Browse Movies : Universal Pictures : PG-13 (Page #6)

A group of unsuspecting friends must confront their most terrifying fears when they unleash an evil from the other side that only they can send back.

Born in a poor town in Georgia, Ray Charles went blind at the age of seven shortly after witnessing his younger brother's accidental death. Inspired by a fiercely independent mother who insisted he make his own way in the world, Charles found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered incorporating gospel, country, jazz and orchestral influences into his inimitable style. As he revolutionized the way people appreciated music, he simultaneously fought segregation in the very clubs that launched him and championed artists' rights within the corporate music business. "Ray" provides an unflinching portrait of Charles' musical genius as he overcomes drug addiction while transforming into one of this country's most beloved performers.

Mob boss Primo Sparazza has taken out a hefty contract on Buddy "Aces" Israel--a sleazy magician who has agreed to turn state's evidence against the Vegas mob. The FBI, sensing a chance to use this small-time con to bring down big-target Sparazza, places Aces into protective custody-under the supervision of two agents dispatched to Aces' Lake Tahoe hideout. When word of the price on Aces' head spreads into the community of ex-cons and cons-to-be, it entices bounty hunters, thugs-for-hire, deadly vixens and double-crossing mobsters to join in the hunt. With all eyes on Tahoe, this rogues' gallery collides in a comic race to hit the jackpot and rub out Aces.

In these interlocking tales of high stakes and low lifes, Mob boss Primo Sparazza has taken out a hefty contract on Buddy "Aces" Israel (Piven)—a sleazy magician who has agreed to turn state's evidence against the Vegas mob. The FBI, sensing a chance to use this small-time con to bring down big-target Sparazza, places Aces into protective custody-under the supervision of two agents (Reynolds and Liotta) dispatched to Aces' Lake Tahoe hideout.

When word of the price on Aces' head spreads into the community of ex-cons and cons-to-be, it entices bounty hunters, thugs-for-hire, smokin' hot vixens and double-crossing mobsters to join in the hunt. With all eyes on Tahoe, this togues' gallery collides in a comic race to hit the jackpot and rub out Aces.

Do we control our destiny, or do unseen forces manipulate us? Matt Damon stars in the thriller "The Adjustment Bureau" as a man who glimpses the future Fate has planned for him and realizes he wants something else. To get it, he must pursue the only woman he's ever loved across, under and through the streets of modern-day New York.

On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt)—a woman like none he's ever known. But just as he realizes he's falling for her, mysterious men conspire to keep the two apart.

David learns he is up against the agents of Fate itself—the men of The Adjustment Bureau—who will do everything in their considerable power to prevent David and Elise from being together. In the face of overwhelming odds, he must either let her go and accept a predetermined path...or risk everything to defy Fate and be with her.

Set in the sexy and colorful underground world of Japanese drift racing, the newest and fastest customized rides go head-to- head on some of the most perilous courses in the world.

Sean Boswell (Black) is an outsider who attempts to define himself as a hot-headed, underdog street racer. Although racing provides a temporary escape from an unhappy home and the superficial world around him, it has also made Sean unpopular with the local authorities. To avoid jail time, Sean is sent to live with his gruff, estranged father, a career military-man stationed in Tokyo.

Now officially a gaijin (outsider), Sean feels even more shut out in a land of foreign customs and codes of honor. But it doesn't take long for him to find some action when a fellow American buddy, Twinkie (Bow Wow), introduces him to the underground world of drift racing. Sean's simple drag racing gets replaced by a rubber-burning, automotive art form--with an exhilarating balance of speeding and gliding through a heart-stopping course of hairpin turns and switchbacks.

On his first time out drifting, Sean unknowingly takes on D.K., the "Drift King," a local champ with ties to the Japanese crime machine Yakuza. Sean's loss comes at a high price tag when he's forced to work off the debt under the thumb of ex-pat, Han (Kang). Han soon welcomes Sean into this family of misfits and introduces him to the real principles of drifting. But when Sean falls for D.K.'s girlfriend, Neela (newcomer Kelley), an explosive series of events is set into motion, climaxing with an ultimate high stakes face off.

The escalating events begin when African-born U.N. translator Silvia Broome (Kidman) alleges that she has overheard a death threat against an African head of state, spoken in a rare dialect few people other than Silvia can understand. With the words "The Teacher will never leave this room alive," in an instant, Silvia's life is turned upside down as she becomes a hunted target of the killers. Placed under the protection of federal agent Tobin Keller (Penn), Silvia's world only grows more nightmarish. As Keller digs deeper into his eyewitness' past and her secretive world of global connections, the more suspicious he becomes that she herself might be involved in the conspiracy. With every step of the way, he finds more reasons to mistrust her.

When Travis (Seann William Scott), the son of an underworld kingpin, disappears in the Amazon in search of a priceless artifact, Beck (The Rock), the kingpin's retrieval expert, is sent to get him. Despite their hostility - and their love for the same woman (Rosario Dawson) - the two must eventually join forces to fight the evil head (Christopher Walken) of a gold-mining corporation who is after the same treasure.

Described as a "grounded sci-fi film" (similar to District 9) with themes of privacy versus surveillance.

On the morning of his re-election, the President (Quaid) decides to read the newspaper for the first time in four years. This starts him down a slippery slope. He begins reading obsessively, reexamining his black and white view of the world, holing up in his bedroom in his pajamas. Frightened by the President's apparent nervous breakdown, his Chief of Staff (Dafoe) pushes him back into the spotlight, booking him as a guest judge on the television ratings juggernaut (and the President's personal fave), the weekly talent show American Dreamz.

America can't seem to get enough of American Dreamz, hosted by self-aggrandizing, self-loathing Martin Tweed (Grant), ever on the lookout for the next insta-celebrity. His latest crop of hopefuls includes Sally (Moore), a conniving steel magnolia with a devoted, dopey veteran boyfriend (Klein), and Omer, a recent Southern Californian immigrant (who just happens to be a bumbling, show tune singing, would-be terrorist awaiting activation). When both Sally and Omer make it to the final round of Dreamz—where the President will be judging along with Tweed—the stage is set for a show the nation will never forget.

Accomplished sailor Charlie St. Cloud (Zac Efron) has the adoration of mother Claire (Oscar winner Kim Basinger) and little brother Sam (newcomer Charlie Tahan), as well as a college scholarship that will lead him far from his sleepy Pacific Northwest hometown. But his bright future is cut short when a tragedy strikes and takes his dreams with it. After his high-school classmate Tess (Amanda Crew) returns home unexpectedly, Charlie grows torn between honoring a promise he made four years earlier and moving forward with newfound love.

The generation-defining Broadway phenomenon becomes a soaring cinematic event as Ben Platt reprises his role as a high schooler aching for belonging in the social-media age.

Christine Brown (Alison Lohman) is an ambitious L.A. loan officer with a charming boyfriend, professor Clay Dalton (Justin Long). Life is good until the mysterious Mrs. Ganush (Lorna Raver) arrives at the bank to beg for an extension on her home loan. Should Christine follow her instincts and give the old woman a break? Or should she deny the extension to impress her boss, Mr. Jacks (David Paymer), and get a leg-up on a promotion? Christine fatefully chooses the latter, shaming Mrs. Ganush and dispossessing her of her home.

In retaliation, the old woman places the powerful curse of the Lamia on Christine, transforming her life into a living hell. Haunted by an evil spirit and misunderstood by a skeptical boyfriend, she seeks the aid of seer Rham Jas (Dileep Rao) to save her soul from eternal damnation. To help the shattered Christine return her life to normal, the psychic sets her on a frantic course to reverse the spell. As evil forces close in, Christine must face the unthinkable: how far will she go to break free of the curse?

The docu-drama "First Descent" chronicles the rebellious, inspiring and sometimes controversial rise of snowboarding--as seen through the eyes of the snowboarders setting the standards and breaking the boundaries of this worldwide phenomenon.

"First Descent" spotlights a handful of snowboarding's early pioneers (including Shawn Farmer, Nick Perata and Terje Haakonsen) and some of the ultra-sponsored superstar phenoms at snowboarding's current cutting edge (Shaun White and Hannah Teter) and literally takes them to the edge--the snow blanketed mountains of Alaska—where these five icons face some of the most challenging and hard-core natural terrain on the planet. The five come for different reasons—Perata and Farmer to see if they still have what it takes, Haakonsen to add another credit to his Big Mountain resume, and White and Teter to undertake their first Big Mountain ride ever—and yet all seek to challenge themselves to accomplish the best snowboarding feat of their lives down peaks of powder no rider has ever descended.

Leading up to their first descent, the crew of five share their stories, comparing viewpoints, individual lifestyles, and unedited opinions on the evolution of snowboarding that began as a delinquent child of skiing and now stands as an international cultural movement that has permanently changed the face of winter sports.

Intercutting footage from the snowboarding revolution of the '80s and '90s, real-life accounts from both notorious and famed riders, and dramatic, newly-filmed scenes from the biggest winter contests and experiences these riders undergo on their way to and in Alaska, "First Descent" creates a fast-paced portrait of a snowsport that has quickly evolved from a fringe hobby to a full-fledged global event.

After an ancient truce existing between humankind and the invisible realm of the fantastic is broken, hell on Earth is ready to erupt. A ruthless leader who treads the world above and the one below defies his bloodline and awakens an unstoppable army of creatures. Now, it's up to the planet's toughest, roughest superhero to battle the merciless dictator and his marauders. He may be red. He may be horned. He may be misunderstood. But when you need the job done right, it's time to call in Hellboy (Ron Perlman).

Along with his expanding team in the Bureau for Paranormal Research and Defense—pyrokinetic girlfriend Liz (Selma Blair), aquatic empath Abe (Doug Jones) and protoplasmic mystic Johann—the BPRD will travel between the surface strata and the unseen magical one, where creatures of fantasy become corporeal. And Hellboy, a creature of two worlds who's accepted by neither, must choose between the life he knows and an unknown destiny that beckons him.

Emilia Clarke (HBO's Game of Thrones), Henry Golding (A Simple Favor, Crazy Rich Asians) and Emma Thompson star for director Paul Feig (A Simple Favor, Spy, Bridesmaids) in Last Christmas, a romantic comedy inspired by a George Michael beat and written by Academy Award® winner Thompson (Sense and Sensibility, Bridget Jones's Baby) and playwright Bryony Kimmings. Kate (Clarke) harumphs around London, a bundle of bad decisions accompanied by the jangle of bells on her shoes, another irritating consequence from her job as an elf in a year-round Christmas shop. Tom (Golding) seems too good to be true when he walks into her life and starts to see through so many of Kate's barriers. As London transforms into the most wonderful time of the year, nothing should work for these two. But sometimes, you gotta let the snow fall where it may, you gotta listen to your heart ... and you gotta have faith.

Regina Hall and Marsai Martin both star as Jordan Sanders - Hall as the take-no-prisoners tech mogul adult version of Jordan and Martin as the 13-year-old version of her who wakes up in her adult self's penthouse just before a do-or-die presentation.

Issa Rae plays Jordan's long-suffering assistant April, the only one in on the secret that her daily tormentor is now trapped in an awkward tween body just as everything is on the line.

Two-time Tony Award winners Nathan Lane and Matthew Broderick return to their celebrated roles as Max Bialystock and Leo Bloom, a scheming theatrical producer and his mousy CPA who hit upon the perfect plan to embezzle a fortune: raise far more money than you need to produce a sure-fire Broadway flop and then (since no one will expect anything back), Max and Leo can pocket the difference. To do this, they need the ultimate bad play, which they find in the musical "Springtime for Hitler". Their plans come to naught and the duo are taken completely by surprise when their new production is hailed as a toast-of-the-town hit. Uma Thurman stars as Ulla, the Swedish secretary/slash/receptionist and would-be showgirl, and Will Ferrell brings his spot-on comic talents to the role of Franz Liebkind, the neo-Nazi playwright (and pigeon fancier) responsible for penning the "worst play ever written."

The Turning takes us to a mysterious estate in the Maine countryside, where newly appointed nanny Kate is charged with the care of two disturbed orphans, Flora and Miles. Quickly, she discovers that both the children and the house are harboring dark secrets and things may not be as they appear.

Set in the late 19th century, monster hunter Dr. Gabriel Van Helsing (Jackman) is summoned to a mysterious land in East Europe to vanquish evil forces... like Count Dracula (Richard Roxburgh), the Wolf Man (Will Kemp), and Frankenstein's Monster (Shuler Hensley). Assisting him once he gets there is Anna (Kate Beckinsale), the heir of a long-running family committed to hunting down and destroying Dracula.

Sixteen-year-old Poppy (Emma Roberts) is a self-obsessed, incorrigible brat who lives a pampered life in her L.A. world. Though she's handed credit cards with unlimited balances and surrounded by countless hangers on, Poppy can't escape the mounting frustration she feels with her family situation. And she makes sure that everyone knows it.

After an over-the-top prank pushes her father (Aidan Quinn) one step too far, Poppy is shipped off to an English boarding school. Finding herself in a foreign world of early curfews, stern matrons and mandatory lacrosse, the American princess has finally met her match: a school of British girls who won't tolerate her spoiled ways.

Under the watchful eye of the school's headmistress (Natasha Richardson) and surrounded by a new circle of friends, Poppy begrudgingly realizes her bad-girl behavior will only get her so far. But just because she must grow into a fine young lady doesn't mean this "Wild Child" won't be spending every waking hour shaking up a very proper system...