Browse Movies : 2016 : Rating Not Available : C

The crowning achievement of Orson Welles’s later film career, Chimes at Midnight returns to the screen after being unavailable for decades. This brilliantly crafted Shakespeare adaptation was the culmination of Welles’s lifelong obsession with the Bard’s ultimate rapscallion, Sir John Falstaff, the loyal, often soused childhood friend to King Henry IV’s wayward son Prince Hal.

A flesh-eating virus makes a meal of 5 teens on spring break in a remote wood cabin in this update of Eli Roth’s classic gorefest, with all-new characters and all-new kills.

Federico Fellini's epic 1980 fantasia introduced the start of the Maestro's delirious late period.

Set in 1985, war photographer Avery Taggert (Zoë Bell) has built a solid career with her stark and honest imagery, all the while remaining emotionally distant from her subjects. When she embeds in the jungles of Colombia with a squad of missionaries led by a beloved and charismatic Spaniard known as "El Guero" (Nacho Vigalondo), she finds herself in the middle of a conflict as violent as any she's photographed. One night, she happens upon El Guero committing a heinous atrocity, capturing the vile act on film, an image with the potential to discredit and destroy El Guero. Knowing this brilliant psychopath will employ every tactic at his disposal to destroy that photograph - and the photographer who took it - Avery flees into the harsh jungle with nothing but the camera hanging around her neck to escape from missionaries twisted into violent guerrillas by the madman intent on destroying all enemies.

Soldiers with a mysterious sleeping sickness are transferred to a temporary clinic in a former school. The memory-filled space becomes a revelatory world for housewife and volunteer Jenjira, as she watches over Itt, a handsome soldier with no family visitors. Jen befriends young medium Keng who uses her psychic powers to help loved ones communicate with the comatose men. Doctors explore ways, including colored light therapy, to ease the mens’ troubled dreams. Jen discovers Itt’s cryptic notebook of strange writings and blueprint sketches. There may be a connection between the soldiers’ enigmatic syndrome and the mythic ancient site that lies beneath the clinic. Magic, healing, romance and dreams are all part of Jen’s tender path to a deeper awareness of herself and the world around her.

Colonia tells the story of Lena and Daniel, a young couple, who become entangled in the Chilean military coup of 1973. When Daniel is abducted by Pinochet’s secret police, Lena tracks him to a sealed off area in the South of the country, called Colonia Dignidad. The Colonia presents itself as a charitable mission run by ex-Nazi Paul Schäfer but, in fact, is a place from which no one has ever escaped. Lena joins the cult in order to find Daniel and help him escape.

The story of the right man in the wrong body. In a last-ditch effort to stop a diabolical plot, a dead CIA operative’s memories, secrets, and skills are implanted into an unpredictable and dangerous death-row inmate in hopes the he will complete the operative’s mission.

After being released from prison, former Mexican cop GARZA (Omar Chaparro) seeks revenge on SANTOS (Erick Elias). Santos has kidnapped his girlfriend MARIA (Aislinn Derbez) and framed him for a crime he didn't commit. With the help of his former boss CORONADO (José Sefami), Garza manages to escape with a tip about how to find Santos which leads him to San Diego in search of an "accountant." This said accountant is responsible for stealing $10 million dollars from Santos and may know Santos' whereabouts. When Garza arrives, he is shocked to find that the infamous accountant is a 17 year old American computer hacker named VIC (Joey Morgan). Despite an immediate disdain for each other, these two divided by culture, language and age, realize that Garza's low tech brain and Vic's high tech hacker skills may be their only chance at finding Santos before he finds them.

The film tells the story of a young man who arrives in Hollywood during the 1930s hoping to work in the film industry, falls in love, and finds himself swept up in the vibrant café society that defined the spirit of the age.

In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to—and public censure of—their offender has never been more powerful. Today we’re all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will future will be like if we can’t learn how to take a joke?

Willie, homeless and on Skid Row, is coerced by two teens to fight other men for cash. Now involved in a violent world he can’t understand and with few human connections beyond a girl's diary he found, Willie struggles to find a way out.

This surreal tale follows the artistically driven Oscar (AMERICAN CRIME’s Connor Jessup) hovering on the brink of adulthood. Struggling to find his place in the world after a rough childhood and haunted by images of a tragic incident, Oscar dreams of escaping his small town. After he meets a mysterious and attractive new co-worker, Oscar follows the guidance of his pet hamster Buffy (voiced by Isabella Rossellini) and faces his demons to find the life he wants.

Follows a group of friends who get stranded in a seemingly abandoned town and find themselves stalked by a gang of violent psychopaths dressed as clowns.

Based on true events, Christine is about an ambitious 29-year-old news reporter (Rebecca Hall), in Sarasota, FL, circa 1974. Relentlessly motivated to succeed, she knows she has talent, but being a driven career woman in the 1970s comes with its own challenges, especially when competition for a promotion, unrequited love for a coworker (Michael C. Hall) and a tumultuous home life lead to a dissolution of self. With ratings in the cellar, the station manager issues a mandate to deliver juicier and more exploitative stories, a story firmly at odds with Christine’s serious brand of issue-based journalism. To accomplish her goals, she must overcome her self-doubt and give the people what they want.

Follows a young dramatist who rebels against his fascist tutor to form his troop of misfits - aiming to win a prestigious theatre competition and trying to find the hardest thing of all: his voice.