Browse Movies : 2018

Ever since the accidental death of his only child Cobb Mills has spent his time in a haze of guilt, booze and regret. When he takes a trip to the fateful town where the crash occurred he meets a mysterious, sultry woman. There is a spark between them providing him with hope. But he should have known better, and he soon finds that she carries a dark past which will come to haunt him…

The film centers on Grey Trace, a technophobe in a utopian near-future when computers control nearly everything – from cars to crime-surveillance – who is paralyzed in a freak mugging. But when a billionaire technologist offers him an experimental paralysis cure – an implanted computer chip called STEM – Grey finds that the chip has a voice and a mind of its own.

Everyone’s favorite family of superheroes is back in “Incredibles 2” – but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transistion for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again—which is easier said than done, even when they’re all Incredible.

What’s on your plate? Natalie Portman and Jonathan Safran Foer present this eye-opening look at the food industry and an ethical future free of factory farming.

In June 1971, The New York Times, the Washington Post and the nation’s major newspapers took a brave stand for freedom of speech and reported on the Pentagon Papers, the massive cover-up of government secrets that spanned four decades and four US Presidents. At the time, the Post’s Katherine Graham (Streep) was still finding her footing as the country’s first female newspaper publisher, and Ben Bradlee (Hanks), the paper’s volatile, driven editor, was trying to enhance the stature of the struggling, local paper. Together, the two formed an unlikely team, as they were forced to come together and make the bold decision to support The New York Times and fight the Nixon Administration’s unprecedented attempt to restrict the first amendment.

With a serial killer preying upon girls on campus, Riley, an incoming freshman, finds herself entangled in a sinister plot involving a dark secret at the sorority that she pledged, while her father, Cole – the detective investigating the case – must uncover the identity of the killer before it’s too late…and Riley becomes the next victim.

Against the explosive backdrop of the Iraq War, young soldiers Brandon Bartle (Alden Ehrenreich) and Daniel Murphy (Tye Sheridan) forge a deep bond of friendship. When tragedy strikes the platoon, one soldier must return home to face the hard truth behind the incident, and help a grieving mother (Jennifer Aniston) find peace.

The story follows native New Yorker Rachel Chu (Wu) as she accompanies her longtime boyfriend, Nick Young (Golding), to his best friend’s wedding in Singapore. Excited about visiting Asia for the first time but nervous about meeting Nick’s family, Rachel is unprepared to learn that Nick has neglected to mention a few key details about his life.

It turns out that he is not only the scion of one of the country’s wealthiest families but also one of its most sought-after bachelors. Being on Nick’s arm puts a target on Rachel’s back, with jealous socialites and, worse, Nick’s own disapproving mother (Yeoh) taking aim. And it soon becomes clear that while money can’t buy love, it can definitely complicate things.

When Ellen, the matriarch of the Graham family, passes away, her daughter's family begins to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited. Making his feature debut, writer-director Ari Aster unleashes a nightmare vision of a domestic breakdown that exhibits the craft and precision of a nascent auteur, transforming a familial tragedy into something ominous and deeply disquieting, and pushing the horror movie into chilling new terrain with its shattering portrait of heritage gone to hell.

Inspired by one of the longest and bloodiest real-life events in police history. Officer Mike Chandler (Nicolas Cage) and a young civilian passenger find themselves under-prepared and outgunned when fate puts them squarely in the crosshairs of a daring bank heist in progress by a fearless team of highly trained and heavily armed men.

Four young men mistake their lives for a movie and attempt one of the most audacious heists in U.S. history.

Joan Castleman (Glenn Close) is a highly intelligent and still-striking beauty – the perfect devoted wife. Forty years spent sacrificing her own talent, dreams and ambitions to fan the flames of her charismatic husband Joe (Jonathan Pryce) and his skyrocketing literary career. Ignoring his infidelities and excuses because of his "art" with grace and humor. Their fateful pact has built a marriage upon uneven compromises and Joan's reached her breaking point. On the eve of Joe's Nobel Prize for Literature, the crown jewel in a spectacular body of work, Joan's coup de grace is to confront the biggest sacrifice of her life and secret of his career. THE WIFE is a poignant, funny and emotional journey; a celebration of womanhood, self-discovery and liberation.

Best F(r)iends: Volume Two follows Sestero’s drifter as he makes a run for it. He finds himself on an expedition across the Southwest, where he encounters wild and crazy characters through a series of twisted and dark foibles. While his misadventure teaches him a valuable lesson about friendship and loyalty, Wiseau’s mortician carries the story home with more than a few surprises.

The film is the shocking true story of the investigation and trial of Dr Kermit Gosnell - his 30 year killing spree and the political and media establishment that tried to cover it up. Who can the investigators really trust when a routine drugs investigation uncovers a scandal that goes all the way to the top?

Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth 1. Each young Queen beholds her “sister” in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth’s sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones – and change the course of history.

Two young assistants in New York City realize they can make their lives easier by setting up their workaholics bosses to date. While trying to perpetuate this romantic ruse between their nightmare bosses, the assistants realize they might be right for each other.

When an injured male leftist on the run discovers the remote stronghold of the Female Liberation Army -- a radical feminist terrorist group whose mission is to usher in a female world order -- one of the members takes pity on him and hides him in the basement. However, the man in the basement is just one of many secrets threatening to disrupt the FLA’s mission from within.

From Academy Award-winning director Steve McQueen (12 Years a Slave) and co-writer and bestselling author Gillian Flynn (Gone Girl) comes a blistering, modern-day thriller set against the backdrop of crime, passion and corruption. Widows is the story of four women with nothing in common except a debt left behind by their dead husbands' criminal activities. Set in contemporary Chicago, amid a time of turmoil, tensions build when Veronica (Oscar® winner Viola Davis), Linda (Michelle Rodriguez), Alice (Elizabeth Debicki) and Belle (Cynthia Erivo) take their fate into their own hands and conspire to forge a future on their own terms.

A couple tries to raise a 4-year-old-son who prefers to dress up as a princess instead of G.I. Joe.

After recently unveiling her new sculptural exhibit on Irish urban legends, artist Melanie Thomas is contacted by Father Alistair Burke, a reclusive Irish priest who, legend has it, once painted the portrait of a young girl who later disappeared on the very day her image vanished from the painting. Now, summoned by Burke and his cohort to the Irish countryside for a special art commission, Melanie eagerly accepts the offer, never stopping to consider that some urban legends might be true.