Browse Movies : R : Remake (Page #2)

In My Son, when a man’s (McAvoy) only son goes missing, he travels to the town where his ex-wife (Foy) lives in search of answers.

Arthur Bishop (Jason Statham) is a well-paid assassin who executes people at the request of the American government. But after assassinating a former close associate, Bishop does something that's unprofessional and out of control: he takes on a apprentice (Ben Foster), the son of the man he just killed.

Terminal Island, New York: 2020. Overcrowding in the U.S. penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the ''Death Race'', the world's biggest, most brutal sporting event. Five-time NASCAR champion Jensen Ames is a man who has become an expert at survival. After eight years of hard time, he has only six weeks before reuniting with his family. But when Weyland demands a driver to headline the big game, Ames is forced to submit. Donning the costume of mythical rider Frankenstein, the racer becomes an instant crowd favorite, an unequaled sporting superstar. His face hidden by a metallic black mask, one convict will be put through a brutal three day challenge, with the trophy being the ultimate prize: freedom. The only catch is that he must survive a gauntlet of the most vicious criminals in this post-industrial wasteland to claim it. Driving a monster car outfitted with machine guns, flamethrowers and grenade launchers, Ames must now kill or be killed to win the most treacherous spectator sport on Earth: ''Death Race''.

Lily (Susan Sarandon) and Paul (Sam Neill) summon their loved ones to their beach house for one final gathering after Lily decides to end her long battle with ALS on her own terms. The couple is planning a loving weekend complete with holiday traditions, but the mood becomes strained when unresolved issues surface between Lily and her daughters Jennifer (Kate Winslet) and Anna (Mia Wasikowska). Joining the collective farewell are Lily’s son in law (Rainn Wilson), her lifelong friend (Lindsay Duncan), daughter’s partner (Bex Taylor-Klaus) and grandson (Anson Boon). Her story is ultimately one of hope, love and a celebration of life.

MASON POLLARD is a U.S. Marshal working in its high-stakes, highly classified witness protection program. RINA KIMURA is the wife of an international crime syndicate boss, who’s agreed to testify against her husband in a desperate move to escape his criminal world. When there’s an attempt on Rina’s life, Pollard is brought in as a next level, last resort to “erase” her—fake her death and move her off the grid, deep into hiding across the world in Cape Town, South Africa. Pollard isn’t sure he can trust Rina, Rina isn’t sure that life in a government program is much better than life as a mob wife. In fact, she has a secret plan to carve out a whole new future for herself. Pollard must now keep himself and Rina alive against all odds. They must work together—and trust each other—to save themselves and stop an even larger criminal plot from unfolding.

In the much anticipated remake of the 1981 cult-hit horror film, five twenty-something friends become holed up in a remote cabin. When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival.

Jim Bennett (Academy Award®-nominee Mark Wahlberg) is a risk taker. Both an English professor and a high-stakes gambler, Bennett bets it all when he borrows from a gangster (Michael Kenneth Williams) and offers his own life as collateral. Always one step ahead, Bennett pits his creditor against the operator of a gambling ring (Alvin Ing) and leaves his dysfunctional relationship with his wealthy mother (Academy Award®-winner Jessica Lange) in his wake. He plays both sides, immersing himself in an illicit, underground world while garnering the attention of Frank (John Goodman), a loan shark with a paternal interest in Bennett’s future. As his relationship with a student (Brie Larson) deepens, Bennett must take the ultimate risk for a second chance…

From 20th Century Studios,’ the all-new comedy White Men Can’t Jump is a modern remix of the iconic 1992 film that celebrates the streetball hustling culture of Los Angeles. Multi-platinum rap superstar Jack Harlow makes his movie debut as Jeremy, a former star of the game whose injuries stalled his career, and Sinqua Walls stars as Kamal, once a promising player who derailed his own future in the sport. Juggling tenuous relationships, financial pressures and serious internal struggles, the two ballers—opposites who are seemingly miles apart—find they might have more in common than they imagined possible.

Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men.

A reimagining of the classic horror tale about Carrie White (Chloë Grace Moretz), a shy girl outcast by her peers and sheltered by her deeply religious mother (Julianne Moore), who unleashes telekinetic terror on her small town after being pushed too far at her senior prom.

Three brothers on the run from the law head for home, only to discover that their mother lost the house in a foreclosure. Mother ingeniously orchestrates her sons' escape, teaching the house's new owners and their guests a few lessons along the way.

An undercover police unit consisting of young looking officers infiltrate high schools to control youth crime.

Chris Farraday (Mark Wahlberg) long ago abandoned his life of crime, but after his brother-in-law, Andy (Caleb Landry Jones), botches a drug deal for his ruthless boss, Tim Briggs (Giovanni Ribisi), Chris is forced back into doing what he does best— running contraband—to settle Andy’s debt. Chris is a legendary smuggler and quickly assembles a crew with the help of his best friend, Sebastian (Ben Foster), for one final run to Panama and back, hoping to return with millions in counterfeit bills. Things quickly fall apart and with only hours to reach the cash, Chris must use his rusty skills to successfully navigate a treacherous criminal network of brutal drug lords, cops and hit men before his wife, Kate (Kate Beckinsale), and sons become their target.

Searching for his missing sister, Clay heads up to the eerie woods of legendary Crystal Lake where he stumbles on the creaky remains of rotting old cabins that lie in wait behind moss-covered trees. And that's not the only thing hiding under the brush. Against the advice of police and cautions from the locals, Clay pursues what few leads he has with the help of a young woman he meets among a group of college kids up for an all-thrills weekend. But they are about to find much more than they bargained for. Little do they know, they've entered the domain of one of the most terrifying specters in American film history - the infamous killer who haunts Crystal Lake armed with a razor-sharp machete...Jason Voorhees.

A journalist-investigator and a precocious computer hacker become embroiled in life-threatening mysteries as they attempt to expose institutions that pull the strings behind the scenes.

Masters of horror Wes Craven and Sean Cunningham revisit their landmark film that launched Craven's directing career and influenced decades of horror films to follow: "The Last House on the Left". Bringing one of the most notorious thrillers of all time to a new generation, they produce the story that explores how far two ordinary people will go to exact revenge on the sociopaths who harmed their child.

The night she arrives at the remote Collingwood lakehouse, Mari (Sara Paxton) and her friend are kidnapped by a prison escapee and his crew. Terrified and left for dead, Mari's only hope is to make it back to parents John and Emma (Tony Goldwyn and Monica Potter). Unfortunately, her attackers unknowingly seek shelter at the one place she could be safe. And when her family learns the horrifying story, they will make three strangers curse the day they came to "The Last House on the Left".

Karl Urban and James Marsden star in the tense psychological thriller The Loft, the story of five guys who conspire to secretly share a penthouse loft in the city--a place where they can indulge in their deepest fantasies. But the fantasy becomes a nightmare when they discover the dead body of an unknown woman in the loft, and they realize one of the group must be involved. Paranoia seizes them as everyone begins to suspect one another. Friendships are tested, loyalties are questioned and marriages crumble as the group is consumed by fear, suspicion and murder in this relentless thriller.

A seemingly wholesome and benevolent family, the Parkers have always kept to themselves, and for good reason. Behind closed doors, patriarch Frank rules his family with a rigorous fervor, determined to keep his ancestral customs intact at any cost. As a torrential rainstorm moves into the area, tragedy strikes and his daughters Iris and Rose are forced to assume responsibilities that extend beyond those of a typical family. As the unrelenting downpour continues to flood their small town, the local authorities begin to uncover clues that bring them closer to the secret that the Parkers have held closely for so many years.

To survive the night, cops and criminals alike will have to unite and fight. A classic head-to-head showdown ignites in an all-new update of the 1976 action thriller of the same name. With only a few hours left in the calendar year, Precinct 13, one of Detroit's oldest precinct houses, is closing. Amid heavy snowfall and unsafe road conditions, only a few lawmen remain on duty for New Year's Eve. They are headed by Sergeant Jake Roenick (Ethan Hawke), a good cop wrestling with bad memories of a fatal undercover op from the previous spring. Roenick and Precinct 13 have both seen better days. Early on December 31st, deep in the city, formidable crime lord Marion Bishop (Laurence Fishburne), is cornered by an undercover cop. Their ensuing struggle leaves the cop dead - and Bishop captured, by the Organized Crime and Racketeering squad that Marcus Duvall (Gabriel Byrne) runs. Bishop is handcuffed and herded onto a prison bus with several criminals: junkie Beck (John Leguizamo), hustler Smiley (Ja Rule), and gang member Anna (Aisha Hinds). But the battering snowstorm stops the bus well short of its high-security destination and strands it at the remote Precinct 13 - where, as night falls, the prisoners are temporarily incarcerated. This influx of prisoners irks Roenick, almost as much as visiting police psychologist Alex Sabian (Maria Bello) does. But Precinct 13's provocative secretary Iris Ferri (Drea de Matteo) and salty veteran cop Jasper "Old School" O'Shea (Brian Dennehy) won't let the increasing workload deter them from celebrating...until two masked gunmen break in and attack the guards from the bus. The gunmen are just barely beaten back, and everyone inside Precinct 13 realizes that more will come - to extract crime lord Bishop, but also armed and ready to shoot anyone and everyone else. The cops, looking to the reluctant Roenick for leadership, and the cons, looking to the steely Bishop for an angle, must join forces to live. Fortifying themselves with minimal weaponry and maximum courage, they will not go gently into the bad night. As they fight to the death, the thin lines between good and bad bleed together.

Jon Baker (Shepard) and Frank “Ponch” Poncherello (Peña) have just joined the California Highway Patrol (CHP) in Los Angeles but for very different reasons. Baker is a beaten up pro motorbiker trying to put his life and marriage back together. Poncherello is a cocky undercover Federal agent investigating a multi-million dollar heist that may be an inside job—inside the CHP.

The inexperienced rookie and hardened pro are teamed together, but clash more than click, so kickstarting a partnership is easier said than done. But with Baker’s bike skills combined with Ponch’s street savvy it might just work…if they don’t drive each other crazy along the way.