Browse Movies : R : I (Page #2)

The ruthless King Hyperion (Mickey Rourke) leads his bloodthirsty army on a murderous rampage across Greece to find a deadly weapon that will destroy humanity. A mortal chosen by Zeus named Theseus (Henry Cavill) must lead the fight against Hyperion and his evil army with the fate of mankind and the Gods at stake.

A contemporary political thriller set in the Middle East and filled with suspense and intrigue, inspired by true events, and ripped from today's headlines. Jim Caviezel (The Passion of the Christ, Person of Interest, Deja Vu) plays an American journalist/blogger who is kidnapped while attending a conference in the Middle East. Taken hostage by the Iranian regime, he is put on trial for trumped-up charges of espionage. His wife, who works for the State Department, quickly realizes that the American government can do nothing. Feeling desperate and alone, she goes to Iran to try to free him herself. This exciting story sheds light on the plight of Americans currently held captive in Iran, about whom the world has forgotten.

In the first year of the German occupation of France, Shosanna Dreyfus (Mélanie Laurent) witnesses the execution of her family at the hand of Nazi Colonel Hans Landa (Christoph Waltz). Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema.

Elsewhere in Europe, Lieutenant Aldo Raine (Brad Pitt) organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as “the basterds,” Raine's squad joins German actress and undercover agent Bridget von Hammersmark (Diane Kruger) on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own....

A comedy about what happens when a small Wisconsin town becomes the main attraction of our political circus. After the Democrat’s top strategist Gary (Steve Carell) sees a video of a retired Marine Colonel (Chris Cooper) standing up for the rights of his town’s undocumented workers, Gary believes he has found the key to winning back the Heartland. However, when the Republicans counter him by sending in his brilliant nemesis Faith (Rose Byrne), what started out as a local race quickly becomes an out-of-control and hilarious fight for the soul of America.

Tells the story of Nemo, an art thief trapped in a New York penthouse after his heist doesn’t go as planned. Locked inside with nothing but priceless works of art, he must use all his cunning and invention to survive.

Rio de Janeiro, 1950. Eurídice, 18, and Guida, 20, are two inseparable sisters living at home with their conservative parents. Although immersed in a traditional life, each one nourishes a dream: Eurídice of becoming a renowned pianist, Guida of finding true love. In a dramatic turn, they are separated by their father and forced to live apart. They take control of their separate destinies, while never giving up hope of finding each other. A tropical melodrama from the director of Madame Satã.

"I Am Love" tells the story of the wealthy Recchi family of Milan, whose lives are rapidly changing. The family patriarch has surprised the family by willing shared ownership of his massive industrial company to both his son Tancredi (Delbono), and his grandson Edoardo Jr. (Parenti). Meanwhile, Edoardo Jr. has other plans, dreaming of opening a restaurant with a talented chef friend, Antonio (Gabbriellini). At the heart of the family is Tancredi's wife and Edoardo Jr.'s mother, Emma (Swinton), a Russian immigrant who has adopted the culture of Milan, and whose existence is shaken when she enters a passionate love affair with her son’s friend Antonio.

"I Hope They Serve Beer in Hell" chronicles Tucker Max’s (Matt Czuchry) trip to a friend’s bachelor party. On that trip, Tucker gets the groom into trouble then abandons him to pursue his own carnal pleasures. After getting banned from the wedding, Max must attempt to get back into his friend’s favor.

Madelyn Reid accidentally learns of her husband’s infidelity when she saves his sexy young mistress (Leonor Watling) from a bungled suicide attempt. When her unsuspecting young rival suggests the two new “best friends” take each other’s advice—on everything—Madelyn sees an opportunity to seize the upper hand. But the plan backfires when the aspiring young actress insists Madelyn keep her end of the bargain—and orders her to star as King Lear in a very amateur production, with Lucy playing The Fool. Things really get out of control when Lucy starts giving Madelyn instructions on dealing with an amorous coworker and a handsome stranger (Aidan Quinn). Marcia Gay Harden gives a hilarious, touching and utterly believable performance in this delightful comedy about two women who become the unlikeliest of friends.

Jane (Streep) is the mother of three grown kids, owns a thriving Santa Barbara bakery/restaurant and has—after a decade of divorce—an amicable relationship with her ex-husband, attorney Jake (Baldwin). But when Jane and Jake find themselves out of town for their son’s college graduation, things start to get complicated. An innocent meal together turns into the unimaginable—an affair. With Jake remarried to the much younger Agness (Lake Bell), Jane is now, of all things, the other woman.

Caught in the middle of their renewed romance is Adam (Martin), an architect hired to remodel Jane’s kitchen. Healing from a divorce of his own, Adam starts to fall for Jane, but soon realizes he’s become part of a love triangle.

Should Jane and Jake move on with their lives, or is love truly lovelier the second time around? It’s…complicated.

A pre-wedding party descends into an existential nightmare when an estranged friend shows up with a mysterious suitcase.

A technical failure (a kind of justifiable negligence, even though it sounds contradictory, but that’s what human actions are) has endangered the lives of the passengers on Peninsula Flight 2549. The pilots, hardened, experienced professionals are striving, along with their colleagues in the Control Center, to find a solution. The flight attendants and the chief steward are atypical, baroque characters who, in the face of danger, try to forget their own personal problems and devote themselves body and soul to the task of making the flight as enjoyable as possible for the passengers, while they wait for a solution. Life in the clouds is as complicated as it is at ground level, and for the same reasons, which could be summarized in two: sex and death.

The travelers in Business Class consist of a pair of newlyweds, partygoers, worn out by their wedding celebration; a financier and embezzler; unscrupulous in business but also a father afflicted by his daughter’s estrangement; an inveterate Don Juan with an uneasy conscience who is trying to say goodbye to one of his women (girlfriends); a rural psychic; a queen of the gossip magazines and a Mexican with an important secret. Each of them has a project in Mexico City, either to work or to escape. They all have some kind of secret, not just the Mexican.

Their defenselessness in the face of danger provokes a general catharsis among the passengers and the crew, and this ends up becoming the best way to escape from the idea of death.

When young couple Tom (Iain De Caestecker) and Lucy (Alice Englert) lose their way while driving to a music festival in the remote Irish countryside, they find themselves trapped in a maze of back-roads with only their vehicle for protection, terrorized by an unseen tormentor hell-bent on exploiting their worst nightmares. Driving, lost and tormented in the night, primal anxieties of the dark and the unknown take hold as the couple realizes that they may have to let the evil in, or that it is already there.

Following the death of her mother and a series of self-inflicted setbacks, young Ingrid Thorburn (Aubrey Plaza) escapes a humdrum existence by moving out West to befriend her Instagram obsession and LA socialite Taylor Sloane (Elizabeth Olsen). After a quick bond is forged between these unlikeliest of friends, the façade begins to crack in both women's lives — with comically malicious results.

When private eye Doc Sportello’s ex-old lady suddenly out of nowhere shows up with a story about her current billionaire land developer boyfriend whom she just happens to be in love with, and a plot by his wife and her boyfriend to kidnap that billionaire and throw him in a loony bin…well, easy for her to say.

It’s the tail end of the psychedelic '60s and paranoia is running the day and Doc knows that "love" is another of those words going around at the moment, like “trip” or “groovy,” that’s being way too overused—except this one usually leads to trouble.

With a cast of characters that includes surfers, hustlers, dopers and rockers, a murderous loan shark, LAPD Detectives, a tenor sax player working undercover, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dentists... Part surf noir, part psychedelic romp—all Thomas Pynchon.

A horror film following a man (Joel Edgerton) as he is learns that the evil stalking his family home may be only a prelude to horrors that come from within.

Secure within a desolate home as an unnatural threat terrorizes the world, the tenuous domestic order he has established with his wife and son is put to the ultimate test with the arrival of a desperate young family seeking refuge.

Despite the best intentions of both families, paranoia and mistrust boil over as the horrors outside creep ever-closer, awakening something hidden and monstrous within him as he learns that the protection of his family comes at the cost of his soul.

In this 1970s set crime drama, a woman is forced to go on the run after her husband betrays his partners, sending her and her baby on a dangerous journey.

Set amidst the backdrop of a 1930s southern speakeasy, the film follows two characters, Percival (Andre Benjamin), the club's piano player, and Rooster (Antwan Patton), the club's lead performer and manager, through intersecting stories of love and ambition.

Set in early-1970s Harlem, If Beale Street Could Talk is a timeless and moving love story of both a couple’s unbreakable bond and the African-American family’s empowering embrace, as told through the eyes of 19-year-old Tish Rivers (screen newcomer KiKi Layne). A daughter and wife-to-be, Tish vividly recalls the passion, respect and trust that have connected her and her artist fiancé Alonzo Hunt, who goes by the nickname Fonny (Stephan James). Friends since childhood, the devoted couple dream of a future together but their plans are derailed when Fonny is arrested for a crime he did not commit.