Movies Released November 9, 2018

Set during WWII, two paratroopers are caught behind enemy lines after their plane crashes on a mission to destroy a German Radio Tower in a small town outside of Normandy during the D-Day invasion. After reaching their target, the two paratroopers come to realize that besides fighting off Nazi soldiers, they also must combat against supernatural forces that are a result of a secret Nazi experiment.

Buenos Aires, 1971. Carlitos (Lorenzo Ferro) is a seventeen-year-old with movie star swagger, blond curls and a baby face. When he meets the handsome Ramon (Chino Darin) at his new school, Carlitos is immediately drawn to him and instigates a fight. A relationship soon develops with the two embarking on a crime spree fueled by jealousy and unspoken desires. As their relationship grows more combustible, their crimes become more violent and deadly, until Carlitos is finally apprehended at the age of 20. Because of his cherubic appearance, the press dubs Carlitos “The Angel of Death.”

Follows respected Judge Charles Coleman (Taye Diggs), who has devoted his life to law enforcement. When his son is shot in a traffic stop gone awry, Coleman turns to his long-time friend, Detective Horace (John Cusack), and discovers an unchecked pattern of violence with these same cops. Betrayed by the system he swore to uphold, Coleman joins forces with another bereaved father (George Lopez), and the two men take the law into their own hands.

Vivienne (Sarah Jessica Parker), is an established singer/songwriter with a successful music career. On the eve of a major performance, Vivienne receives some life-altering news that causes her to reevaluate her priorities. As she crisscrosses the busy streets of New York City, she tries to balance her upcoming music tour, family, and friends. With the support of her overbearing mother, Jeanne (Jacqueline Bisset), her long-time manager, Ben (Common), and her ex-husband, Nick (Simon Baker), Vivienne strives to make peace with the decisions and sacrifices she’s made along the way.

Essex boy Jim (British rising star Harris Dickinson) who, having traveled from the suburbs, finds himself in Soho searching for fame, fortune and cultural stimulation. Down on his luck, he meets with a gang of unusual high class male escorts – The Raconteurs – who specialize in post-coital conversation. What follows is Jim’s comic descent from unsuccessful escort, to artist’s muse and art authenticator – a journey complicated by a rare psychosomatic condition called ‘Stendhal Syndrome’. Rendering him painfully oversensitive to art, the condition threatens to bring about his downfall whilst opening him up to new opportunities – but is Jim willing to grab them?

While many of his peers were still playing with toy cars, Flynn McGarry was creating remarkable gastronomic delights at his home in Studio City, California. Enjoying unwavering support from his mother Meg, an artist who documented every step of his distinctive journey, he devoted himself entirely to his creative passion. Flynn loved to prepare elaborate dinners for friends and family and soon became known as the “Teen Chef,” establishing his own supper club at age 12 and being featured in a New York Times Magazine cover story at age 15. Before he was 16, he had staged in top restaurants in Los Angeles, New York, and Europe. But critics soon emerged who challenged Flynn’s rapid ascent in the culinary world, threatening to distract him from his dream.

If you could turn back time…could you win back the love of your life? That’s the problem puzzling Stillman (Asa Butterfield), a physics genius recently dumped by his stunning girlfriend Debbie (Sophie Turner). So after creating a timeline of their romance and a machine to rewind the past, he grabs his wingman, Evan (Skyler Gisondo), and sets off to right every wrong he made with Debbie.

A drama which revolves around two couples in suburban Dublin. On paper, they both appear to live in marital bliss, until an altercation occurs and cracks begin to appear in both of these seemingly steady marriages. The film is an examination of love, lust and family relationships, and asks the question: "how well do any of us really know each other?