Browse Movies : Universal Pictures (Page #4)

Guillermo del Toro presents MAMA, a supernatural thriller that tells the haunting tale of two little girls who disappeared into the woods the day that their parents were killed. When they are rescued years later and begin a new life, they find that someone or something still wants to come tuck them in at night. Five years ago, sisters Victoria and Lilly vanished from their suburban neighborhood without a trace. Since then, their Uncle Lucas (Nikolaj Coster-Waldau) and his girlfriend, Annabel (Jessica Chastain), have been madly searching for them. But when, incredibly, the kids are found alive in a decrepit cabin, the couple wonders if the girls are the only guests they have welcomed into their home. As Annabel tries to introduce the children to a normal life, she grows convinced of an evil presence in their house. Are the sisters experiencing traumatic stress, or is a ghost coming to visit them? How did the broken girls survive those years all alone? As she answers these disturbing questions, the new mother will find that the whispers she hears at bedtime are coming from the lips of a deadly presence.

Set in a futuristic Los Angeles, a man, who possesses a power that could lead to the destruction of the current regime, runs for his life as they will stop at nothing to destroy him.

An honest but provocative fictional examination of a critical month in the life of a young man named Jimmy (Eminem) as he searches for identity and a sense of purpose. Against the familiar backdrop of indifference and community decay, he learns to express his anger, fears and frustration as he struggles to transcend his bleak circumstances.

When Annie (Kristen Wiig), a simple Midwestern girl is asked to be her best friend Lillian's (Maya Rudolph) maid of honor, she struggles to please the snobby, rich bridesmaids at every pre-wedding event.

Benedict Cumberbatch lends his voice to the infamous Grinch, who lives a solitary life inside a cave on Mt. Crumpet with only his loyal dog, Max, for company. With a cave rigged with inventions and contraptions for his day-to-day needs, the Grinch only sees his neighbors in Who-ville when he runs out of food.

Each year at Christmas they disrupt his tranquil solitude with their increasingly bigger, brighter and louder celebrations. When the Whos declare they are going to make Christmas three times bigger this year, the Grinch realizes there is only one way for him to gain some peace and quiet: he must steal Christmas. To do so, he decides he will pose as Santa Claus on Christmas Eve, even going so far as to trap a lackadaisical misfit reindeer to pull his sleigh.

Meanwhile, down in Who-ville, Cindy-Lou Who—a young girl overflowing with holiday cheer—plots with her gang of friends to trap Santa Claus as he makes his Christmas Eve rounds so that she can thank him for help for her overworked single mother. As Christmas approaches, however, her good-natured scheme threatens to collide with the Grinch’s more nefarious one. Will Cindy-Lou achieve her goal of finally meeting Santa Claus? Will the Grinch succeed in silencing the Whos’ holiday cheer once and for all?

Toby Burns (Logan Miller), a millennial coldly floating through life and disconnected from his family. After his father is tragically killed in a carjacking, Toby is left stricken with guilt. He is begrudgingly enrolled in a “Lost and Found” program, in which he will spend three days and three nights on a remote jungle island. Toby soon finds that this “uninhabited” island is not so lonely when he meets a mysterious girl named Madeleine (Kristine Froseth). It soon becomes clear that neither of them are safe here and time is running out. Someone or SOMETHING bloodthirsty lurks in the jungle, and Toby must find a way off this island before becoming its PREY...

At the end of WWII, three refugees from East Prussia believe their way to safety is on the ship the Wilhelm Gustloff. Just when freedom seems in their grasp, tragedy strikes: the sinking of that ship ias one of the worst maritime disasters that ever occurred.

A biopic of Snoop Dogg - a bonafide rapper, singer, songwriter, actor, producer, DJ, media personality and entrepreneur.

Melissa McCarthy headlines The Boss as a titan of industry who is sent to prison after she’s caught for insider trading. When she emerges ready to rebrand herself as America’s latest sweetheart, not everyone she screwed over is so quick to forgive and forget.

After years of marriage, Pete (Paul Rudd) lives in a house of all females: wife Debbie (Leslie Mann) and their two daughters, eight-year-old Charlotte (Iris Apatow) and 13-year-old Sadie (Maude Apatow). As he struggles to keep his record label afloat, he and Debbie must figure out how to forgive, forget and enjoy the rest of their lives…before they kill each other. In his fourth directorial outing, Apatow’s new comedy captures what it takes for one family to flourish in the middle of a lifetime together. What emerges is a deeply honest portrait of the challenges and rewards of marriage and parenthood in the modern age. Through the filmmaker’s unblinking lens, we follow one couple’s three-week navigation of sex and romance, career triumphs and financial hardships, aging parents and maturing children.

When teenage Yi (Chloe Bennet, Marvel’s Agents of S.H.I.E.L.D.) encounters a young Yeti on the roof of her apartment building in Shanghai, she and her mischievous friends, Jin (Tenzing Norgay Trainor) and Peng (Albert Tsai), name him “Everest” and embark on an epic quest to reunite the magical creature with his family at the highest point on Earth. But the trio of friends will have to stay one-step ahead of Burnish (Eddie Izzard), a wealthy man intent on capturing a Yeti, and zoologist Dr. Zara (Sarah Paulson) to help Everest get home.

Follows Barry Seal, a TWA pilot recruited by the CIA to provide reconnaissance on the burgeoning communist threat in Central America. Seal finds himself in charge of one of the biggest covert CIA operations in the history of the U.S., one that spawned the birth of the Medellin cartel and eventually almost brought down the Reagan White House through the Iran Contra scandal.

For more than a decade, parents Andy (Zac Efron) and Vicky (Sydney Lemmon) have been on the run, desperate to hide their daughter Charlie (Ryan Kiera Armstrong) from a shadowy federal agency that wants to harness her unprecedented gift for creating fire into a weapon of mass destruction.

Andy has taught Charlie how to defuse her power, which is triggered by anger or pain. But as Charlie turns 11, the fire becomes harder and harder to control. After an incident reveals the family’s location, a mysterious operative (Michael Greyeyes) is deployed to hunt down the family and seize Charlie once and for all. Charlie has other plans.

Bruce Willis returns as David Dunn as does Samuel L. Jackson as Elijah Price, known also by his pseudonym Mr. Glass. Joining from Split are James McAvoy, reprising his role as Kevin Wendell Crumb and the multiple identities who reside within, and Anya Taylor-Joy as Casey Cooke, the only captive to survive an encounter with The Beast. Following the conclusion of Split, Glass finds Dunn pursuing Crumb’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Price emerges as an orchestrator who holds secrets critical to both men.

Minutes after Laurie Strode (Curtis), her daughter Karen (Judy Greer) and granddaughter Allyson (Andi Matichak) left masked monster Michael Myers caged and burning in Laurie’s basement, Laurie is rushed to the hospital with life-threatening injuries, believing she finally killed her lifelong tormentor.

But when Michael manages to free himself from Laurie’s trap, his ritual bloodbath resumes. As Laurie fights her pain and prepares to defend herself against him, she inspires all of Haddonfield to rise up against their unstoppable monster.

The Strode women join a group of other survivors of Michael’s first rampage who decide to take matters into their own hands, forming a vigilante mob that sets out to hunt Michael down, once and for all.

A wealthy man has created an island amusement park filled with dinosaurs cloned from fossilized DNA. When he invites experts to endorse it, nature takes over.

The infamous Riddick has been left for dead on a sun-scorched planet that appears to be lifeless. Soon, however, he finds himself fighting for survival against alien predators more lethal than any human he’s encountered. The only way off is for Riddick to activate an emergency beacon and alert mercenaries who rapidly descend to the planet in search of their bounty.

The first ship to arrive carries a new breed of merc, more lethal and violent, while the second is captained by a man whose pursuit of Riddick is more personal. With time running out and a storm on the horizon that no one could survive, his hunters won’t leave the planet without Riddick’s head as their trophy.

Never have there been five friends as infamous as The Bad Guys—dashing pickpocket Mr. Wolf, seen-it-all safecracker Mr. Snake, chill master-of-disguise Mr. Shark, short-fused “muscle” Mr. Piranha and sharp-tongued expert hacker Ms. Tarantula, aka “Webs.” But when, after years of countless heists and being the world’s most-wanted villains, the gang is finally caught, Mr. Wolf brokers a deal (that he has no intention of keeping) to save them all from prison: The Bad Guys will go good. Under the tutelage of their mentor Professor Marmalade, an arrogant (but adorable!) guinea pig, The Bad Guys set out to fool the world that they’ve been transformed. Along the way, though, Mr. Wolf begins to suspect that doing good for real may give him what he’s always secretly longed for: acceptance. So when a new villain threatens the city, can Mr. Wolf persuade the rest of the gang to become … The Good Guys?

Beginning where most romantic comedies end, the new film from director Nicholas Stoller, producer Judd Apatow (Knocked Up, The 40-Year-Old Virgin) and Rodney Rothman (Get Him to the Greek) looks at what happens when an engaged couple, Jason Segel and Emily Blunt, keeps getting tripped up on the long walk down the aisle.