Browse Movies : Released : Dark Comedy

Searching for a break from her cosmopolitan life in Milwaukee, Julia Rabia (Lily Rabe), arrives in the close knit Reagan-era town of Owl, North Dakota for a one-semester high school teaching job. But when the small town turns out to be a wonderland of second-string poets, smoldering Marlboro Men, and a social hierarchy that echoes high school, Julia doesn’t know if she’s come to town to get away from home or to find it.

Ben Manalowitz (B.J. Novak) is an aspiring New York podcaster in search of a story. When the body of a woman he’d been hooking up with is discovered in a West Texas oil field, he stumbles onto exactly the sort of true-crime tale that could make his career. Launching an investigation into her death in collaboration with high-powered producer Eloise (Issa Rae), the confident Ben finds himself in over his head attempting to navigate a wildly unfamiliar culture. As he grows unexpectedly close to the young woman’s eccentric family and encounters figures like the enigmatic music producer Quentin Sellers (Ashton Kutcher), he’s forced to confront his own shortcomings and preconceptions. At the same time, he’s drawn into an ill-considered plot to avenge the crime.

A group of women in an isolated religious colony struggle to reconcile their faith with a series of sexual assaults committed by the colony’s men.

The Kill Room is a dark comedic thriller follows an art dealer (Uma Thurman) who teams with a hitman (Joe Manganiello) and his boss (Samuel L. Jackson) for a money laundering scheme that accidentally turns the hitman into an overnight Avant-Garde sensation, forcing the dealer to play the art world against the underworld.

France, 1789. The prestige of a noble house depends above all on the quality of its table. At the dawn of the French Revolution, gastronomy still is a prerogative of the aristocrats. When talented cooker Pierre Manceron is dismissed by the Duke of Chamfort, he loses the taste of cooking. Back in his country house, his meeting with the mysterious Louise gets him back on his feet. While they both feed a desire of revenge against the Duke, they decide to create the very first restaurant in France.

Lost on the dreary Oregon coast, Fran finds solace in her cubicle, listening to the constant hum of officemates and occasionally daydreaming to pass the time. She is ghosting through life, unable to pop her bubble of isolation, when a friendly new coworker, Robert, persistently tries to connect with her. Though it goes against every fiber of her being, she may have to give this guy a chance.

James and Vanessa seem to be the perfect couple - happily married, successful, and comfortable. One night, their lives are rocked to the core when, after watching a tragedy play out on the evening news, they realize their neighbor was involved. In a state of shock, and with opposing viewpoints on how to address the issue, they decide to seek justice against a neighbor.

Berserk follows Raffy Rivers (Nick Cannon), a fading movie star in need of a career revival and his writer friend, Evan (Rhys Wakefield) who never tasted success. Both believe their zombie script will provide the breakthrough they need, but they are in desperate need of inspiration to finish the project. When Evan realizes that neither has felt true fear, the pair set out to trick each other into feeling it… but things take a turn for the worst when a surprise visitor, hallucinatory drugs, an ex-girlfriend, a police officer, and a pack of hungry coyotes get involved.

In Donald Cried, Peter Latang (Jesse Wakeman) left working class Warwick, Rhode Island to reinvent himself as a slick, Wall Street mover and shaker. Fifteen years later, when he’s forced to return home to bury his Grandmother, he loses his wallet on the trip. Stranded, the only person he can think of to help him out is his next door neighbor and former childhood friend Donald Treebeck (Kris Avedisian). Donald hasn’t changed a bit, and what starts as a simple favor turns into a long van ride into their past.

Following the death of her mother and a series of self-inflicted setbacks, young Ingrid Thorburn (Aubrey Plaza) escapes a humdrum existence by moving out West to befriend her Instagram obsession and LA socialite Taylor Sloane (Elizabeth Olsen). After a quick bond is forged between these unlikeliest of friends, the façade begins to crack in both women's lives — with comically malicious results.

Inspired by a true story, Queenpins is an outrageous comedy about a bored and frustrated suburban homemaker, Connie (Kristen Bell) and her best pal JoJo (Kirby Howell-Baptiste), a vlogger with dreams, who turn a hobby into a multi-million dollar counterfeit coupon caper. After firing off a letter to the conglomerate behind a box of cereal gone stale, and receiving an apology along with dozens of freebies, the duo hatch an illegal coupon club scheme that scams millions from mega-corporations and delivers deals to legions of fellow coupon clippers. On the trail to total coupon dominance, a hapless Loss Prevention Officer (Paul Walter Hauser) from the local supermarket chain joins forces with a determined U.S. Postal Inspector (Vince Vaughn) in hot pursuit of these newly-minted “Queenpins” of pink collar crime.

A series based on a bizarre true event about a realtor, a plumber and a former tennis star whose lives unexpectedly collide.

Jessica lives in fear of a man named Kevin who follows her everywhere she goes. While on a road trip, she reconnects with Elena, an old friend she hasn't seen since high school. Elena has been hiding out at her deceased grandmother's ranch in New Mexico. When Kevin mysteriously appears again, Jessica and Elena seek help from beyond the grave to get rid of him for good... but Kevin is different from other stalkers and won't move on so easily.

Juggling some angry Russians, the British Mi5, his impossibly leggy wife and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai (Johnny Depp) must traverse the globe armed only with his good looks and special charm in a race to recover a stolen painting rumored to contain the code to a lost bank account filled with Nazi gold.

A dominatrix (Qualley) and her wealthy client (Abbott) engage in a battle of wills inside a luxury hotel suite after he tries to end their relationship. Over the course of one emotionally fraught night, the balance of power swings back and forth as each seeks to gain the upper hand. Is he hopelessly overmatched? Or is her wildly unpredictable behavior all part of an elaborate game?

A married Hollywood agent receives a mysterious letter for an anonymous sexual encounter and becomes ensnared in a sinister world of lying, murder and infidelity in this scintillating satire.

When Stephané reconnects with her estranged billionaire father, she struggles to find her place in a world of luxury, bitter jealousies, and dark family secrets. But Stephané also has her own secret to hide.

A washed-up musician teams up with a teacher and a kids' show personality to protect young children from a sudden outbreak of zombies.

It's only October, but the network's annual black-tie New Year's Eve spectacular has already been in production for a grueling week and a half, and setbacks continue to accumulate. A falling crane has just taken out an extra, and the show's hosts are at each other's throats. Oversexed pop sensation Adán (Mario Casas) discovers he's been duped by a semen thief, while legendary divo Alphonso (real-life singer Raphael) is stalked by an armed and unstable would-be songwriter (Jaime Ordóñez), who's disgruntled after years of rejection.

It is 1851, and Charlie and Eli Sisters (Joaquin Phoenix and John C. Reilly) are both brothers and assassins, boys grown to men in a savage and hostile world. They have blood on their hands: that of criminals, that of innocents...and they know no state of existence other than being gunmen. The older of the two, introspective Eli (Reilly) rides hard with his younger sibling yet dares to dream of a normal life. The younger of the two, hard-drinking Charlie (Phoenix) has taken charge with gusto as lead man on the duo's assignments. Each increasingly questions, and quibbles with, the other's methods.