Browse Movies : Documentary : O

Welcome to Wakaliwood, the Wakaliga village outside of Uganda's capital and birthplace of the over-the-top, no-budget action movies produced by maverick Ugandan filmmaker Isaac Nabwana. Dubbed Africa's Tarantino, Isaac has produced 40+ films, including Who Killed Captain Alex and Bad Black. His inspiration is equal parts 1980s American action movies and Shaw Brothers martial arts films, with a Ugandan twist. His films' budgets are in the range of $200, and his homegrown studio employs neighbors and friends working on as many as five productions at once. But the story continues… Fascinated by Isaac's movie trailers on YouTube, film nerd Alan Hofmanis gives up his life in NYC and moves to Uganda to work and live alongside Isaac. He not only becomes Isaacs producer, promoter and right-hand man, but also accidentally becomes a Ugandan action movie star. Alan’s marketing savvy brings a wave of international press attention from: Vice, BBC, Al Jazeera, The Wall Street Journal, and every other media outlet on the planet journey to Wakaliwood to cover this rising star. Wakaliwood then explodes into an international viral sensation. Once the dust settles, in one way or another, things will never be the same…

Documents the Russian rhythmic gymnast Margarita Mamun on her five-year journey to the Olympics.

Tells the true story of the meteoric rise, chaotic reign, and epic explosion of the legendary rock band Oasis.

French documentary titan Claire Simon observes the everyday operations of the gynecological ward in a public hospital in Paris. In the process, she questions what it means to live in a woman’s body, filming the diversity, singularity and beauty of patients in all stages of life. Through these many encounters, the specific fears, desires and struggles of these individuals become the health challenges we all face, even the filmmaker herself.

A 3D behind-the-scenes film showcasing London-based global music sensation One Direction.

Throughout Richard Nixon’s presidency, three of his top White House aides obsessively documented their experiences with Super 8 home movie cameras. Young, idealistic and dedicated, they had no idea that a few years later they’d all be in prison. This unique and personal visual record, created by H.R. Haldeman, John Ehrlichman and Dwight Chapin, was seized by the FBI during the Watergate investigation, then filed away and forgotten for almost 40 years. OUR NIXON is an all-archival documentary presenting those home movies for the first time, along with other rare footage, creating an intimate and complex portrait of the Nixon presidency as never seen before.

Out of the Clear Blue Sky tells the riveting, behind-the-scenes story of Cantor Fitzgerald. It’s a story of disaster without precedent. What do you when everything – and almost everyone – is gone?

On September 10, 2001, financial firm Cantor Fitzgerald was headquartered on the top 5 floors of the World Trade Center. With offices soaring 100 stories above downtown Manhattan, the Wall Street powerhouse was unknown to the public until tragedy struck. On September 11, 2001, 658 of their employees were missing – presumed dead – in the nation’s worst terrorist attacks. Overnight, Cantor became world famous for the worst of all possible reasons. One of the few who survived was their notorious CEO Howard Lutnick, who had been taking his son to his first day of kindergarten when the planes hit. On September 13th, Lutnick’s emotionally raw, tear-filled interviews transfixed the nation. His distraught television appearances struck a deep personal chord with millions of traumatized Americans reeling and shell-shocked by the unprecedented attacks. But, within a week, in a move that was to become very controversial, Lutnick stopped the paychecks of his missing employees. It was an act that has been praised by some – as a necessary decision to save the company to help the widows of his fallen friends — but severely lambasted by more — as a self-serving, heartless betrayal by a man well known for his ruthlessness. Lutnick’s prior reputation as cut-throat – even by Wall Street standards – preceded him.

The media turned on him and Lutnick went from sympathetic face-of-the-tragedy to vilified pariah over night. Then he completely withdrew from the public eye. Though Cantor suffered almost twice the casualties of the FDNY, their story soon disappeared.

Directed by a September 11th family member, “Out of the Clear Blue” tells twin stories – not only the saga of the ravaged business and surviving employees, but also an insider’s take on the unusual community of families that formed in the aftermath. Cantor’s loss was not only the largest loss by a single entity, it also created the largest single group of mourners, over 6000 people bound by their horrific common experience. This was tragedy writ large. People too young to die, all knowing each other, lost on one day. There wasn’t one memorial to attend; there were 10 a day for over two months, forcing people to choose whose funeral to go to. It wasn’t one dead per family; it was doubles or even triple losses in a family. This wasn’t a private loss; this was as public as could be, with television images played and re-played endlessly and inescapably. A true stranger-than-fiction account, from the jittery and stunned first days — a time unlike any other in American memory — then unfolding over months and years, the film captures what it’s like being caught in the crosshairs of history.

Beneath the surface of the sea, on the other side of the mirror, life's primitive harmony reaches down to unsullied depths. The film sets out to meet the creatures of the sea: those that are known and the many that still have to be discovered. It is a venture into the fullness of the sea to show how prodigiously it teems with life, and into the deepest ocean beds to meet living fossils that belong to world prehistory. Follows the whiplash turns of a shark, the speedy swimming of a swordfish and the gliding manta ray. Explores the dens of giant cod, spiny monkfish, orange roughy and the giant squid in their natural habitats.

After his Sundance award-winning documentary Return to Homs, Talal Derki returned to his homeland where he gained the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses primarily on the children, providing an extremely rare insight into what it means to grow up with a father whose only dream is to establish an Islamic caliphate.

The film is both a love song and a eulogy to the directors birthplace of Liverpool. It is also a response to memory, reflection and the experience of losing a sense of place as the skyline changes and time takes it toll.

On April 19, 1995, Timothy McVeigh, a former soldier deeply influenced by the literature and ideas of the radical right, parked a Ryder truck with a five-ton fertilizer bomb in front of the Alfred P. Murrah Federal building in Oklahoma City. Moments later, 168 people were killed and 675 were injured in the blast. OKLAHOMA CITY traces the events—including the deadly encounters between American citizens and law enforcement at Ruby Ridge and Waco—that led McVeigh to commit the worst act of domestic terrorism in American history. With a virulent strain of anti-government anger still with us, the film is both a cautionary tale and an extremely timely warning.

Olga (Anastasia Budiashkina) is a talented teenage Ukrainian gymnast exiled in Switzerland, dreaming of Olympic gold and trying to fit in with her new team in her new home. As she prepares for the European Championships, the Ukrainian people back home in Kyiv rise up in what has become known as the Maidan Revolution, suddenly involving everyone she cares about. Olga is left a powerless, distant bystander as her mother, an investigative journalist, faces danger as she challenges the brutal Yanukovich regime.

An explosive video goes viral, showing a white school resource officer in South Carolina pull a Black teenager from her desk. One woman uproots her life to support the girl and dismantle the system, including facing the police officer.

An exploration of tropical forests in Africa and South America. The documentary follows botanist and biologist Francis Halle as he travels to tropical forests in Gabon and Peru. It will also look at the birth and evolution of a tropical forest through seven centuries.

The film is a moving story of Robertson’s personal journey, overcoming adversity and finding camaraderie alongside the four other men who would become his brothers in music, together making their mark on music history. ONCE WERE BROTHERS blends rare archival footage, photography, iconic songs and interviews with Robertson’s friends and collaborators including Martin Scorsese, Bruce Springsteen, Eric Clapton, Van Morrison, and more.

China’s One Child Policy, the extreme population control measure that made it illegal for couples to have more than one child, may have ended in 2015, but the process of dealing with the trauma of its brutal enforcement is only just beginning. From documentarian Nanfu Wang (Hooligan Sparrow, I Am Another You) and Jialing Zhang, the sweeping One Child Nation explores the ripple effect of this devastating social experiment, uncovering one shocking human rights violation after another - from abandoned newborns, to forced sterilizations and abortions, and government abductions. Wang digs fearlessly into her own personal life, weaving her experience as a new mother and the firsthand accounts of her family members into archival propaganda material and testimony from victims and perpetrators alike, yielding a revelatory and essential record of this chilling, unprecedented moment in human civilization.