Browse Movies : Magnolia Pictures : Documentary : T

Quietly and seemingly out of sight, governments, financial investors, and private security forces are dividing up the world’s last remaining food and water resources. Communities are forced to stand by as their aquifers are sucked dry, and land they have owned for generations is grabbed from under their feet. As the scale of the run-on natural resources is uncovered by a team of investigative reporters, issues bubble to the surface in real time. Russia’s attack on Ukraine uses food access as a geopolitical tool, and global food prices hit an all-time high.

The League celebrates the dynamic journey of Negro League baseball's triumphs and challenges through the first half of the twentieth century. The story is told through previously unearthed archival footage and never-before-seen interviews with legendary players like Satchel Paige and Buck O’Neil – whose early careers paved the way for the Jackie Robinson era – as well as celebrated Hall of Famers Willie Mays and Hank Aaron who started out in the Negro Leagues. From entrepreneurial titans Cumberland Posey and Gus Greenlee, whose intense rivalry fueled the rise of two of the best baseball teams ever to play the game, to Effa Manley, the activist owner of the Newark Eagles and the only woman ever admitted to the National Baseball Hall of Fame, The League explores Black baseball as an economic and social pillar of Black communities and a stage for some of the greatest athletes to ever play the game, while also examining the unintended consequences of integration.

The film tells the story of the unsung musicians that provided the backbeat, the bottom and the swinging melody that drove many of the number one hits of the 1960s. It didn’t matter if it was Nat "King" Cole, Frank Sinatra, Nancy Sinatra, The Monkees, The Byrds or The Beach Boys, these dedicated musicians brought the flair and musicianship that made the American “west coast sound” a dominant cultural force around the world.

An insiders' account of President Barack Obama's foreign policy team during their last year in office. Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.

Documents the Riverhead Raceway, the last operating stock-car racetrack on Long Island.

After stumbling upon a bizarre “competitive endurance tickling” video online, wherein young men are paid to be tied up and tickled, reporter David Farrier reaches out to request a story from the company. But the reply he receives is shocking—the sender mocks Farrier's sexual orientation and threatens extreme legal action should he dig any deeper. So, like any good journalist confronted by a bully, he does just the opposite: he travels to the hidden tickling facilities in Los Angeles and uncovers a vast empire, known for harassing and harming the lives of those who protest their involvement in these films. The more he investigates, the stranger it gets, discovering secret identities and criminal activity.

They were the Brangelina of ’70s South Korea—the romance between the debonair film director Shin Sang-ok and glamorous actress Choi Eun-hee took them to the heights of South Korean society. Fame took a toll on their love, but it also attracted unbelievable twists of fate. The two find themselves kidnapped by the North Korean regime, and they are forced to play along with a bizarre filmmaking project led by superfan cinephile Kim Jong-il. Enduring torture, imprisonment, and surveillance, their romance is rekindled, and they realize escape is only possible through filmmaking—but the smallest mistake in their plans could cost them their lives.

This film noir of the most twisted order is meticulously crafted with an analog-loving sensibility, offering incredible archive footage of the era that even includes rare clandestine audio recordings of Jong-il discussing his plot for a cinematic paradise. The tapes deliver a chilling yet fascinating glimpse into the psychology of the North Korean dictatorship and what happens when art, love, and megalomania collide.

In the summer of 1968, television news changed forever. Dead last in the ratings, ABC hired two towering public intellectuals to debate each other during the Democratic and Republican national conventions. William F. Buckley, Jr. was a leading light of the new conservative movement. A Democrat and cousin to Jackie Onassis, Gore Vidal was a leftist novelist and polemicist. Armed with deep-seated distrust and enmity, Vidal and Buckley believed each other’s political ideologies were dangerous for America. Like rounds in a heavyweight battle, they pummeled out policy and personal insult—cementing their opposing political positions. Their explosive exchanges devolved into vitriolic name-calling. It was unlike anything TV had ever broadcast, and all the more shocking because it was live and unscripted. Viewers were riveted. ABC News' ratings skyrocketed. And a new era in public discourse was born.

A documentary about the life and works of the acclaimed novelist, Toni Morrison.

The Brink follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilize and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.

The Fight is an inspiring, emotional insider look at how these important battles are fought and the legal gladiators on the front lines fighting them. Directors Elyse Steinberg, Josh Kriegman, and Eli Despres capture the rollercoaster ride of the thrill and defeat in these deeply human battles. When a mother is separated from her child, a soldier is threatened to lose his career, a young woman’s right to choose is imperiled at the pleasure of a government official, and the ability to exercise our basic right to vote is threatened, the consequences can be devastating to us and to future generations. The Fight celebrates the unsung heroes who fiercely work to protect our freedoms.

Chronicles the life and career of André Leon Talley, former Vogue magazine editor-at-large and one of the fashion industry’s and New York culture's most influential icons. Beginning his career at Andy Warhol’s Factory in the 1970s before climbing the ranks of the New York fashion editorial world, Talley made a lasting impact by pushing to include African-American models and designers in such major publications as Women’s Wear Daily, W, and Vogue magazine. Today, his judgment is sought by top designers, stylists, and celebrity clientele.

With epic proportions of Shakespearean tragedy, the film follows two unique characters, whose rags-to-riches success stories reveal the innate virtues and flaws of the American Dream. The film begins with the family triumphantly constructing the biggest house in America, a 90,000 sq. ft. palace. Over the next two years, their sprawling empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis. Major changes in lifestyle and character ensue within the cross-cultural household of family members and domestic staff.

Concerns a Wall Street heist story about a still-unfolding financial crime so big, it has the power to affect all of our wallets. Investors on the fringes of the financial world feverishly seek new alternatives for high-return investments in the global markets, and have found a goldmine in China. But when one investor discovers a massive web of fraud, everything else is called into question. Jed Rothstein’s documentary rings the alarm on the need for transparency in an increasingly deregulated financial world by following those working to uncover the biggest heist you’ve never heard of.

The First Monday in May follows the creation of The Metropolitan Museum of Art's most attended fashion exhibition in history, "China: Through The Looking Glass," an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton.

Locked away from society in an apartment on the Lower East Side of Manhattan, the Angulo brothers learn about the outside world through the films that they watch. Nicknamed the Wolfpack, the brothers spend their childhood re-enacting their favorite films using elaborate homemade props and costumes. With no friends and living on welfare, they feed their curiosity, creativity, and imagination with film, which allows them to escape from their feelings of isolation and loneliness. Everything changes when one of the brothers escapes, and the power dynamics in the house are transformed. The Wolfpack must learn how to integrate into society without disbanding the brotherhood.