Browse Movies : Released : R : Remake

Daniel Bloch (Gere) is shocked to discover a startling secret from his past and is immediately consumed by the extraordinary twists of a new life he never could have imagined. With each new encounter, Daniel uncovers a deeper layer of this fascinating mystery until he arrives at a crossroad in his own life.

A contemporary re-imagining of the 1988 horror classic, Child's Play follows Karen (Aubrey Plaza), a single mother who gifts her son Andy (Gabriel Bateman) a Buddi doll, unaware of its more sinister nature.

After their car breaks down in an eerie small town, a young couple (Madelaine Petsch and Froy Gutierrez) are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive in THE STRANGERS ― CHAPTER 1, the chilling first entry of this upcoming horror feature film series.

In the much anticipated remake of the 1981 cult-hit horror film, five twenty-something friends become holed up in a remote cabin. When they discover a Book of the Dead, they unwittingly summon up dormant demons living in the nearby woods, which possess the youngsters in succession until only one is left intact to fight for survival.

Aspiring club promoters and best buds Damon (Tosin Cole) and Kevin (Jacob Latimore) are barely keeping things together. Out of money, down on their luck and about to lose the roofs over their heads—and freshly fired from their low-lift jobs as house cleaners—the pair needs a huge windfall to make their problems go away.

In a ‘what the hell?’ move, they decide to host the party of the year at an exclusive mansion, the site of their last cleaning job, which just happens to belong to none other than LeBron James. No permission? No problem. What could go wrong?

This tense and gripping neo-noir thriller walks the fine line between reality and deception. Stuck in a marriage to a rich Hollywood producer (Jay Pharoah, “SNL”), struggling actress Kathryn (Ashley Benson, “Pretty Little Liars”) finds herself attracted to Ben, her new gardener. Then, she meets Ed, the eccentric millionaire who’s just moved in next door, and a BBQ turns into a drunken party. Kathryn awakens to discover that Ben and Ed have been hiding secrets, and that her home — and life — may now be in grave danger.

Fear the date – 6/6/06 – when "The Omen 666" opens in theaters nationwide. A remake of the 1976 horror classic, the new film takes the tale of the coming of the "Antichrist" – personified as a young boy named Damien – to an even more thrilling and visceral level.

An undercover police unit consisting of young looking officers infiltrate high schools to control youth crime.

Senior Charlie Brewster (Anton Yelchin) finally has it all going on: he’s running with the popular crowd and dating the most coveted girl in his high school. In fact, he’s so cool he’s even dissing his best friend. But trouble arrives when Jerry (Colin Farrell) moves in next door. He seems like a great guy at first, but there’s something not quite right—but everyone, including Charlie’s mom (Toni Collette), doesn’t notice. After observing some very strange activity, Charlie comes to an unmistakable conclusion: Jerry is a vampire preying on the neighborhood. Unable to convince anyone, Charlie has to find a way to get rid of the monster himself.

Two desperate brothers attempt a robbery in order to pay for their dying mother's health care. The job goes south and during their escape, they steal an ambulance. But things only get worse when they discover it's occupied by a dying heart patient.

A 12-year-old boy, who is bullied in school, befriends a young female neighbor who moves to town and turns out to be a vampire.

Television reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew's videotape.

From 20th Century Studios,’ the all-new comedy White Men Can’t Jump is a modern remix of the iconic 1992 film that celebrates the streetball hustling culture of Los Angeles. Multi-platinum rap superstar Jack Harlow makes his movie debut as Jeremy, a former star of the game whose injuries stalled his career, and Sinqua Walls stars as Kamal, once a promising player who derailed his own future in the sport. Juggling tenuous relationships, financial pressures and serious internal struggles, the two ballers—opposites who are seemingly miles apart—find they might have more in common than they imagined possible.

Lily (Susan Sarandon) and Paul (Sam Neill) summon their loved ones to their beach house for one final gathering after Lily decides to end her long battle with ALS on her own terms. The couple is planning a loving weekend complete with holiday traditions, but the mood becomes strained when unresolved issues surface between Lily and her daughters Jennifer (Kate Winslet) and Anna (Mia Wasikowska). Joining the collective farewell are Lily’s son in law (Rainn Wilson), her lifelong friend (Lindsay Duncan), daughter’s partner (Bex Taylor-Klaus) and grandson (Anson Boon). Her story is ultimately one of hope, love and a celebration of life.

Terminal Island, New York: 2020. Overcrowding in the U.S. penal system has reached a breaking point. Prisons have been turned over to a monolithic Weyland Corporation, which sees jails full of thugs as an opportunity for televised sport. Adrenalized inmates, a global audience hungry for violence and a spectacular, enclosed arena come together to form the ''Death Race'', the world's biggest, most brutal sporting event. Five-time NASCAR champion Jensen Ames is a man who has become an expert at survival. After eight years of hard time, he has only six weeks before reuniting with his family. But when Weyland demands a driver to headline the big game, Ames is forced to submit. Donning the costume of mythical rider Frankenstein, the racer becomes an instant crowd favorite, an unequaled sporting superstar. His face hidden by a metallic black mask, one convict will be put through a brutal three day challenge, with the trophy being the ultimate prize: freedom. The only catch is that he must survive a gauntlet of the most vicious criminals in this post-industrial wasteland to claim it. Driving a monster car outfitted with machine guns, flamethrowers and grenade launchers, Ames must now kill or be killed to win the most treacherous spectator sport on Earth: ''Death Race''.

MASON POLLARD is a U.S. Marshal working in its high-stakes, highly classified witness protection program. RINA KIMURA is the wife of an international crime syndicate boss, who’s agreed to testify against her husband in a desperate move to escape his criminal world. When there’s an attempt on Rina’s life, Pollard is brought in as a next level, last resort to “erase” her—fake her death and move her off the grid, deep into hiding across the world in Cape Town, South Africa. Pollard isn’t sure he can trust Rina, Rina isn’t sure that life in a government program is much better than life as a mob wife. In fact, she has a secret plan to carve out a whole new future for herself. Pollard must now keep himself and Rina alive against all odds. They must work together—and trust each other—to save themselves and stop an even larger criminal plot from unfolding.

For more than a decade, parents Andy (Zac Efron) and Vicky (Sydney Lemmon) have been on the run, desperate to hide their daughter Charlie (Ryan Kiera Armstrong) from a shadowy federal agency that wants to harness her unprecedented gift for creating fire into a weapon of mass destruction.

Andy has taught Charlie how to defuse her power, which is triggered by anger or pain. But as Charlie turns 11, the fire becomes harder and harder to control. After an incident reveals the family’s location, a mysterious operative (Michael Greyeyes) is deployed to hunt down the family and seize Charlie once and for all. Charlie has other plans.

Three brothers on the run from the law head for home, only to discover that their mother lost the house in a foreclosure. Mother ingeniously orchestrates her sons' escape, teaching the house's new owners and their guests a few lessons along the way.

Arthur Bishop (Jason Statham) is a well-paid assassin who executes people at the request of the American government. But after assassinating a former close associate, Bishop does something that's unprofessional and out of control: he takes on a apprentice (Ben Foster), the son of the man he just killed.

Chris Farraday (Mark Wahlberg) long ago abandoned his life of crime, but after his brother-in-law, Andy (Caleb Landry Jones), botches a drug deal for his ruthless boss, Tim Briggs (Giovanni Ribisi), Chris is forced back into doing what he does best— running contraband—to settle Andy’s debt. Chris is a legendary smuggler and quickly assembles a crew with the help of his best friend, Sebastian (Ben Foster), for one final run to Panama and back, hoping to return with millions in counterfeit bills. Things quickly fall apart and with only hours to reach the cash, Chris must use his rusty skills to successfully navigate a treacherous criminal network of brutal drug lords, cops and hit men before his wife, Kate (Kate Beckinsale), and sons become their target.