Browse Movies : Released : Dark Comedy (Page #2)

A happily married couple (Joel McHale and Kerry Bishé) discover their friends are resentful of their lustful relationship. When a visit from a mysterious stranger leads to a dead body, they begin to question the loyalty of their so-called friends.

When 22-year-old drug dealer Chris (Emile Hirsch) has his stash stolen by his mother, he has to come up with six thousand dollars quick or he's dead. Desperate, he turns to "Killer Joe" (Matthew McConaughey) when he finds out that his mother's life insurance policy is worth $50,000. Although Joe usually demands cash up front, he finds himself willing to bend the rules in exchange for Chris' attractive younger sister, Dottie (Juno Temple), who will serve as sexual collateral until the money comes in... if it ever does.

Phil, a depressed dentist whose life is falling apart, is shocked when one of his patients, a man who seemed to have the perfect life, kills himself. Determined to find out what would drive a man who had everything to end his life, Phil pretends to be a handyman and integrates himself in to the dead man's life, befriending his wife and daughter. How long can Phil keep up this double life when he is already ready to end his normal one?

Janet (Kristin Scott Thomas) is hosting an intimate gathering of friends in her London home to celebrate her political ascension, while her husband, Bill (Timothy Spall), seems preoccupied. Janet’s acerbic best friend, April (Patricia Clarkson), arrives and others follow, some with their own dramatic news to share, but an announcement by Bill provokes a series of revelations that gradually unravel the sophisticated soiree, and a night that began with champagne may end with gunplay.

France, 1789. The prestige of a noble house depends above all on the quality of its table. At the dawn of the French Revolution, gastronomy still is a prerogative of the aristocrats. When talented cooker Pierre Manceron is dismissed by the Duke of Chamfort, he loses the taste of cooking. Back in his country house, his meeting with the mysterious Louise gets him back on his feet. While they both feed a desire of revenge against the Duke, they decide to create the very first restaurant in France.

17 films. 17 female filmmakers. One Supreme Court ruling. A countless number of women. From satire to horror to science fiction, GIVE ME AN A is an urgent & passionate response from a group of women committed to protecting or securing their right to privacy, bodily autonomy, & healthcare. These films are a unified voice that tells the world how they feel about the overturning of Roe V Wade.

Gringo joyrides across the border into Mexico, where all is not as it seems for mild-mannered American businessman Harold Soyinka (David Oyelowo). Crossing the line from citizen to criminal, Harold tangles with duplicitous business partners, Mexican drug lords, international mercenaries, and the DEA. As he attempts to survive in one of the most dangerous places on earth, the question lingers: is this ordinary man in way over his head, or is he two steps ahead?

In 17th Century Amsterdam, an orphaned girl (Alicia Vikander) is forcibly married to a rich and powerful merchant (Christoph Waltz) – an unhappy “arrangement” that saves her from poverty. After her husband commissions a portrait, she begins a passionate affair with the painter (Dane DeHaan), a struggling young artist. Seeking to escape the merchant’s ever-reaching grasp, the lovers risk everything and enter the frenzied tulip bulb market, with the hope that the right bulb will make a fortune and buy their freedom.

Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai (Johnny Depp) must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold.

A pizza delivery girl at the end of her financial rope has to fight for her life — and her tips — when her last order of the night turns out to be high society Satanists in need of a virgin sacrifice.

Nell and Simon have invited their closest friends to join their family for Christmas dinner at their idyllic home in the English countryside. As the group comes together, it feels like old times – but behind all of the laughter and merriment, something is not quite right. The world outside is facing impending doom, and no amount of gifts, games or Prosecco can make mankind’s imminent destruction go away. Surviving the holidays just got a lot more complicated.

Every month, when the welfare money runs out, 35 year-old Catherine has to talk her self-destructive mother off the same bridge..literally. This routine has gone on for so long that it's the only thing Cathy feels she is good at. And it's Tammy's selfish way of keeping hold of her daughter. When Tammy is diagnosed with terminal cancer and the possibility of life without her becomes very real, so does Cathy's repressed desire to leave her small town. Does she stay and trust the woman who has always let her down or does she find the courage to live her own life?

A series based on a bizarre true event about a realtor, a plumber and a former tennis star whose lives unexpectedly collide.

In Donald Cried, Peter Latang (Jesse Wakeman) left working class Warwick, Rhode Island to reinvent himself as a slick, Wall Street mover and shaker. Fifteen years later, when he’s forced to return home to bury his Grandmother, he loses his wallet on the trip. Stranded, the only person he can think of to help him out is his next door neighbor and former childhood friend Donald Treebeck (Kris Avedisian). Donald hasn’t changed a bit, and what starts as a simple favor turns into a long van ride into their past.

Follows an aging comedian (Gregg Turkington) as he performs at a string of underwhelming venues starting in Bakersfield, Calif.

Follows 17-year old Erica Vandross (Zoey Deutch) and her two friends as they spend their free time making money in unconventional ways, acting as self appointed, free-wheeling vigilantes of the San Fernando Valley. Everything changes for Erica when her mother (Kathryn Hahn) invites her boyfriend (Tim Heidecker) and his estranged son (Joey Morgan) to move in with them.

A washed-up musician teams up with a teacher and a kids' show personality to protect young children from a sudden outbreak of zombies.

In the multibillion-dollar world of pornography, the term mope refers to a low-level, wannabe porn actor. They're the lowest of the low, hanging around sets and taking on menial jobs with aspirations of becoming huge stars. In this tragic true story, Stephen Clancy Hill and Herbert Wong, respectively known by their porn alter egos Steve Driver and Tom Dong, were two such mopes—real-life best friends attempting to live the impossible dream, but the blurred line between reality and delusion ultimately sent them both tumbling down a path of destruction.

It's only October, but the network's annual black-tie New Year's Eve spectacular has already been in production for a grueling week and a half, and setbacks continue to accumulate. A falling crane has just taken out an extra, and the show's hosts are at each other's throats. Oversexed pop sensation Adán (Mario Casas) discovers he's been duped by a semen thief, while legendary divo Alphonso (real-life singer Raphael) is stalked by an armed and unstable would-be songwriter (Jaime Ordóñez), who's disgruntled after years of rejection.

Azizler depicts the story of Aziz, going through an existential crisis after longing his youth, he is not happy with his work nor his private life which is also hijacked by his sister and her family who have been living with him for some time now. His relationship with his girlfriend after 4 years is also not in the best place and he feels the desire to end that too! He wants his long-gone freedom back and when he least expects it he will soon come across a chance to rescue himself from the blackhole he’s trapped in. However he realizes this turns him into a pathological liar to a point there’s no turning back.