Browse Movies : R : I (Page #3)

For siblings Kip (Josh Hartnett) and Josie (Margarita Levieva), dealing opioids isn’t just their family business—it’s their only means of survival. When a deal goes fatally wrong, Kip decides he wants out. But Kip’s attempt to escape his family’s legacy ignites a powder keg of violence and betrayal, imperiling Kip, Josie, and their younger brother, Boots (Owen Teague), in this searing crime-thriller that builds to a shattering conclusion.

Denzel Washington stars as New York police detective Keith Miller, a tough, street-smart cop fighting for a promotion while trying to live down accusations of misconduct connected to his last case. When he and his partner are dispatched to the scene of an in-progress bank robbery and hostage crisis, Miller must face off against a well-educated criminal (Owen) masterminding a concisely plotted operation. As negotiations grow more strained, a powerful lawyer with mysterious ties (Foster) becomes involved in the crisis... and Miller slowly begins to realize that in this ultimate game of cat and mouse, rules are arbitrary, all roles are up for grabs and the black-and-white of right an wrong has blurred to a shadowy landscape of gray.

Jane (Streep) is the mother of three grown kids, owns a thriving Santa Barbara bakery/restaurant and has—after a decade of divorce—an amicable relationship with her ex-husband, attorney Jake (Baldwin). But when Jane and Jake find themselves out of town for their son’s college graduation, things start to get complicated. An innocent meal together turns into the unimaginable—an affair. With Jake remarried to the much younger Agness (Lake Bell), Jane is now, of all things, the other woman.

Caught in the middle of their renewed romance is Adam (Martin), an architect hired to remodel Jane’s kitchen. Healing from a divorce of his own, Adam starts to fall for Jane, but soon realizes he’s become part of a love triangle.

Should Jane and Jake move on with their lives, or is love truly lovelier the second time around? It’s…complicated.

Trailer Crime boss Ida "Red" Walker (Oscar winner® Melissa Leo) turns to her son, Wyatt (Josh Hartnett), to pull off one last heist to get out of prison. But with the FBI closing in, Wyatt must choose between family and freedom in this high-octane thriller.

Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.

Following the death of her mother and a series of self-inflicted setbacks, young Ingrid Thorburn (Aubrey Plaza) escapes a humdrum existence by moving out West to befriend her Instagram obsession and LA socialite Taylor Sloane (Elizabeth Olsen). After a quick bond is forged between these unlikeliest of friends, the façade begins to crack in both women's lives — with comically malicious results.

An intense character drama about four men who look within themselves and find emptiness.

The film examines the life of the notorious pimp and author of seven ground-breaking books. It includes insightful interviews with well-known artists, scholars, friends and family members that create a riveting tapestry as colorful as the subject himself. The autobiographical work of Iceberg Slim is considered to be the genesis of blaxploitation films and gangster rap and it continues to influence artists today.

A mysterious young woman, Katie (Nicky Whelan), and her daughter move to a new town to escape her past and quickly befriends Angela Morgan (Gina Gershon), a mother of one who longs for a bigger family. As their lives become intricately entwined, Angela and her husband, Brian, (Nicolas Cage), invite Katie to live in their guest-house to serve as their nanny. Over time, the blossoming friendship between the two women spirals into a dangerous obsession as Katie becomes overly attached to the Morgans’ daughter. Enduring lies and manipulations, Angela and Brian realize that sweet Katie is actually trying to destroy their family from within.

While staying at an isolated island resort, James (Alexander Skarsgård) and Em (Cleopatra Coleman) are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi (Mia Goth), they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.

Set in the near future, this riveting and suspenseful apocalyptic drama follows two sisters, Nell (Ellen Page) and Eva (Evan Rachel Wood) who live in the Pacific Northwest with their kindly father, Robert. Nell is focused on her studies and Eva is training to be a dancer, but their peaceful lives are disrupted one day by what turns out to be a continent-wide blackout. Whereas at first the family bond together and try to make the most of their difficult circumstances, as time gone on, the challenges become more serious. In the wake of a shocking and violent confrontation that Robert has with a menacing passerby, the sisters must work together in order to survive in their increasingly treacherous new world.

A teenage boy goes missing in small town. The lead investigator in the case pieces together clues while trying to find a way to forgive his wife for a recent infidelity.

A technical failure (a kind of justifiable negligence, even though it sounds contradictory, but that’s what human actions are) has endangered the lives of the passengers on Peninsula Flight 2549. The pilots, hardened, experienced professionals are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves body and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death.

The travelers in Business Class consist of a pair of newlyweds, partygoers, worn out by their wedding celebration; a financier and embezzler; unscrupulous in business but also a father afflicted by his daughter’s estrangement; an inveterate Don Juan with an uneasy conscience who is trying to say goodbye to one of his women (girlfriends); a rural psychic; a queen of the gossip magazines and a Mexican with an important secret. Each of them has a project in Mexico City, either to work or to escape. They all have some kind of secret, not just the Mexican.

Their defenselessness in the face of danger provokes a general catharsis among the passengers and the crew, and this ends up becoming the best way to escape from the idea of death.

Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake’s mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world.

Unlimited funds have allowed Diana (Melissa McCarthy) to live it up on the outskirts of Miami, where the queen of retail buys whatever strikes her fancy. There's only one glitch: The ID she's using to finance these sprees reads "Sandy Bigelow Patterson"... and it belongs to an accounts rep (Jason Bateman) who lives halfway across the U.S. With only one week to hunt down the con artist before his world implodes, the real Sandy Bigelow Patterson heads south to confront the woman with an all-access pass to his life. And as he attempts to bribe, coax and wrangle her the 2,000 miles to Denver, one easy target will discover just how tough it is to get your name back.

When young couple Tom (Iain De Caestecker) and Lucy (Alice Englert) lose their way while driving to a music festival in the remote Irish countryside, they find themselves trapped in a maze of back-roads with only their vehicle for protection, terrorized by an unseen tormentor hell-bent on exploiting their worst nightmares. Driving, lost and tormented in the night, primal anxieties of the dark and the unknown take hold as the couple realizes that they may have to let the evil in, or that it is already there.

Before Errol Flynn became one of the biggest movie stars in Hollywood, he was braving cannibals and crocodiles while searching the jungles of Papua New Guinea for gold with his ragtag crew. Flynn is forced to learn what it means to be a master of his own destiny.

A sketch comedy movie starring Adrien Brody as "Flirty Harry," a tough, no nonsense cop with a soft middle and a flair for fashion; Rob Schneider in a dual role as both a sleazy, horny psychologist and a curmudgeonly porn critic alongside his enthusiastic counterpart Michelle Rodriguez; Lindsay Lohan living out her fantasy of taking an ultimate revenge on the salivating paparazzi who haunt her, and Ari Shaffir as "The Amazing Racist," whose hilariously offensive hidden-camera encounters with members of different ethnic and minority groups push everyone's buttons.