Browse Movies : NR : L

After millions of people vanish and the world falls into chaos, the only light is a charismatic leader who rises to become head of the U.N. But does he bring hope for a better future? Or is it the end of the world?

Follows Adam (Duplass) whose husband surprises him with a gift of a year’s worth of weekly Spanish lessons. But when tragedy strikes, his teacher, Cariño (Morales), becomes a lifeline he didn’t know he needed and the two develop an unexpected and complicated emotional bond.

In Last Ride, a desperate father takes his ten year old son, Chook, on the run after committing a violent crime. As the two journey into the desert and an unknown future, their troubled relationship and the need to survive sees them battling the elements and each other. Chook eventually takes control, and the choice he is forced to make has a devastating effect on both their lives.

Lucien de Rubempré (Benjamin Voisin) is an ambitious and unknown aspiring poet in 19th century France. He leaves his provincial town, arriving in Paris on the arm of his admirer, Louise de Bargeton (Cécile de France). Outmatched in elite circles, Lucien’s naive etiquette prompts Louise to retreat back to her husband, leaving the young poet to forge a new path. Lucien makes a new friend in another young writer, Etienne Lousteau (Vincent Lacoste), who introduces him to the business of journalism where a salon of wordsmiths and wunderkinds make or break the reputations of actors and artists with insouciant impunity. Lucien agrees to write rave reviews for bribes, achieving material success at the expense of his conscience and soon discovers that the written word can be an instrument of both beauty and deceit. Xavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s epic novel, Lost Illusions is a ravishing vision of the birth of modern media.

LOURDES, a small village where the Virgin Mary appeared to a young girl about 150 years ago. And where few miracles have been recognized by the church but not recognized and recounted by thousands. The biggest of them is the heart with which pilgrims come and go, each one with something to heal: mentally, physically or spiritually. Still today LOURDES is more alive than ever. And Our Lady remains active and attentive to each of her children. About 6 million people visit it every year. After the pandemic, her devotion is increasing. The multitudinous processions of people seeking a miracle feed a small army of caregivers (nurses, volunteers, hospitalists) who accompany them.

Susan has always been the self-centered oddball in her family, who lazily skated through life with their grudging support until one day she wakes up to realize she’s middle-aged with no job, no relationship, and an increasingly estranged family. She finally decides to take charge and turn things around, but never having done anything herself before, the struggle is real (and hilarious) as Susan becomes the woman she always wanted to be, all on her own.

Clara (Penélope Cruz) and her emotionally distant husband Felice (Vincenzo Amato) relocate to Rome to raise a family. Even though the paint is fresh, and the appliances are new, the crushing expectations around marriage, desire, and gender in the early 1970s remain as traditional as ever. Their children Andrew (played by newcomer Luana Giuliani), Gino, and Diana are likewise poised at a precipice, on the verge of adolescence, with nothing but their imaginations to defuse family tensions. The eldest child, Andrew (nicknamed Adri by his parents), yearns for another life – an outsized, vibrantly-realized vision of a world where he gets to live as the boy he knows himself to be. Without an accepted vocabulary for talking about his transgender identity, Andrew tells adults that he’s an alien from another galaxy and makes a habit of running away to pursue a local Roma girl who accepts his boyhood at face value. As an outsider ostracized for her own eccentricities, Clara instinctively strives to protect her son despite not fully understanding him. An effortlessly moving film about growing up, fitting in, and breaking the mold, L’immensita is as freewheeling and creative as its central characters, mixing genres and staging musical numbers out of thin air.

Let It Be Morning is the story of Sami (Alex Bakri) a Palestinian-born Israeli citizen living in Jerusalem who receives an invitation to his brother’s wedding forcing him to return to the Arab village where he grew up. After the wedding finishes, with no explanation, Sami's hometown is put under a military blockade lockdown by Israeli soldiers. When chaos erupts overnight amongst the villagers stuck behind the wall due to the blockade, Sami is cut off from the outside world and trapped in an unexpected situation. As he deals with questions about his own identity and hidden secrets are revealed, Sami watches everything he holds dear begin to fall apart.

Little Richard: I Am Everything tells the story of the Black queer origins of rock n’ roll, exploding the whitewashed canon of American pop music to reveal the innovator – the originator – Richard Penniman. Through a wealth of archive and performance that brings us into Richard’s complicated inner world, the film unspools the icon’s life story with all its switchbacks and contradictions. In interviews with family, musicians, and cutting-edge Black and queer scholars, the film reveals how Richard created an art form for ultimate self-expression, yet what he gave to the world he was never able to give to himself. Throughout his life, Richard careened like a shiny cracked pinball between God, sex and rock n’ roll. The world tried to put him in a box, but Richard was an omni being who contained multitudes – he was unabashedly everything.

Explores the second album difficulties being experienced by a popular new girl band, whose lead singer has a creative block, where another band member tries to inject her own writing style and songs and walks out when under-appreciated, and their long-suffering manager is abused by both the band and the record label in equal measure, until a new fresh voice turns up to being the remaining band members back together, whereupon a new album is recorded.

Follows the efforts of the internationally recognized White Helmets, an organization comprised of ordinary citizens who are the first to rush towards explosions in the hope of saving lives. Incorporating moments of both heart-pounding suspense and improbable beauty, the documentary draws us into the lives of three of its founders – Khaled, Subhi, and Mahmoud – as they grapple with the chaos around them and struggle with an ever-present dilemma: do they flee with their families or stay and fight for their country.

Like Someone in Love revolves around the brief encounter between an elderly professor (the wonderful 81-year-old stage actor Tadashi Okuno, here playing his first leading role in a film) and a sociology student (Rin Takanashi) who moonlights as a high-end escort. Dispatched to the old man by her boss—one of the professor’s former students—the young woman finds her latest client less interested in sex than in cooking her soup, talking, and playing old Ella Fitzgerald records (like the one that gives the film its allusive title). Eventually, night gives way to day and a tense standoff with the student’s insanely jealous boyfriend (Ryô Kase); but as usual in Kiarostami, nothing is quite as it appears on the surface. Are these characters—who conjure in one another the specters of regret and roads not taken—meeting by chance, or is it fate? Is this love, or merely something like it?

It's not exactly what the Minister of Justice wants to be doing: watching an endless stream of video footage. But a former police officer is very insistent. Together, all this footage - from hidden cameras, phone taps, Skype sessions and security surveillance - can tell an interesting story. The focus here is on an obscure bookstore where a group of environmental activists are meeting in secret. Idealistic Winnie and her boyfriend Conrad want to disrupt the G20, but aren't aware that they are possibly being lured into a trap

Seven interconnecting stories set in and around a lost and found office of an Irish train station. All segments are inspired by true stories, share a theme of something lost or found and characters that come in and out of each other’s lives.

Rabble rouser or activist? Opportunist or trailblazer? During his six-decade journey from pastoral prodigy to racial justice firebrand to elder media statesman, the Reverend Al Sharpton has been a polarizing figure on the national stage

When rebellion creeps into their family, Charlie and Alice realize their approach to raising children isn’t working, and they start searching for answers. But is it too late? FamilyLife’s first feature film explores the joys and heartaches of parenting. Through a story that unfolds over 50 years, Charlie and Alice discover the power of family and their need for God.

A funny and irresistible story of a young girl who literally cannot see or hear her mother, even though she is living with her under the same roof. With the help of an eccentric psychiatrist, and a local, accidental hero, our heroine has to grow up, but falls in love and eventually takes hold of her future - despite not being able to see what's right in front of her.

In this romantic comedy about the power of chance, alternate versions of the same wedding unfold as Jack (Sam Claflin) tries to make sure his little sister has the perfect wedding day. But he'll have to juggle an angry ex-girlfriend, an uninvited guest with a secret, a misplaced sleep sedative, and unexpectedly reuniting with the girl of his dreams who got away, Dina (Olivia Munn). If he succeeds, Jack might find a happy ending of his own.

Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.

After a night of debauchery, a corporate attorney must choose between sticking with his corporate life or pursuing his love of singing.