketching drawings that would make contemporary Japanese ladies blush. But despite this fiercely independent spirit, O-Ei struggles under the domineering influence of her father and is ridiculed for lacking the life experience that she is attempting to portray in her art. Miss Hokusai's bustling Edo (present day Tokyo) is filled with yokai spirits, dragons, and conniving tradesmen, while O-Ei's relationships with her demanding father and blind younger sister provide a powerful emotional underpinning to this sumptuously-animated coming-of-age tale.

What exactly is a "monster"? What do we see at the end of each character's search for the "monster"? Little Minato starts acting strange. His mother senses that something has gone wrong. When she discovers that a teacher is responsible for her son's behavior, she storms into the school in search of enlightenment. The story is told from the mother's, teacher's and child's point of view; the truth gradually emerges.

Charlotte "Charlie" Honeywell (Jennifer Lopez) is a professional dog walker who has a hard time finding any good men to date, with her social life mostly composed of continually disastrous blind dates. Her dreams seem to come true, however, when she meets Kevin, the perfect guy... until she meets his mother (Jane Fonda), who thinks no girl is good enough for Kevin, and *especialy* not Charlie. With her mother-in-law trying to sabotage the relationship, can Charlie's dream of a perfect wedding and marriage ever happen?

A terrifying new horror awaits Laura (Christina Ricci) and her seven-year-old son Cody when they flee her abusive ex-husband and try to settle into a new life in an idyllic and remote lakeside farmhouse. Still traumatized, their physical and mental well-being are pushed to the limit as their fragile existence is threatened.

"Motherhood" is a bittersweet comedy that distills the dilemmas of the maternal state (marriage, work, self, and not necessarily in that order) into the trials and tribulations of one pivotal day. "Motherhood" forms a genre of one – no other movie has dedicated itself in quite this way to probing exactly what it takes to be a mother, with both wry humor and an acute sense of authenticity.

John and Jane Smith are an ordinary suburban couple with an ordinary, lifeless suburban marriage. But each is hiding something the other would kill to know: Mr. and Mrs. Smith are actually highly paid, incredibly efficient assassins--and they work for competing organizations. Mr. and Mrs. Smith both discover a new source of excitement in their marriage, when they're hired to assassinate each other--and that's when the real fun starts. The result is a total action spectacle, as Mr. and Mrs. Smith put their formidable skills to work and their marriage to the ultimate test.

Leonato (Clark Gregg), the governor of Messina, is visited by his friend Don Pedro (Reed Diamond) who is returning from a victorious campaign against his rebellious brother Don John (Sean Maher). Accompanying Don Pedro are two of his officers: Benedick (Alexis Denisof) and Claudio (Fran Kranz). While in Messina, Claudio falls for Leonato's daughter Hero (Jillian Morgese), while Benedick verbally spars with Beatrice (Amy Acker), the governor's niece. The budding love between Claudio and Hero prompts Don Pedro to arrange with Leonato for a marriage.

In the days leading up to the ceremony, Don Pedro, with the help of Leonato, Claudio and Hero, attempts to sport with Benedick and Beatrice in an effort to trick the two into falling in love. Meanwhile, the villainous Don John, with the help of his allies: Conrade (Riki Lindhome) and Borachio (Spencer Treat Clark), plots against the happy couple, using his own form of trickery to try to destroy the marriage before it begins.

Based on the international bestseller by Robert Harris. It is Autumn 1938 and Europe stands on the brink of war. Adolf Hitler is preparing to invade Czechoslovakia and Neville Chamberlain's government desperately seeks a peaceful solution. With the pressure building, Hugh Legat, British civil servant, and Paul von Hartmann, German diplomat, travel to Munich for the emergency Conference. As negotiations begin, the two old friends find themselves at the centre of a web of political subterfuge and very real danger. With the whole world watching, can war be averted and, if so, at what cost?

Alex Fletcher (Hugh Grant) is a washed-up 80s pop star who's been reduced to working the nostalgia circuit at county fairs and amusement parks. The charismatic and talented musician gets a chance at a comeback when reigning diva Cora Corman invites him to write and record a duet with her, but there's a problem—Alex hasn't written a song in years, he's never written lyrics, and he has to come up with a hit in a matter of days. Enter Sophie Fisher (Drew Barrymore), Alex's beguilingly quirky plant lady, whose flair for words strikes a chord with the struggling songwriter. On the rebound from a bad relationship, Sophie is reluctant to collaborate with anyone, especially commitment-phobe Alex. As their chemistry heats up at the piano and under it, Alex and Sophie will have to face their fears—and the music—if they want to find the love and success they both deserve. The film co-stars Brad Garrett as Alex's steadfast manager, Kristen Johnston as Sophie's sister, Rhonda, and Campbell Scott as Sophie's novelist ex-boyfriend. Newcomer Haley Bennett plays young, pop princess Cora Corman.

Set against the backdrop of competitive ballroom dancing, Musical Chairs is about Armando a Bronx-bred Latino who aspires to be a dancer but whose only way in is as handyman at a Manhattan dance studio, and Mia, an Upper East Side princess who is the studio's star performer.

Georgia (Nia Vardalos) has lost her kefi (Greek for “mojo”). Discouraged by her lack of direction in life, she works as a travel guide, leading a rag-tag group of tourists as she tries to show them the beauty of her native Greece while waiting to land her dream job. Opening their eyes to an exotic foreign land, she too begins to see things in new ways—finding her kefi and possibly love in the process.

A comedy about three ordinary women who form an unlikely friendship and decide to do something extraordinary--rob one of the most secure banks in the world. Bridget Cardigan is shocked to learn that she is on the verge of losing her home and comfortable upper middle class lifestyle when her husband Don is downsized from his job. Armed only with a decades old English degree and years as a dedicated mother and corporate wife, Bridget is forced into the unfamiliar labor market with no job skills. Finally, she accepts the only position she can find--janitor at the Federal Reserve Bank. The one-time suburban mom soon discovers she has more in common with her new co-workers than she thought. Bridget forges an unexpected bond with Nina, a hard-working single mom with two kids to raise, and Jackie, an exuberant free spirit with nothing to lose. Caught up in a system that underestimates their talents and keeps their dreams just out of reach, Bridget, Nina and Jackie set out to even the score. After a lifetime of playing by the rules, the three devise a plan to smuggle soon-to-be destroyed currency out of the supposedly airtight Reserve. As the unlikely crime syndicate amasses piles of cash, it looks like they have pulled off the perfect crime--until a minor misstep alerts the authorities. With more money than they know what to do with, the women are pushed to the limits of their ingenuity to stay one step ahead of the law!

The music is pumping, the dance floor is moving and Donny (Derek Hough) stops when he sees Aya (BoA) performing with her hip-hop Cobu crew on stage at Static, the hottest underground club in New York. They come from two different worlds, but they speak the same language -- dance. Against all odds, they come together and show the world what they've got.

After successfully skewering Hollywood's scariest movie (as two of the writers on "Scary Movie"), romantic comedy franchises ("Date Movie"), and Hollywood blockbusters ("Epic Movie"), writers/directors/producers Jason Friedberg and Aaron Seltzer now set their sights on "300". The heroic Leonidas, armed with nothing by leather underwear and a cape, leads a ragtag group of 13 - count' em, 13! -- Spartans to defend their homeland against the invading Persians (whose ranks include "Ghost Rider", "Rocky Balboa", the "Transformers", and a hunchbacked Paris Hilton).

Melinda and Melinda combines romantic comedy and drama in a way that Woody Allen, unique among filmmakers, likes to contrast. It takes place in Manhattan and chronicles a pair of crises that give great reign to the funny and serious talents of Chiwetel Ejiofor, Will Ferrell, Jonny Lee Miller, Radha Mitchell, Amanda Peet, Chloë Sevigny and Wallace Shawn. All the usual Allen areas are explained - the fragility of love, marital infidelity, sophisticated romance, the inability to communicate. As a character in the movie puts it, "He's despondent, he's desperate, he's suicidal. All the comic elements are in place."

The story centers on a family traveling to Paris for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.