Browse Movies : 2004 : Thriller

Denzel Washington stars as a government operative/soldier of fortune who has pretty much given up on life. In Mexico City, he reluctantly agrees to take a job to protect a child (Dakota Fanning) whose parents are threatened by a wave of kidnappings. He eventually becomes close to the child and their relationship reawakens and rekindles his spirit. When she is abducted, his fiery rage is unleashed on those he feels responsible, and he stops at nothing to save her.

John C. Reilly ("Chicago"), Diego Luna ("Y Tu Mama Tambien") and Maggie Gyllenhaal ("Secretary") star in a contemporary caper movie set in Los Angeles. It's the story of an extremely odd couple: a young Latino man who will do anything for his family (Luna) and a 30-something scheming white guy who will do anything to his family (Reilly). One wants to save his father. The other wants to get rich, in any way possible. So when they come across one of the most valuable pieces of currency in U.S. history, they're suddenly stuck together, and that's just . . . criminal. All they have to do is sell it, which is where the real problems begin. And of course the only way out is family: the one person who can help them, hates them: the schemer's sister (Gyllenhaal).

U.S. Army Major Bennett Marco can't sleep at night—and he doesn't want to. Marco spends his days giving inspiring speeches about his platoon's ambush in the Kuwaiti desert and the heroics of Sergeant Raymond Shaw, who won the Medal of Honor for saving Marco's crew. But at night, Marco's dreamlike memories of the desert turn sinister and terrifying. And Marco privately wonders whether the two soldiers who died in the firefight might have met darker fates than officially recorded—and whether Shaw might not be the glorious hero that everyone thinks he is. When Shaw takes the national stage as a surefire candidate for vice president—under the thumb of his controversial mother, Senator Eleanor Prentiss Shaw—Marco is forced to act on his growing suspicions. With military officials questioning his sanity, and the net of security tightening around Shaw, Marco races to probe deeper into the unimaginable, shocking truth before the White House is won.

After being found in an intimate, sexual encounter with another young man, Perry is thrown out of his house by his family and forced to survive on his own. As he struggles to hold on by working in a homeless shelter and trying to maintain a college scholarship, he is haunted by his homosexuality and becomes increasingly withdrawn due to his family's rejection of him and their condemnation of his desires. As his friend Marcus is performing his new poetry for him, an elderly man, Bruce, appears seemingly out of nowhere and begins reciting verse to them. He disappears just as quickly and elusively as he arrived, before they get a chance to talk to him. In his library research for a class project, Perry finds a book about the Harlem Renaissance and recognizes a poem ("Smoke, Lilies and Jade" by Bruce Nugent) as the same one that the elderly man was reciting. They encounter each other again at the homeless shelter where Perry works. He confronts Bruce about who he is and begins to ask him about the Harlem Renaissance. They go on a literal and metaphorical journey to the house that was known as "Niggeratti Manor" which was the creative center for the younger, rebellious generation of the Harlem Renaissance as they created their revolutionary literary journal, "Fire!". Although the house is now dilapidated, we are transported through the landscape of Bruce's memories of the glory days of the Harlem Renaissance. Perry learns about the lives and personalities of Wallace Thurman, Langston Hughes, Zora Neale Hurston and Aaron Douglas and sees how they became a surrogate family for Bruce. Perry begins to recognize this era as his history. He sees the pride that Bruce exuded in those times in terms of being Black, gay and unashamed. His pride and self-esteem begin to have an empowering effect on Perry as he gains a stronger sense of his identity. As the story progresses, we witness the transformative power that they have on each other's lives through their shared passion for art and storytelling.

Following the death of their eight year old son on his birthday, Jessie (Rebecca Romijn-Stamos) and Paul (Greg Kinnear) are befriended by a doctor on the forefront of genetic research (Robert DeNiro) at the height of their mourning. He leads the couple in a desperate attempt to reverse the rules of nature and clone their son. The experiment is successful and under Richard's watchful eye, Adam grows into a healthy and happy young boy, until his 8th birthday. As time goes by, the Duncan's gradually start to see small, subtle differences between the new Adam and the Adam they lost. At the time of the new Adam's eighth birthday, the changes in character are more pronounced. Adam grows distant and fearful as a palpable sense of menace settles within the young boy. This Adam begins to suffer from night terrors and frightening flashbacks as a sinister personality begins to emerge. Paul and Jessie cannot escape the fact that this Adam is different. Terror settles on the couple as they try to come to terms with just what they have done, or what has been done to them.

Shaun's life is stuck in a rut. He's a twenty nine year old who lives with his two best friends Ed and Pete. Shaun's girlfriend Liz is sick of the same old, boring nights down their local pub. So when Shaun (Simon Pegg) breaks his promise to organize a special anniversary meal for them both, Liz (Kate Ashfield) decides to break it off with him. Drowning his sorrows the following day, Shaun devises a plan to win Liz back, but today, all is not as it seems... Unfortunately for Shaun 'the dead' have risen in London and soon a full Zombie apocalypse has exploded onto the streets. Determined to save his girlfriend and salvage their relationship, Shaun and his pals let nothing stand in their way as they go forth on a zombie killing spree to save the day!

Will Smith stars in this action thriller inspired by the classic short story collection by Isaac Asimov and brought to the big screen by director Alex Proyas ("Dark City", "The Crow"). In the year 2035, robots are an everyday household item and everyone trusts them, except one slightly paranoid detective (Will Smith) investigating what he alone believes is a crime perpetrated by a robot. The case leads him to discover a far more frightening threat to the human race.

At night and on weekends, four men in a suburban garage have built a cottage industry of error-checking devices. But, they know that there is something more. There is some idea, some mechanism, some accidental side effect that is standing between them and a pure leap of innovation. And so, through trial and error they are building the device that is missing most. However, two of these men find the device and immediately realize that it is too valuable to market. The limit of their trust in each other is strained when they are faced with the question, If you always want what you can't have, what do you want when you can have anything?

A young man named Adam (Leigh Whannell) wakes to find himself chained to a rusty pipe inside a decrepit subterranean chamber. Chained to the opposite side of the room is another bewildered captive, Dr. Lawrence Gordon (Cary Elwes). Between them is a dead man lying in a pool of blood, holding a .38 in his hand. Neither man knows why he has been abducted; but instructions left on a microcassette, order Dr. Gordon to kill Adam within eight hours. If he fails to do so, then both men will die, and Dr. Gordon's wife, Alison (Monica Potter), and his daughter will be killed. Recalling a recent murder investigation by a police detective named Tapp (Danny Glover), Dr. Gordon realizes he and Adam are the next victims of a psychopathic genius known only as "Jigsaw." With only a few hours left to spare, they must unravel the elaborate puzzle of their fate in the midst of mounting terror. The killer has provided them with only a few clues and two handsaws—too weak to break their steel shackles, but strong enough to cut through flesh and bone...

Two years ago, Jason Bourne thought he had walked away from his past. But now, his past is about to return. Bourne and Marie have maintained their anonymous, underground existence at the cost of permanence. Fueled by splintered nightmares and haunted by the past he cannot remember, Bourne moves Marie from city to city, trying to remain one step ahead of the threat implicit in every unexplained stranger's glance, every wrong number phone call—that at any second, without any warning, he might get pulled back into the world he hopes he left behind. When an operative appears in the sleepy village that has been their latest home, Bourne and Marie collapse their lives and head out. His past at the door, their only chance now is to run. But once a line is crossed and the stakes in a new global game of cat-and-mouse are raised, the Jason Bourne created by Treadstone—the covert, now dismantled operation that spawned cold-blooded, professional assassins—returns. Two years ago, Bourne walked away from the deadly world that created him with a promise of retaliation should anyone attempt contact. Now that that world has indeed come calling, Bourne intends to keep his word. They should have left him alone.

Ian Cranston, the great-great grandson of Ichabod Crane, returns to Sleepy Hollow unaware of his significant lineage. Ian's return stirs the vengeful spirit of the Headless Horseman, and a slaughter ensues. Ian, the newcomer, must save his town by confronting the Horseman and settling an old score.

In "Twisted", a police detective named Jessica Shepard (Ashley Judd) tracks a serial killer who murders the men she dates. When Jessica begins blacking out before each murder takes place, her partner, Mike Delmarco (Andy Garcia), and the police commissioner (Samuel L. Jackson) target her as the prime suspect.

Max "The King of Alibis" Burdett and his beautiful accomplice Lola have come to Paradise Island in the Bahamas, fresh off their final big score in which they lifted the second of the three famous Napoleon diamonds. With their financial future set, the couple is ready to relax and enjoy their hard-earned riches. But Stan, the FBI agent who has spent years in dogged but failed pursuit of Max, refuses to believe that his nemesis is actually calling it quits. He thinks that Max and Lola are actually plotting to steal the third Napoleon diamond--one of the three largest non-flawed diamonds in the world--which is coincidentally scheduled to arrive on Paradise Island as part of a touring cruise ship exhibition. Since he has no jurisdiction in the Caribbean country, Stan teams with a local cop and sets out to catch the sly Max and Lola in the act, while at the same time a local gangster has his own plans for the diamond. When the longtime adversaries meet up in paradise, Max quickly turns the tables and befriends the frustrated detective, showing him that Paradise Island has no shortage of pleasures to offer. But in order for Stan to figure out exactly what Max and Lola are up to, he will have to navigate all the twists and double-crosses of an action-packed story of friendship, suspicion and thievery.

When Dallas FBI Agent Thomas Mackelway violates serial killer Raymond Starkey's civil rights during an unorthodox arrest, Starkey goes free and Mackelway is demoted to a remote branch of the agency in Albuquerque. His first day on the job, Mackelway investigates the murder of a traveling salesman Harold Speck, which turns out to be the first of three seemingly random killings. Or perhaps they are not random at all; the last to die is Mackelway's nemesis, Raymond Starkey. The assignment consumes him. His past mistakes haunt him. His head throbs constantly as he tries to find the link between the victims that will lead him to their killer. The case becomes increasingly gruesome and patently personal. This does not go unnoticed by his unflappable partner Fran Kulok, who knows of Mackelway's past and the demons that afflict him. Like Mackelway, she becomes drawn into the labyrinth of chilling clues, all of which point to the enigmatic Benjamin O'Ryan. O'Ryan clearly has a connection to the murders, a connection he flaunts; quite possibly, he may also harbor a sinister link to Mackelway.

Wayne (Robert Redford) and Eileen (Helen Mirren) Hayes live the American Dream. Together they've raised two children and struggled to build a successful business from the ground up. But there have been sacrifices along the way. When Wayne is kidnapped by an ordinary man, Arnold Mack (Willem Dafoe), and held for ransom in a remote forest, the couple's world is turned inside out. Eileen finds her home full of FBI Agents, their life under scrutiny. While Wayne is engaged in the negotiation of his lifetime, Eileen works frantically with the FBI to secure his release. The terrifying ordeal causes Wayne and Eileen to reassess their marriage and come to a deeper sense of their commitment to each other. With each passing hour, the need and desire for Wayne to return home safely becomes ever more urgent.

Trevor Reznik, a machinist, has lost the ability to sleep. But this is no ordinary insomnia. Trevor has not slept in a year. Fatigue has led to a shocking deterioration of his physical and mental health. Suspicious of his appearance, Trevor's co-workers first shy away from him, then turn against him after he's involved in a shop accident that costs a man his arm. They blame Trevor for the accident. He has become a liability to himself and others, and now they want him out. Plagued with guilt, Trevor's shame becomes suspicion, then paranoia, when it appears his workmates are conspiring to have him fired –- or worse. First he finds cryptic notes left in his apartment. Next he's told that a mysterious co-worker involved in the accident doesn't exist. Are these mysteries part of a plot to drive Trevor mad? Or is it fatigue that's robbing him of his reason? Determined to find an answer, Trevor investigates the strange occurrences that are turning his world into a sleepless nightmare. Yet the more he learns, the less he wants to know.

Max has lived a mundane life as a cab driver for twelve years. The faces have come and gone from his rear-view mirror: people and places he's long since forgotten—until tonight. Vincent is a contract killer. When an off-shore narco-trafficking cartel learns that they're about to be indicted by a federal grand jury, they mount an operation to identify and kill the key witness, and the last stage is tonight. It is on this very night that Vincent has arrived—and five bodies are supposed to fall. Circumstances cause Vincent to hijack Max' taxicab, and Max becomes collateral—an expendable person who's in the wrong place at the wrong time. Through the night, Vincent forces Max to drive him to each assigned destination. And as the L.A.P.D. and F.B.I. race to intercept them, Max and Vincent's survival become dependent on each other, in ways neither would have imagined.

When his wife is killed by a maniac, a man (Jim Caviezel) sets out on the road in his 1970s Plymouth Hemi-head Barracuda muscle car to find the man responsible, a serial killer who hunts down and kills women using his massive green 1972 Cadillac Eldorado, as a way of expressing his rage about his place in the world, specifically at the woman who broke his heart once upon a time.

The paparazzi are the chroniclers of Hollywood glitz and glamour, and key players in the public's insatiable appetite for information and photos about their favorite stars. They are as much part of gala premiers as bright lights and red carpets. Their photos can make or break careers. For rising action star Bo Laramie, a quartet of paparazzi is at first an annoyance, then an ever-disturbing presence. One night they trap Bo and his family into a high speed chase that ends in a terrible accident, sending his wife Abby into intensive care and son Zach into a coma. Veteran Los Angeles detective Burton believes Bo's version of the accident, but when Burton can't make the case against the photographers, Bo seeks vengeance on his own. And the paparazzi start falling one by one.