Browse Movies : R : Remake (Page #3)

Depicts the gruesome and varied ways people and animals can die via explicit footage.

Searching for his missing sister, Clay heads up to the eerie woods of legendary Crystal Lake where he stumbles on the creaky remains of rotting old cabins that lie in wait behind moss-covered trees. And that's not the only thing hiding under the brush. Against the advice of police and cautions from the locals, Clay pursues what few leads he has with the help of a young woman he meets among a group of college kids up for an all-thrills weekend. But they are about to find much more than they bargained for. Little do they know, they've entered the domain of one of the most terrifying specters in American film history - the infamous killer who haunts Crystal Lake armed with a razor-sharp machete...Jason Voorhees.

After the death of his wealthy father, Noah seeks his outcast brother to make amends and share the family fortune. But the family harbors a dark secret and a series of cryptic clues will lead Noah on a terrifying trail to the truth that threatens to tear him apart from the ones he loves the most.

From acclaimed director Alexandre Aja ("The Hills Have Eyes") comes the new action thriller "Piranha 3D", in the latest eye-popping 3D technology. A new type of terror is about to be cut loose on beautiful Lake Victoria. After a sudden underwater tremor sets free scores of the prehistoric man-eating fish, an unlikely group of strangers must band together to stop themselves from becoming fish food for the area's new razor-toothed residents. But our heroine (Elisabeth Shue) is seriously outnumbered, and with only one chance to save the lake and her family from totally being devoured, she must risk everything to destroy the aquatic carnivores herself.

Imagine our wireless technologies made a connection to a world beyond our own. Imagine that world used that technology as a doorway into ours. Now, imagine the connection we made can't be shut down. When you turn on your cell phone or log on to your e-mail, they'll get in, you¹ll be infected and they¹ll be able to take from you what they don¹t have anymore - life.

Television reporter Angela Vidal (Jennifer Carpenter) and her cameraman (Steve Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew's videotape.

Two movie producers who owe money to the mob set up their aging movie star for an insurance scam to try and save themselves. But they wind up getting more than they ever imagined.

A new take on Wes Craven's 1977 film of the same name, "The Hills Have Eyes" is the story of a family road trip that goes terrifyingly awry when the travelers become stranded in a government atomic zone. Miles from nowhere, the Carters soon realize the seemingly uninhabited wasteland is actually the breeding ground of a blood-thirsty mutant family...and they are the prey.

Masters of horror Wes Craven and Sean Cunningham revisit their landmark film that launched Craven's directing career and influenced decades of horror films to follow: "The Last House on the Left". Bringing one of the most notorious thrillers of all time to a new generation, they produce the story that explores how far two ordinary people will go to exact revenge on the sociopaths who harmed their child.

The night she arrives at the remote Collingwood lakehouse, Mari (Sara Paxton) and her friend are kidnapped by a prison escapee and his crew. Terrified and left for dead, Mari's only hope is to make it back to parents John and Emma (Tony Goldwyn and Monica Potter). Unfortunately, her attackers unknowingly seek shelter at the one place she could be safe. And when her family learns the horrifying story, they will make three strangers curse the day they came to "The Last House on the Left".

Inspired by the classic Universal film that launched a legacy of horror, "The Wolfman" brings the myth of a cursed man back to its iconic origins. Oscar® winner Benicio Del Toro stars as Lawrence Talbot, a haunted nobleman lured back to his family estate after his brother vanishes. Reunited with his estranged father (Oscar® winner Anthony Hopkins), Talbot sets out to find his brother...and discovers a horrifying destiny for himself.

Lawrence Talbot's childhood ended the night his mother died. After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget. But when his brother's fiancée, Gwen Conliffe (Emily Blunt), tracks him down to help find her missing love, Talbot returns home to join the search. He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector named Aberline (Hugo Weaving) has come to investigate.

As he pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full. Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature in the woods surrounding Blackmoor. But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself...one he never imagined existed.

Lily (Susan Sarandon) and Paul (Sam Neill) summon their loved ones to their beach house for one final gathering after Lily decides to end her long battle with ALS on her own terms. The couple is planning a loving weekend complete with holiday traditions, but the mood becomes strained when unresolved issues surface between Lily and her daughters Jennifer (Kate Winslet) and Anna (Mia Wasikowska). Joining the collective farewell are Lily’s son in law (Rainn Wilson), her lifelong friend (Lindsay Duncan), daughter’s partner (Bex Taylor-Klaus) and grandson (Anson Boon). Her story is ultimately one of hope, love and a celebration of life.

In Downhill, barely escaping an avalanche during a ski vacation in the Alps throws a seemingly picture-perfect family into disarray as they are forced to reevaluate life, and how they truly feel about each other.

A road trip to the biggest college football championship of the year takes a turn for the worse for Carly, Paige and their friends, when they decide to camp out for the night before heading to the game. A confrontation with a mysterious trucker at the camp site leaves everyone unsettled, and Carly has her hands full trying to keep the peace between her boyfriend Wade and her hot-headed brother Nick. They wake up the next morning to find that their car might have been tampered with, preventing their departure. At the risk of being stranded, they accept a local's invitation for a ride into Ambrose, the only town for miles. Once there, they are drawn to Ambrose's main attraction--Trudy's House of Wax, which is filled with remarkably life-like wax sculptures. But as they soon discover, there is a shocking reason the exhibits look so real. As the friends uncover the town's dark secrets, they are stalked by a mysterious killer and find themselves in a bloody battle for survival. The group must find a way out of Ambrose—or become permanent additions to the "House of Wax".

Richard Cooper has it all. His wife, Brenda, is beautiful, intelligent and a fantastic mother to his children--but there's just one little problem: he's bored out of his suburban businessman's mind. Richard can't help but fantasize about having nearly every woman he sees. Still, it's only fantasy. Then, one fateful day, an alluring, free-spirited, not to mention stunning, old friend, Nikki, suddenly appears at his office door, putting him to the ultimate test. Just how much is Richard Cooper willing to risk when temptation comes after him? After all, he really does love his wife--at least he thinks he does.

In the first year of the German occupation of France, Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as “the basterds,” Raine's squad joins German actress and undercover agent Bridget von Hammersmark (Diane Kruger) on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own....

David Dutton (Timothy Olyphant) is sheriff of Ogden Marsh, a picture-perfect American town with happy, law-abiding citizens. But one night, one of them comes to a school baseball game with a loaded shotgun, ready to kill. Another man burns down his own house…after locking his wife and young son in a closet inside. Within days, the town has transformed into a sickening asylum; people who days ago lived quiet, unremarkable lives have now become depraved, blood-thirsty killers, hiding in the darkness with guns and knives. Sheriff Dutton tries to make sense of what’s happening as the horrific, nonsensical violence escalates. Something is infecting the citizens of Ogden Marsh…with insanity.

Now complete anarchy reigns as one by one the townsfolk succumb to an unknown toxin and turn sadistically violent. In an effort to keep the madness contained, the government uses deadly force to close off all access and won’t let anyone in or out – even those uninfected. The few still sane find themselves trapped: Sheriff Dutton; his pregnant wife, Judy (Radha Mitchell); Becca (Danielle Panabaker), an assistant at the medical center; and Russell (Joe Anderson), Dutton’s deputy and right-hand man. Forced to band together, an ordinary night becomes a horrifying struggle for survival as they do their best to get out of town alive.

"The Departed" is set in South Boston, where the state police force is waging war on organized crime. Young undercover cop Billy Costigan (Leonardo DiCaprio) is assigned to infiltrate the mob syndicate run by gangland chief Costello (Jack Nicholson). While Billy is quickly gaining Costello's confidence, Colin Sullivan (Matt Damon), a hardened young criminal who has infiltrated the police department as an informer for the syndicate, is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operations he has penetrated. But when it becomes clear to both the gangsters and the police that there's a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy—and each must race to uncover the identity of the other man in time to save himself.

The Lodger follows a grizzled detective Chandler Manning (Alfred Molina) on the trail of a ruthless killer intent on slaughtering prostitutes along West Hollywood's Sunset Strip. Meanwhile, a mysterious stranger called Malcolm Slaight (Simon Baker) rents a guesthouse from Joe (Donal Logue) and Ellen Bunting (Hope Davis), a married couple struggling to preserve their fragile union after their plans to start a family have ended in tragedy.

Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men.

To survive the night, cops and criminals alike will have to unite and fight. A classic head-to-head showdown ignites in an all-new update of the 1976 action thriller of the same name. With only a few hours left in the calendar year, Precinct 13, one of Detroit's oldest precinct houses, is closing. Amid heavy snowfall and unsafe road conditions, only a few lawmen remain on duty for New Year's Eve. They are headed by Sergeant Jake Roenick (Ethan Hawke), a good cop wrestling with bad memories of a fatal undercover op from the previous spring. Roenick and Precinct 13 have both seen better days. Early on December 31st, deep in the city, formidable crime lord Marion Bishop (Laurence Fishburne), is cornered by an undercover cop. Their ensuing struggle leaves the cop dead - and Bishop captured, by the Organized Crime and Racketeering squad that Marcus Duvall (Gabriel Byrne) runs. Bishop is handcuffed and herded onto a prison bus with several criminals: junkie Beck (John Leguizamo), hustler Smiley (Ja Rule), and gang member Anna (Aisha Hinds). But the battering snowstorm stops the bus well short of its high-security destination and strands it at the remote Precinct 13 - where, as night falls, the prisoners are temporarily incarcerated. This influx of prisoners irks Roenick, almost as much as visiting police psychologist Alex Sabian (Maria Bello) does. But Precinct 13's provocative secretary Iris Ferri (Drea de Matteo) and salty veteran cop Jasper "Old School" O'Shea (Brian Dennehy) won't let the increasing workload deter them from celebrating...until two masked gunmen break in and attack the guards from the bus. The gunmen are just barely beaten back, and everyone inside Precinct 13 realizes that more will come - to extract crime lord Bishop, but also armed and ready to shoot anyone and everyone else. The cops, looking to the reluctant Roenick for leadership, and the cons, looking to the steely Bishop for an angle, must join forces to live. Fortifying themselves with minimal weaponry and maximum courage, they will not go gently into the bad night. As they fight to the death, the thin lines between good and bad bleed together.