Browse Movies : 2013 : Rating Not Available : Documentary

Generation Iron examines the professional sport of bodybuilding today and gives the audience front row access to the lives of the top seven bodybuilders (from around the world, including New York, Los Angeles, Japan, and Germany) in the sport as they train to compete in the world's most premiere bodybuilding stage - Mr. Olympia.

A shocking undercover investigation leads to a ban on animal circuses in Bolivia. But the circuses defy the law. The team behind the investigation returns, tracks down the illegal circuses and saves every animal. The confrontations, heartache and incredible risks the rescue team face are all captured before a joyous finale sees 25 lions airlifted to freedom in Colorado.

The film takes an unconventional journey with a true “comic’s comic”. Eddie Pepitone, a startling voice in the alt-comedy scene, has been battling on-stage for over 30 years. Now in his fifties, he is attempting to take his comedy to the next level. Throughout the film, we follow Eddie as he struggles to break through his cult status while dealing with self-doubt, sobriety and a challenging past.

Original animation, stand-up material and hilarious interviews with Patton Oswalt, Sarah Silverman, Marc Maron and others help us gain insight into this fascinating character. Above all, “The Bitter Buddha” is an unhinged portrait of creativity, enlightenment and rage.

The epic rivalry between half-pipe legends Kevin Pearce and Shaun White is documented in this exhilarating ride into the world of extreme snowboarding. With both practicing more and more breathtaking and dangerous tricks leading up to the Vancouver Winter Olympics, everything suddenly changes for Kevin when a horrific crash leaves him fighting for his life. When he recovers, all he wants to do is get on his snowboard again, even though medics and family fear it could kill him.

The high stakes crime, political movement, and trial that catapults the 26 year-old newly appointed philosophy professor at the University of California at Los Angeles into a seventies revolutionary political icon. Nearly forty years later, and for the first time, Angela Davis speaks frankly about the actions that branded her as a terrorist and simultaneously spurred a worldwide political movement for her freedom.

The injustice of solitary confinement and the transformative power of art are explored in Herman’s House, a documentary that follows the unlikely friendship between a New York artist and one of America’s most famous inmates as they collaborate on an acclaimed art project. In 1972, New Orleans native Herman Joshua Wallace was serving a 25-year sentence for bank robbery when he was accused of murdering an Angola Prison guard and thrown into solitary confinement. Then in 2001 Herman received a perspective-shifting letter from a Jackie Sumell, a young art student, who posed the provocative question: What kind of house does a man who has lived in a six-foot-by-nine-foot cell for over 30 years dream of?

When middle class consumers have to tighten their belts, the whole economy suffers as seen in the years before the Great Depression and as it stands today. The middle class represents 70% of spending and is the great stabilizer of our economy. No increase in spending by the rich can make up for it. This is the moment in history in which we find ourselves: unprecedented income divisions, a wildly fluctuating and unstable economy, and average Americans increasingly frustrated and disillusioned. The debate about income inequality has become part of the national discussion, and this is a good thing. Inequality for All connects the dots for viewers, showing why dealing with the widening gap between the right and everyone else isn’t just about moral fairness. The issues addressed are arguably the most pressing of our times. The film alternates between intimate, approachable sequences and intellectually rigorous arguments helping people with no economic background or education of what it means for the U.S. to be economically imbalanced, and walk away with a comprehensive and significantly deeper sense of the issues and what can be done about it.

For the first time in 35 years, Daniel Lutz recounts his version of the infamous Amityville haunting that terrified his family in 1975. George and Kathy Lutz's story went on to inspire a best-selling novel and the subsequent films have continued to fascinate audiences today. This documentary reveals the horror behind growing up as part of a world famous haunting and while Daniel's facts may be other's fiction, the psychological scars he carries are indisputable.

Out of the Clear Blue Sky tells the riveting, behind-the-scenes story of Cantor Fitzgerald. It’s a story of disaster without precedent. What do you when everything – and almost everyone – is gone?

On September 10, 2001, financial firm Cantor Fitzgerald was headquartered on the top 5 floors of the World Trade Center. With offices soaring 100 stories above downtown Manhattan, the Wall Street powerhouse was unknown to the public until tragedy struck. On September 11, 2001, 658 of their employees were missing – presumed dead – in the nation’s worst terrorist attacks. Overnight, Cantor became world famous for the worst of all possible reasons. One of the few who survived was their notorious CEO Howard Lutnick, who had been taking his son to his first day of kindergarten when the planes hit. On September 13th, Lutnick’s emotionally raw, tear-filled interviews transfixed the nation. His distraught television appearances struck a deep personal chord with millions of traumatized Americans reeling and shell-shocked by the unprecedented attacks. But, within a week, in a move that was to become very controversial, Lutnick stopped the paychecks of his missing employees. It was an act that has been praised by some – as a necessary decision to save the company to help the widows of his fallen friends — but severely lambasted by more — as a self-serving, heartless betrayal by a man well known for his ruthlessness. Lutnick’s prior reputation as cut-throat – even by Wall Street standards – preceded him.

The media turned on him and Lutnick went from sympathetic face-of-the-tragedy to vilified pariah over night. Then he completely withdrew from the public eye. Though Cantor suffered almost twice the casualties of the FDNY, their story soon disappeared.

Directed by a September 11th family member, “Out of the Clear Blue” tells twin stories – not only the saga of the ravaged business and surviving employees, but also an insider’s take on the unusual community of families that formed in the aftermath. Cantor’s loss was not only the largest loss by a single entity, it also created the largest single group of mourners, over 6000 people bound by their horrific common experience. This was tragedy writ large. People too young to die, all knowing each other, lost on one day. There wasn’t one memorial to attend; there were 10 a day for over two months, forcing people to choose whose funeral to go to. It wasn’t one dead per family; it was doubles or even triple losses in a family. This wasn’t a private loss; this was as public as could be, with television images played and re-played endlessly and inescapably. A true stranger-than-fiction account, from the jittery and stunned first days — a time unlike any other in American memory — then unfolding over months and years, the film captures what it’s like being caught in the crosshairs of history.

Follows three extraordinary restaurants and the incredible people who make them what they are. These stirring stories range from Alinea, recipient of three Michelin stars and the seventh-best restaurant in the world, whose chef must battle life-threatening cancer, to a 150 year-old family restaurant in Iowa with an unbreakable bond with its community, to a fledgling Mexican restaurant whose immigrant owners risk everything to provide a better life for their young daughter.

Admit it: you don’t really read the endless terms and conditions connected to every website you visit, phone call you make or app you download. But every day, billion-dollar corporations are learning more about your interests, your friends and family, your finances, and your secrets, and they’re not only selling the information to the highest bidder, but also sharing it with the government. And you agreed to all of it. This disquieting exposé demonstrates how every one of us is incrementally opting-in to a real-time surveillance state, click by click- and what, if anything, you can do about it.

Gloria Gaynor, Village People, Kool and the Gang, KC and the Sunshine Band and more appear in the documentary about the birth of disco in the ’70s and the part the music movement played in the liberation of gays, blacks and women.

A reality-based (documentary) comedy debunking aliens, psychics and all things paranormal. The film follows Blake Freeman, who takes a 69-year-old man named LeRoy on a cross-country journey in search of the truth. LeRoy has spent his life savings on trying to protect himself from aliens and paranormal ghosts by buying gimmicks and entrusting psychics. Upon discovering LeRoy’s plight, Blake Freeman, with LeRoy in tow, decides to put these beliefs and so-called "experts" to the test.

In 1968, a young college drop-out named George A. Romero directed Night of the Living Dead, a low budget horror film that shocked the world, became an icon of the counterculture, and spawned a zombie industry worth billions of dollars that continues to this day.

Birth of the Living Dead shows how Romero gathered an unlikely team of Pittsburghers -- policemen, iron workers, teachers, ad-men, housewives and a roller-rink owner -- to shoot a revolutionary guerrilla style film that went on to become a cinematic landmark, offering a profound insight into how our society worked in a singular time in American history.

In this definitive documentary, director Christopher Felver crafts an incisive, sharply wrought portrait that reveals Ferlinghetti's true role as catalyst for numerous literary careers and for the Beat movement itself. One-on-one interviews with Ferlinghetti, made over the course of a decade, touch upon a rich mélange of characters and events that began to unfold in postwar America. These events include the publication of Allen Ginsberg's Howl, William S. Burroughs' Naked Lunch, and Jack Kerouac's On the Road, as well as the divisive events of the Vietnam war, the sexual revolution, and this country's perilous march towards intellectual and political bankruptcy. Since its inception in 1953, Ferlinghetti's City Lights Bookstore quickly became an iconic literary institution that embodied social change and literary freedom. Continuing to thrive for over five decades, it is a cornerstone of America's modern literary and cultural history.

Deep in the Siberian wilderness, far away from civilization, 300 people inhabit the small village of Bakhta at the river Yenisei. There are only two ways to reach this outpost: by helicopter or boat. There‘s no telephone, running water or medical aid. The locals, whose daily routines have barely changed over the last centuries, live according to their own values and cultural traditions. With insightful commentary written and narrated by Werner Herzog, Happy People follows one of the Siberian trappers through all four seasons of the year to tell the story of a culture virtually untouched by modernity.

A shockingly candid examination of how a street dealer can rise to cartel lord with relative ease, How to Make Money Selling Drugs is an insider's guide to the violent but extremely lucrative drug industry. Told from the perspective of former drug dealers, and featuring interviews with rights advocates Russell Simmons, Susan Sarandon, and David Simon (creator of The Wire), the film gives you the lessons you need to start your own drug empire while exposing the corruption behind the "war on drugs."

Matt Berninger, lead singer of the rock band The National, invites his metalhead younger brother, Tom, to film their biggest tour yet.

A documentary about the exile of Futaba’s residents, the region housing the crippled Fukushima Daiichi nuclear power plant. Since the 1960s, Futaba had been promised prosperity with tax breaks and major subsidies to compensate for the presence of the power plant. The town’s people have now lost their homeland. Through their agonies and frustrations, the film questions the real cost of capitalism and nuclear energy.

The day after the magnitude 9.0 earthquake on March 11, 2011, Futaba locals heard the hydrogen explosion at Reactor Number 1 and were showered with nuclear fallout. In response, the Japanese government designated the whole town as an “exclusion zone” and 1,400 of the town’s residents fled to an abandoned high school 250 kilometers away. The entire community, including the Town Hall office, was moved into the four-story building, making the residents nuclear refugees.

The film portrays the evacuees as the nuclear disaster situation changes over time. One of them is Ichiro Nakai, a farmer who lost his wife, his home, and his rice fields in the massive tsunami. Doing his best to cope with the monotony of life at the evacuation center, he struggles to wipe away the haunting memories and start a new life with his son. The two finally get an official permit to enter the exclusion zone to visit their hometown. There, they see that their worst fears have become reality...

Throughout Richard Nixon’s presidency, three of his top White House aides obsessively documented their experiences with Super 8 home movie cameras. Young, idealistic and dedicated, they had no idea that a few years later they’d all be in prison. This unique and personal visual record, created by H.R. Haldeman, John Ehrlichman and Dwight Chapin, was seized by the FBI during the Watergate investigation, then filed away and forgotten for almost 40 years. OUR NIXON is an all-archival documentary presenting those home movies for the first time, along with other rare footage, creating an intimate and complex portrait of the Nixon presidency as never seen before.