Browse Movies : 2012 : Rating Not Available

A widowed lawyer (Gregory Peck) with two children (Mary Badham, Phillip Alford) defends an innocent black man accused of raping a white woman in 1930s Alabama.

Late Bloomers begins when Mary (Isabella Rossellini) and Adam (William Hurt), a high-functioning couple, realize that they have entered the senior category. Adam's reaction to this "discovery" is as frantic as his denial, and he desperately looks for a fountain of youth. Mary, on the other hand, decides to deal with the situation by doing what she does best: taking care of everyone.

While filming their audition video for a popular reality television show, best friends Nate and Samantha notice several active AMBER Alert signs. To their surprise, they recognize the car traveling in front of them as the vehicle described on the AMBER Alert. Sam and Nate decide to follow the car, but with police slow to respond, their pursuit quickly turns into a high-stakes game of cat and mouse with a murderous child rapist.

David (Underwood) and Kari (Leal) Ames seem to have the perfect life until their young daughter is kidnapped, and over the course of seven days they begin to uncover secrets about their past that threaten to rip their marriage and lives apart

Dave (O'Brien) is a high school senior who spends most of his time pining away over a girl he can’t have. Aubrey (Robertson), a junior with artistic aspirations, has a hot boyfriend who doesn’t quite understand her or seem to care. Dave and Aubrey meet one night at a party. A casual conversation sparks an instant connection, and, over the course of a weekend, things turn magical, romantic, complicated and funny as Aubrey and Dave discover what it's like to fall in love for the first time.

A group of ambitious filmmakers set out to create the world's first reality horror movie. Their plan was simple; they'd offer an active serial killer complete anonymity and a worldwide platform from which to display his work in exchange for genuine footage of his grisly crimes. What ensues is a hellish game of cat and mouse as a cryptic filmmaker, known only as The Maestro, comes out from hiding in search of his "perfect shot".

Based on the best-selling novel by Chantal Thomas, the film stars Lea Seydoux as one of Marie Antoinette's ladies-in-waiting, seemingly an innocent but quietly working her way into her mistress's special favors, until history tosses her fate onto a decidedly different path (in the final days before the full-scale outbreak of the Revolution).

In the remote Alaskan town of Barrow, two Iñupiaq teenagers get in over their heads when a sealhunting trip in the snow-packed landscape leads to a quarrel and a fatal accident.

David and Paige Ostroff (Hugh Laurie, Catherine Keener) and Terry and Cathy Walling (Oliver Platt, Allison Janney) are best friends and neighbors living on Orange Drive in suburban New Jersey. Their comfortable existence goes awry when prodigal daughter Nina Ostroff (Leighton Meester), newly broken up with her fiancé Ethan (Sam Rosen), returns home for Thanksgiving after a five-year absence. Rather than developing an interest in Toby Walling (Adam Brody), the successful son of her neighbors which would please both families, it’s her parents’ best friend David who captures Nina’s attention. When the connection between Nina and David becomes undeniable, everyone’s lives are thrown into upheaval, particularly Vanessa Walling’s (Alia Shawkat), Nina’s childhood best friend. It’s not long before the ramifications of the affair begin to work on all of the family members in unexpected and hilarious ways, leading everyone to reassess what it means to be happy and how sometimes what looks like a disaster, turns out to be the one thing we need the most.

An ex-army man, leading a double life in London, must choose between his wife and muse.

Join Keanu Reeves on a tour of the past and the future of filmmaking in Side by Side. Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.

A group of Lebanese women try to ease religious tensions between Christians and Muslims in their village.

Armando Alvarez (Will Ferrell) has lived and worked on his father's ranch in Mexico his entire life. As the ranch faces financial strains, Armando's younger brother Raul (Diego Luna) shows up with his new fiancee, Sonia (Genesis Rodriguez) and pledges to settle all his father's debts. It seems that Raul's success as an international businessman means the ranch's troubles are over, but when Armando falls for Sonia, and Raul's business dealings turn out to be less than legit, the Alvarez family finds themselves in a full-out war with Mexico's most feared drug lord, the mighty Onza (Gael Garcia Bernal).

Supermodel Sanjana (Karisma Kapoor) and Rohan, son of one of the nation's foremost business tycoons, are one of the most popular couples on the social circuit. When Rohan is kidnapped, Sanjana must rescue her love and expose his true captors.

The film follows a group of teens who struggle to survive their senior year of high school when a slasher-movie killer seemingly comes to life.

Set in the South two years before the Civil War, Django Unchained stars Jamie Foxx as Django, a slave whose brutal history with his former owners lands him face-to-face with German-born bounty hunter Dr. King Schultz (Christoph Waltz). Schultz is on the trail of the murderous Brittle brothers, and only Django can lead him to his bounty. The unorthodox Schultz acquires Django with a promise to free him upon the capture of the Brittles – dead or alive.

Success leads Schultz to free Django, though the two men choose not to go their separate ways. Instead, Schultz seeks out the South’s most wanted criminals with Django by his side. Honing vital hunting skills, Django remains focused on one goal: finding and rescuing Broomhilda (Kerry Washington), the wife he lost to the slave trade long ago.

Django and Schultz’s search ultimately leads them to Calvin Candie (Leonardo DiCaprio), the proprietor of “Candyland,” an infamous plantation. Exploring the compound under false pretenses, Django and Schultz arouse the suspicion of Stephen (Academy Award®-nominee Samuel L. Jackson), Candie’s trusted house slave. Their moves are marked, and a treacherous organization closes in on them. If Django and Schultz are to escape with Broomhilda, they must choose between independence and solidarity, between sacrifice and survival…

In 1968, two producers went to a downtown Detroit bar to see an unknown recording artist – a charismatic Mexican-American singer/songwriter named Rodriguez who had attracted a local following with his mysterious presence, soulful melodies and prophetic lyrics. They were immediately bewitched by the singer, and thought they had found a musical folk hero in the purest sense – an artist who reminded them of a Chicano Bob Dylan, perhaps even greater. They had worked with the likes of Marvin Gaye and Stevie Wonder, but they believed the album they subsequently produced with Rodriguez – Cold Fact – was the masterpiece of their producing careers.

Toiling silently amongst the residents of an everyday Barcelona apartment building, doorman Cesar (Luis Tosar) harbors a dark secret: His sole desire in life is to make others unhappy. When he sets his sights on Clara (Marta Clara), one of his building’s cheeriest residents, his sick need blossoms into a full-fledged obsession. Embarking on a series of private and physical violations against Clara, Cesar becomes determined to ruin her life by any means necessary. Becoming the boogeyman hiding under the bed and bringing her nightmares to life, his fascination with torment soon crosses the line into lunacy – and his thirst for others’ sadness soon becomes manically unquenchable.