Browse Movies : Released : Universal Pictures : PG-13 : T (Page #2)

Thought safely entombed in a crypt deep beneath the desert, an ancient queen (Sofia Boutella) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

All he wanted was to disappear. Instead, Jason Bourne is now hunted by the people who made him what he is. Having lost his memory and the person he loved, he is undeterred by the barrage of bullets and a new generation of highly-trained killers. Bourne has only one objective: to go back to the beginning and find out who he was. Now, in the new chapter of this espionage series, Bourne will hunt down his past in order to find a future. He must travel from Moscow, Paris, Madrid and London to Tangier and New York City as he continues his quest to find the real Jason Bourne--all the while trying to outmaneuver the scores of cops, federal officers and Interpol agents with him in their crosshairs.

A coming-of-age movie that is loosely based on Steven Spielberg's own childhood growing up in Arizona

The Turning takes us to a mysterious estate in the Maine countryside, where newly appointed nanny Kate is charged with the care of two disturbed orphans, Flora and Miles. Quickly, she discovers that both the children and the house are harboring dark secrets and things may not be as they appear.

When Travis (Seann William Scott), the son of an underworld kingpin, disappears in the Amazon in search of a priceless artifact, Beck (The Rock), the kingpin's retrieval expert, is sent to get him. Despite their hostility - and their love for the same woman (Rosario Dawson) - the two must eventually join forces to fight the evil head (Christopher Walken) of a gold-mining corporation who is after the same treasure.

The escalating events begin when African-born U.N. translator Silvia Broome (Kidman) alleges that she has overheard a death threat against an African head of state, spoken in a rare dialect few people other than Silvia can understand. With the words "The Teacher will never leave this room alive," in an instant, Silvia's life is turned upside down as she becomes a hunted target of the killers. Placed under the protection of federal agent Tobin Keller (Penn), Silvia's world only grows more nightmarish. As Keller digs deeper into his eyewitness' past and her secretive world of global connections, the more suspicious he becomes that she herself might be involved in the conspiracy. With every step of the way, he finds more reasons to mistrust her.

Two-time Tony Award winners Nathan Lane and Matthew Broderick return to their celebrated roles as Max Bialystock and Leo Bloom, a scheming theatrical producer and his mousy CPA who hit upon the perfect plan to embezzle a fortune: raise far more money than you need to produce a sure-fire Broadway flop and then (since no one will expect anything back), Max and Leo can pocket the difference. To do this, they need the ultimate bad play, which they find in the musical "Springtime for Hitler". Their plans come to naught and the duo are taken completely by surprise when their new production is hailed as a toast-of-the-town hit. Uma Thurman stars as Ulla, the Swedish secretary/slash/receptionist and would-be showgirl, and Will Ferrell brings his spot-on comic talents to the role of Franz Liebkind, the neo-Nazi playwright (and pigeon fancier) responsible for penning the "worst play ever written."

Set largely in the dark atmospheric backwoods just outside of New Orleans, "The Skeleton Key" stars Kate Hudson as Caroline, a live-in nurse hired to care for an elderly woman's (Gena Rowlands) ailing husband (John Hurt) in their home, a foreboding a decrepit Gothic mansion in the Louisiana delta. Intrigued by the enigmatic couple, their mysterious and secretive ways and their rambling house, Caroline begins to explore the old mansion. Armed with a skeleton key that unlocks every door, she discovers a hidden attic room that holds a deadly and terrifying secret.

Based on the Motion Picture "Charade" Screenplay by Peter Stone. Regina Lambert (Thandie Newton) meets the charming Joshua Peters (Mark Wahlberg) while vacationing in Martinique, as she contemplates ending her whirlwind marriage to the enigmatic Charlie (Stephen Dillane). But upon her return to Paris, she finds that both her apartment and her bank account have been emptied, and her husband has been mysteriously murdered. A trio of his old cohorts (Joong-Hoon Park, Ted Levine, Lisa Gay Hamilton) has begun shadowing her in hopes of answering their own questions about Charlie and recovering a bundle of missing cash. Joshua is in Paris now, too, and ready to offer any help he can. The more Reggie learns, the more she must find out to fill in the missing pieces of this puzzle and to protect herself from ever-increasing danger. Joshua lays a growing claim on her affection, even as disturbing information about him surfaces and undermines her trust. Hard-edged Commandant Dominique (Christine Boisson) thinks Reggie herself is the most likely suspect. The attentions of a straight-laced embassy official (Tim Robbins) make Reggie's situation even more complicated. But all she can do is carry on with the knowledge that in life, as in love, nothing is ever as simple as it seems.

Vince Vaughn and Jennifer Aniston star in "The Break-Up", which starts where most romantic comedies end: after boy and girl have met, fallen in love, moved in to start their happily-ever-after...and right when they wind up driving each other crazy.

Pushed to the breaking-up point after their latest "why can't you do this one little thing for me?" argument, art dealer Brooke (Aniston) calls it quits with her boyfriend, Gary (Vaughn), who hosts bus tours of Chicago. What follows is a series of remedies, war tactics, overtures and underminings suggested by the former couple's friends, confidantes and the occasional total stranger. When neither ex is willing to move out of the condo they used to share, the only solution is to continue living as hostile roommates until somebody caves.

But somewhere between protesting the pool table in the living room, the dirty clothes stacked in the kitchen cupboards and the sports played at sleep-killing volume in the middle of night, Brooke begins to realize that what she may be really fighting for isn't so much the place but the person.